Marcel Cartier

Marcel Cartier was born in Heidelberg, Germany on October 4, 1984. His mother is Finnish and his father is American. Much of his childhood was spent on military bases across the globe, traveling with his father while he worked for the US military. In his teenage years, Cartier was introduced to the music of Dead Prez and KRS-One, both of which influenced his own music later into his adult life. [2] Cartier claims to have chosen hip-hop music as a career because he believes that this genre is easy for conveying political messages.[3] Between 2002-2005 he was a member of the Communist Party USA and between 2009-2016 a member of the Party for Socialism and Liberation.

Cartier's music often focuses on themes of Anti-Colonialism, Feminism,[2] racism,[4] Socialism,[5] Palestinian statehood,[6] and Labor rights.[7] Artists he has collaborated with include Akala, Lowkey, and Immortal Technique. For his music's contribution to the Palestinian solidarity movement, he was awarded the honour of contributing to Lowkey's event 'Long Live Palestine' concert in 2011, organised by 'Sounds of Liberation' in Brooklyn, New York.[8] Teaming up with the Palestinian solidarity group Existence is Resistance (EIR), he co-created the documentary Hip Hop is Bigger than the Occupation[9] while taking part in an international delegation to Palestine[10] alongside other hip-hop artists including Lowkey, Nana Dankwa, Mazzi, M1, and Dead Prez[11] who happened to have been one of Cartier's teenage idols.

Between 2014-2015 while working for RT he travelled to Iraq, Egypt, Cuba, North Korea, Turkey, Venezuela and Ukraine,[12] during which he witnessed and reported on the War in Donbass. In 2015 he began working as a producer for Sputnik radio programs, a job he held until 2017.[13]

The German conservative daily newspaper FAZ has claimed that RedFish documentaries are being used as a propaganda outlet by Russia.[14]

In Spring 2017 he witnessed the Syrian civil war while travelling with an international delegation to Syrian Kurdistan, his journey facilitated by filmmaker Mehmet Aksoy who was killed by ISIS later that same year. While in Kurdistan he heavily interviewed and collected the experiences of anti-ISIS fighters belonging to the Women's Protection Units and People's Protection Units. Describing the environment in Rojava as “a feeling, a spirit, the life and soul of a revolution”,[15] he began centering much of his journalism and music around Kurdish issues. He recorded these experiences in his first book Serkeftin: A Narrative of the Rojava Revolution and published by Zero Books, the largest imprint of John Hunt Publishing.[16] The Morning Star gave a positive review,[17] while Publishers Weekly gave a mixed review describing the book as a "valuable and revealing account of the nascent institutions of Syria’s Kurdish warriors" but criticised it for its overuse of "uneven, utilitarian prose" and described him as having a "rose-coloured" outlook.[18] Cartier later expanded his ideas on Kurdish nationalism within his second book, a self-published collection of essays that were originally published by TheRegion and titled Berxwedan: Writings on the Kurdish Freedom Movement.[19] He was the U.S. West Asia Policy editor for TheRegion.org before the project's closure after the death of its lead editor.[20]