Margaret Forster

Forster's first published novel, Dames' Delight, loosely based on her experiences at Oxford, launched her writing career in 1964.[2] Her second, published the following year, was a bestseller: Georgy Girl describes the choices open to a young working-class woman in London in the Swinging Sixties. It was adapted as a successful 1966 film starring Lynn Redgrave as Georgy, with Charlotte Rampling, Alan Bates and James Mason,[1][2][5] for which Forster co-wrote the screenplay with Peter Nichols.[6] The film's title song was a hit for the Seekers and later featured in the top fifty of Rolling Stone magazine's "500 Greatest Pop Songs of all time".[1] The book was also adapted as a short-lived Broadway musical, Georgy, in 1970.

Forster wrote prolifically in the 1960s and 1970s, while bringing up three children, but later criticised many of her own early novels as "skittery",[2] feeling she had not found a voice until her 1974 novel, The Seduction of Mrs Pendlebury.[2] Those early novels are mainly light and humorous, driven by a strong plot.[3] An exception was The Travels of Maudie Tipstaff (1967), which presents the difference in values between generations in a Glaswegian family.[2]

The theme of family relations became prominent in her later works. Mother, Can You Hear Me? (1979) and Private Papers (1986) are darker in tone. She tackled subjects such as single mothers and young offenders.[3] Have the Men Had Enough? (1989) scours care of the elderly and the problem of Alzheimer's disease, inspired by her mother-in-law's decline and death from the disease.[3][7] In 1991, she and her husband, Hunter Davies, contributed to a BBC2 First Sight episode "When Love Isn't Enough", telling Marion Davies's story; Forster sharply criticised government policies on care for the elderly.[8]

The publisher Carmen Callil sees as Forster's best work Lady's Maid (1990), a historical novel about Elizabeth Barrett Browning viewed through the eyes of her maid.[3] Diary of an Ordinary Woman (2003), narrated as the diary of a fictional woman who lives through the major events of the 20th century, is so realistic that many readers believed it was an authentic diary.[3][5][7] Other later novels include The Memory Box (1999)[6][7] and Is There Anything You Want? (2005).[6] Her final novel, How to Measure a Cow, was published in March 2016.[1]

Forster published over 25 novels.[5] A lifelong feminist and socialist, most of her works address these themes.[1][2] Callil ascribes to Forster a world view "shaped by her sense of her working-class origins: most of her stories were about women's lives."[1] Author Valerie Grove places her novels as being about "women's lives and the deceit within families".[1]

Forster's non-fiction included 14 biographies, historical works and memoirs.[3] Her best-known biographies are those of the novelist Daphne du Maurier (1993) and the poet Elizabeth Barrett Browning (1988).[1][5] The former was a groundbreaking exploration of the author's sexuality and her association with Gertrude Lawrence,[1] filmed by the BBC as Daphne in 2007.[3] In her biography of Barrett Browning, Forster draws on recently found letters and papers that shed light on the poet's life before she met and eloped with Robert Browning, replacing the myth of an invalid poet guarded by an ogre-like father with a more nuanced picture of an active, difficult woman, complicit in her virtual imprisonment.[9][10][11]

Forster also wrote fictionalised biographies of the novelist William Makepeace Thackeray (1978)[1][5] and the artist Gwen John (2006).[12] Significant Sisters (1984) chronicled the growing feminist movement through the lives of eight pioneering British and American women: Caroline Norton, Elizabeth Blackwell, Florence Nightingale, Emily Davies, Josephine Butler, Elizabeth Cady Stanton, Margaret Sanger and Emma Goldman.[2][3][13] Good Wives (2001) surveyed contemporary and historical women married to famous men, including Mary Livingstone, Fanny Stevenson, Jennie Lee and herself.[2][6] Her other historical writings include Rich Desserts and Captain's Thin (1997), an account of the Carr's biscuit factory in Carlisle.[2]

Forster's two memoirs based on her family background, Hidden Lives: A Family Memoir (1995) and Precious Lives (1998) join an autobiographical My Life in Houses (2014).[1][2][3] Hidden Lives, drawing on the life of her grandmother, a servant with a secret illegitimate daughter, was praised by the historian and critic Claire Tomalin as "a slice of history to be recalled whenever people lament the lovely world we have lost."[2] Frances Osborne cites it as her own inspiration for becoming a biographer: "It opened my eyes to how riveting the history of real girl-next-door women could be."[14] The sequel, Precious Lives, tackled Forster's father, whom she reportedly disliked.[2][3]