Marie-Thérèse Walter

Woman in Hat and Fur Collar (Marie-Thérèse Walter) Paris, 4 December 1937

On 8 January 1927, Marie first met Picasso in front of the Galeries Lafayette in Paris. Author Herbert T. Schwartz dates their first meeting back to January 1925 at Gare Saint-Lazare, Paris; whereas author Roy MacGregor-Hastie dates the encounter up to 8 January 1928. At the time Picasso was married to Olga Khokhlova, a Ukrainian ballerina, with whom he had a five-year-old son. He and Walter, then seventeen years old, began a relationship which was kept secret from his wife until 1935. From 1927 onwards, Walter lived close to Picasso's family, who lived in an apartment provided by and next door to his art dealer and friend, Paul Rosenberg, in Rue La Boétie. From 1930, she stayed in a house opposite Picasso's at Rue La Boétie 44.[1]

In July 1930, Picasso bought a castle at Boisgeloup close to Gisors in the Normandie, which he used as a studio for sculptures mainly. Marie was the unseen shadow of the family and became his model and muse for both paintings and sculptures.[2]

In 1935, Marie became pregnant. When Picasso's then-wife Olga was informed by a friend that her husband had a longtime relationship with a woman who was expecting a child, she immediately left Picasso and moved to the South of France with their son, Paulo. Picasso and Olga never divorced, although Picasso was intent on it and explored the legal possibilities, Olga was "bitterly opposed to the whole thing";[3] instead she impounded his work until he came to terms eventually paying her a large allowance,[4] they lived separately until her death in 1955.

On 5 September 1935, Picasso and Marie's daughter, María de la Concepción, called "Maya", was born. Marie and Maya stayed with Picasso at Juan-les-Pins in the South of France from 25 March to 14 May, 1936, and then at Le Tremblay-sur-Mauldre, 25 kilometres (16 mi) from Versailles, where Picasso visited on the weekends and some weekdays to play with his daughter. Maya also modeled for some of his paintings, including Maya with Doll (1938).

Marie-Thérèse became jealous when Picasso fell in love with Dora Maar, a surrealist photographer and model for Picasso, in 1935. Once, she and Maar met accidentally in Picasso's studio when he was painting Guernica. Asked about this in later life, Picasso allegedly remarked that he had been quite happy with the situation and that when they demanded that he choose between them, he told them that they would have to fight it out themselves, at which point the two women began to wrestle. The art historian and friend of Picasso, John Richardson, says this story was not true, that both Dora Maar and Picasso told him it never happened and there is no direct evidence that it ever did. More likely the event is imagined from the pictorial representation of Walter and Maar who appear as if in battle at opposite ends of the composition of Guernica.[5]

Whereas Picasso portrays Dora in his works of art as dark and in pain, as The Weeping Woman, he painted Marie-Thérèse as just the opposite, blonde and bright.[6]

In 1940, Marie and Maya moved to Paris, Boulevard Henri IV no 1, since the house at Le Tremblay-sur-Mauldre was occupied during World War II.

Picasso supported Marie-Thérèse and her child financially, but he never married her.

On 20 October 1977, four years after Picasso's death, Marie-Thérèse committed suicide at Juan-les-Pins, South of France.[7] Her daughter Maya had three children. One of Maya's sons, Olivier Widmaier Picasso, published a biography of his famous grandfather entitled Picasso: The Real Family Story.[8] Maya's daughter, Diana Widmaier Picasso, is currently working on a catalogue raisonné of her grandfather's sculptures.