Mark Miremont

Miremont shoots stylized portraits and often erotic figure studies of notable people in alternative culture like: Dita Von Teese, Mamie Van Doren, KMFDM, Soundgarden, Switchblade Symphony. The Chop Tops, Alejandro Jodorowsky, Julie Strain, Puma Swede, Jessica Jaymes, Toad The Wet Sprocket, Chris Whitley, Lazlo Bane, Gren, Masuimi Max, and many others.[1][10] His photography has been exhibited around the world and featured in the alternative culture and art press: Argentinian Art Magazine, Revolutionart calls his work, "brash", "sensual" and "largely responsible for the resurgence of the pinup".[1] YNOT Europe describes his work as "wildly original and perfectly composed".[10] AVN Magazine calls his work, "distinctive";[14] and he has been dubbed, "The Pope of Pinup", by Italian Art Magazine STIRATO.[15][16]

In 2004, Miremont released a collection of eight short films under the title "Carnival of Desires". Each film explores a different theme related to desire and according to AVN, was "shot at an opulent mansion... using a variety techniques".[14] In his review, AVN Editor, Tim Connelly, called it a "glittering and unbelievably hypnotic dreamscape" with "Felliniesque moments of Technicolor fantasy".[17]

From 2010–2011, Miremont had a solo exhibit of his photography at La Galerie Provacatrice in Amsterdam, entitled "The Resurrection of Beauty".[10][18] The exhibit coincided with the premiere of an early cut of his feature length experimental film of the same name. The film stars several notable models, including Dita Von Teese.[19][20] The screening took place at the world's largest annual alternative fashion event, Wasteland, for an audience of over 6000 people.[18][21]

In conjunction with the solo photography exhibit and film premiere, the gallery published Miremont's "The Resurrection of Beauty: a manifesto for 21st century art".[18][22][23] Edward Grande of The University of York wrote that Miremont's manifesto is "concerned with refuting the beliefs of artistic rivals"; in this case, Dadism and Conceptual Art. Grande adds that, "though offering engaging discourse on current issues", the manifesto is "ostentatious".[24] The University of North Carolina's Aesthetic Manifesto Analysis lists two central lines from the manifesto as: "Beauty is the purpose of art, just as a building is the purpose of architecture" and "The utility of art is to inform us of beauty, just as the utility of science is to inform us of truth."[25] An aphorism from the manifesto, "It is far more revolutionary to be sincere, romantic and idealistic", was used and credited in a 2011 marketing campaign by the French cognac brand, Courvoisier.[26][27]