Marquise Lepage

Born in 1959, Lepage is the seventh child of a family of nine.[12] The first film she saw as a child was Disney’s Bambi.[12] After high school, she went on to study social sciences at Cégep de Saint-Jérôme.[13] She had no family members working in the film business and had only basic knowledge of cinema when she decided to pursue her post-secondary studies in Communications at the Université du Québec à Montréal (UQÀM): "I knew nothing about the industry or anyone who had anything to do with cinema ... I walked into it with great naivety. But it served me. If I had seen the big picture and all that it takes to succeed, I might have been scared!" [14] She went on to complete a Masters in Film Studies at Université de Montréal.[13][15]

Lepage has two children, twins Alice and Jérémie, born in 1995.[16] She named her daughter after Alice Guy-Blaché, about whom she made the documentary The Lost Garden (Le Jardin oublié) in 1995.[16] Marquise has been living in the Villeray neighborhood of Montreal for over 20 years. In 2015, in order to finance the post-production of her latest feature film Ce qu’il ne faut pas dire (One Night Stand: A Modern Love Story), she decided to sell the house where she raised her children.[17]

Lepage’s career began in 1983, when she became an associate for production company Les Productions du Lundi matin,[13] which had notable Quebec film producer Marcel Simard at its head. Simard gave Lepage her first break when she directed Marie s’en va-t-en ville, her first feature film.[18] The movie is about a love story between Marie, a thirteen year-old runaway, and Sarah, a prostitute in her forties.[19] Lepage stayed with the Les Productions du Lundi matin until 1991.[13]

In 1991, she was hired by the National Film Board of Canada (NFB) where she worked until 1994.[13] There, she directed Dans ton pays, a short film about two elementary-school classmates from different racial groups who become friends.[20] She also directed her second feature film, a children’s movie titled La fête des rois, starring a young Marc-André Grondin.[21]

Lepage was president of the Association des réalisateurs et réalisatrices du Québec (ARRQ) for two years, from 1990 to 1991.[22]

From 2007 to 2012, she was president of Réalisatrices Équitables (RÉ), which she initiated with the help of other québécoises filmmakers.[23] RÉ is "a non-profit organization founded in 2007. Its members are Québec female professional film directors".[24]

Lepage founded Les Productions du Cerf-Volant in 2008. After producing several web projects and TV movies on her own, she wrote, directed, and produced One Night Stand: A Modern Love Story, a mix between a romantic comedy and a drama. It tells the story a young filmmaker in her thirties (played by Annick Fontaine) who has a heavy secret which complicates her already unstable love life.[25] The film was produced independently, without the help of Canadian funding institutions. Some of the funds were raised through a crowdfunding campaign on Indiegogo.[11] The initial goal was $15,000 but she raised $16,780 in two months.[26] The film was released on May 29th, 2016 in two theatres, one in Montreal and another in Quebec City. It remained in theatres for two weeks and was ranked 18th among 32 other Quebec films in terms of admissions.[27]

Marquise is currently working on a new fiction film, titled Apapacho, a Spanish word meaning "cuddle". The project will be a co-production between Canada and Mexico and the filming will take place in Quebec and in a small village in Mexico. Lepage has already received some financing from institutions in both countries and she is currently working on the screenplay. The film will tell the story of two sisters who travel to Mexico together following their other sister's death. It is set to star Mexican actress Sofía Espinosa and three actresses from Quebec which have yet to be cast.[28]

Lepage has written, directed, and produced documentaries and fiction films in various formats (feature-length, shorts, etc.): "When asked why she does both (fiction and documentary), she answers jokingly that she still does not know what she will do when she grows up."[29]

Interviewed about her preference for screenwriting or directing, Lepage answers:

"These crafts are complementary but I like screenwriting because it is a painstaking task, which is done alone. On the other hand, directing is like a big party full of people. And filming is not always carried out in ideal conditions. We don't always have time to think." [30]

Lepage says she loves working with the same collaborators over and over: "From one time to the next, we learn to know each other, to understand each other, and often even to love each other. What happens on a film set is very special." [29]

A perpetual issue explored in Lepage's works, both documentaries and fictions, is childhood and injustices affecting children.[31] She received the Golden Sheaf Award for Best Social Documentary for Of Hopscotch and Little Girls (Des marelles et des petites filles) in 2000,[32] a movie which tells the story of girls around the world who suffer from poverty, forced labour or sexual abuse.[33]

Lepage is preoccupied with discrimination made against women, but also with the underrepresentation of women in the film industry: "The imagination and creativity of women are not exploited enough on screen. It seems to me that a gap that needs to be filled."[34] Her concerns were at the basis of her documentary The Lost Garden (Le Jardin oublié) about French-American filmmaker Alice Guy-Blaché who lived from 1873 to 1968[31] and directed over 1,000 films but was forgotten by history. The film won Best Auteur Documentary at the Gémeaux Awards in 1996.[35]

Lepage's preoccupation with social injustices was reflected in her 2009 feature documentary Martha of the North (Martha qui vient du froid). It tells the story of Martha Flaherty, granddaughter of documentarian Robert Flaherty, who, along with her family and dozen other Inuit, was "displaced by the Canadian government and left to their own devices in the Far North" in the 1950s as part of the High Arctic relocation.[36][37] It took over two years for Marquise to convince Martha to tell her story and it took more than six years of production before the film was released.[38] The film was well received by critics and was nominated for Best Screenplay at the Gémeaux Awards.[39] On August 18, 2010, following its release, the Canadian Minister of Indian Affairs and Northern Development, "issued an apology to Inuit relocatees, their families, and all Inuit, for relocating Inuit families to the High Arctic and for the hardship and suffering caused by the relocation."[40]

In Martha of the North, as in many of her other films, Lepage uses conventions proper to both fiction and documentary:

"I believe a film should not suffer because parts of the story are poorly served from an iconographic point of view. The strength of fiction is that it allows us to enter in contact with the emotions more directly. Whether in fiction or documentary, it is important to feel for the real or fictitious characters. If people come out of the theatre and they haven't been touched by the film, we've missed our goal!" [41]

In 2013, as a sequel to Martha of the North, Lepage released the documentary web series and educational website Iqqaumavara. The website presents 12 short films and some information about the High Arctic relocation. It is available in French, English and Inuktitut.[42]

In a 1987 interview, Marquise said her work was influenced, among others, by the Quebecois films Good Riddance (Les Bons débarras), Sonatine, and Ça peut pas être l'hiver, on n'a même pas eu d'été.[43]

• 2009: Women of Distinction Award in Arts and culture, Women's Y Foundation[65]
• 1999: Names Artiste pour la paix, Les Artistes pour la paix[66]
• 1991: Woman of the Year in the field of Arts[13]
• 1990: Invited to Hollywood for the event "A New Wave from Québec"[13]
• 1988: Quebec representative at the Tokyo Film Festival[13]

• 2007-2009: Board Member of the Academy of Canadian Cinema & Television
• 2001-2003: Collaborator at the Institut national de l'image et du son (INIS)
• 1999-2001: Hired as director for Radio-Canada
• 1991-1994: Hired as director for the National Film Board of Canada (NFB)
• 1990-1991: President of the Association of filmmakers and directors of Quebec (ARRQ)
• 1983-1991: Associate and Board Member of les Productions du Lundi matin
• 1997: Lecturer in Cinema department at Université du Québec à Montréal (UQÀM)
• 1996: Lecturer in Cinema department at Université de Montréal (UdeM)
• Jury member for national and international festivals.
• Writer for various publications.
• Mentor to young screenwriters and male and female filmmakers.
• Volunteer for various organizations.

• Marquise Lepage at IMDb
• Les Productions du Cerf-Volant Official Website