Mate. Feed. Kill. Repeat.

In late 1995, Slipknot and producer Sean McMahon entered SR Audio, a studio in the band's hometown of Des Moines, Iowa to work on what they intended to be their debut album.[3] Retrospectively, McMahon said that the band was "driven" because they spent the majority of their time in the studio for the four months it took to produce the album.[3] Slipknot self-financed the production, which came to an estimated $40,000.[3] The band expressed how much of a learning process this time was, being the first time they had recorded their music, specifically the challenge of capturing additional percussion elements.[4]

The band aimed for a tribal sound, but encountered problems including minuscule timing errors. However, during this period, Slipknot refined their percussive sound by experimenting with erecting walls to isolate the drums and rearranging parts.[4] In February 1996, during the mixing process, guitarist Donnie Steele decided to leave the band for religious reasons and as a result, Craig Jones joined the band to fill the spot.[5] However, the band realized that they were incorporating too many samples on their recordings and could not reproduce these sounds live. To solve this problem, Jones moved to full-time sampler and Mick Thomson joined as a guitarist.[6] Originally, the band had planned to include twelve tracks on the CD,[7] two of which – "Fur" and "Part of Me" – already appeared on their first demo in 1995. In the end, Mate. Feed. Kill. Repeat. was released with only eight tracks on October 31, 1996. To commemorate the release, the band threw a release party at The Safari, a local club where the band played many of their earliest gigs.[8]

The musical style of Slipknot is constantly contested due to the genres their music covers; however, Mate. Feed. Kill. Repeat. is the band's most experimental release and differs significantly from the heavier style for which the band became known.[9] One of the band's initial aims was to mix many genres of music to achieve their own style; an early incarnation of the band was called "Meld" based upon this.[9] However, tracks such as "Slipknot", "Some Feel" and "Only One" feature a dominantly heavy metal influence, specifically in the guitars.[10] Tracks such as "Tattered & Torn," "Killers Are Quiet" and "Gently" also include the slow, cerebral angst buildup style that the band retained in some of their more recent work.[10] The album implements elements of jazz and funk, although "Confessions" is the only track on the album dominantly led by these styles.[10] The funk metal song "Do Nothing/Bitch Slap"[11] could be considered the album's most complex song, combining both of these dominant styles as well as implementing areas of disco.[10] The album also incorporates elements of death metal.[2] The album title and the majority of the lyrics are references to the role-playing game Werewolf: The Apocalypse.[12] Vocalist Anders Colsefni and percussionist Shawn Crahan shared a mutual interest in the game, which largely influenced the band. Colsefni said: "The attraction was being able to play a different person", declaring that this was the essence of Slipknot.[12]

Professional ratings

Review scores
Source	Rating
AllMusic	[2]

The original pressing of the album was limited to 1000 copies.[11] Since the band's rise to fame in 1999, it has been a sought-after rarity for Slipknot fans.[13] Upon its initial release, the band distributed the album independently, handing them out to fans, radio stations, and record labels.[13] On June 13, 1997, -ismist Recordings took over the distribution of the remaining 386 copies of the album.[13] These original pressings have since grown in value considerably. Due to the large amount of interest in the album and the low numbers of originals, there have been many bootlegged versions of the album sold including CD, MP3 and even vinyl.[14]

The italian melodic death metal band Jumpscare paid tribute to the band by titling their fifth track on their debut album as Mate Feed Kill Repeat[15]

All tracks are written by Slipknot.

Works cited

• Arnopp, Jason (2001). Slipknot: Inside the Sickness, Behind the Masks. Ebury. ISBN 0-09-187933-7.
• Crampton, Mark (2001). Barcode Killers: The Slipknot Story in Words and Pictures. Chrome Dreams. ISBN 1-84240-126-2.
• McIver, Joel (2003). Slipknot: Unmasked (again). Omnibus. ISBN 0-7119-9764-0.