Matika Wilbur

Matika Lorraine Wilbur is a member of the Swinomish and Tulalip tribes of the State of Washington where she was raised in a family of commercial fishermen. Before focusing on photography as a tool for social justice, Matika received her teaching certification and worked in primary education at The Tulalip Heritage High School [1] for 5 years. There, she experienced firsthand the lack of educational resources to teach indigenous intelligence and dismayed that the curriculum being taught did not provide Native youths with positive imagery and understanding. Thus began the momentum behind Project 562.

Matika Wilbur
Born (1984-04-28) April 28, 1984
NationalityAmerican (Swinomish/Tulalip)
Alma materBrooks Institute
Known forProject 562
Styleportrait photography
MovementNative photography
Websitematikawilbur.com

Life

Wilbur was born on April 28, 1984. She grew up in La Conner, Washington and graduated from La Conner High School.[2] She received her bachelor's degree from the Brooks Institute of Photography in 2006.

Art career

Wilbur's three initial photographic projects include We Are One People, a photograph collection of Coast Salish elders; We Emerge, a photograph collection of Native people in contemporary settings, and Save the Indian and Kill the Man, a collection of Native youth expressing their identities.[3] Her other work includes "iHuman", presenting images interwoven with cedar bark.[4][5]

The artist specializes in hand-tinted, black-and-white silver gelatin prints.[2] She plans on publishing a book about her photography.[6]

Project 562

Project 562 is Wilbur's fourth major project to document contemporary Indigenous peoples. She began traveling throughout the US in November 2012 with the goal of photographing members all US tribes on their tribal lands.[2] She has traveled 250,000 miles documenting indigenous people.[7] She raised over $35,000 for her expenses in a Kickstarter campaign.[8] The title Project 562 refers to the number of Indigenous North American tribes officially recognized by the United States at the time Wilbur began the work. That number has since changed, reflecting the ongoing legal efforts of individual tribes to regain legal status after the decimation of tribal status under the United States Termination policy. Wilbur notes that her grandmother came to her in a dream suggesting she do this work of photographing a member from every federally recognized tribe. She works collaboratively with tribal leaders and members to create the photographs.[9] Wilbur conceives of Project 562 as an answer to Edward Curtis' photographs, a century earlier, of Indigenous Americans. Project 562 shows Indigenous Americans through the lens an Indigenous American photographer.[10]

Podcast

Wilbur also hosts the podcast "All My Relations" with Adrienne Keene. The podcast's purpose is "to explore our relationships— relationships to land, to our creatural relatives, and to one another. Each episode invites guests to delve into a different topic facing Native peoples today as we keep it real, play games, laugh a lot, and even cry sometimes."[11]

Selected exhibitions

Notes
  1. "Matika Wilbur Photography". www.matikawilbur.com. Retrieved 2015-12-09.
  2. Glazier, Garen (31 May 2016). "Matika Wilbur". NSL: North Sound Life. Retrieved 26 August 2016.
  3. Walker, Richard (2013-01-15). "Photographer Matika Wilbur's Three-Year, 562-Tribe Adventure". Indian Country Today Media Network.
  4. "Blog - Project 562- A Photo Project by Matika Wilbur documenting Native America". www.matikawilbur.com. Retrieved 2015-12-09.
  5. "Matika Wilbur". tacoma.emuseum.com. Retrieved 10 February 2017.
  6. "How Matika Wilbur Shows Native Americans Through a Different Lens". Retrieved 2016-07-31.
  7. Isler, Hilal (2015-09-07). "One woman's mission to photograph every Native American tribe in the US". the Guardian. Retrieved 2016-07-31.
  8. Richardson, Whitney. "Rejecting Stereotypes, Photographing 'Real' Indians". Retrieved 2016-07-31.
  9. Raymond, Claire (2017-04-21). Women Photographers and Feminist Aesthetics. doi:10.4324/9781315628912. ISBN 9781315628912.
  10. Raymond, Claire (2017-04-21). Women Photographers and Feminist Aesthetics. doi:10.4324/9781315628912. ISBN 9781315628912.
  11. "All My Relations | HOME". All My Relations. Retrieved 2020-04-08.
  12. "Photographic Presence and Contemporary Indians: Matika Wilbur's Project 562". Tacoma Art Museum. Retrieved 26 August 2016.
  13. "Tom Jones". Art Department Faculty Quadrennial Exhibition. Chazen Museum of Art. p. 34. Retrieved 26 August 2016.
  14. "As We See It: Contemporary Native American Photographers". 516 ARTS. Retrieved 26 August 2016.
  15. "Seeds of Culture: The Portraits and Stories of Native American Women". Racliffe Institute for Advanced Study. Harvard University. Retrieved 27 August 2016.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.