Meantime (album)

After the release of their nine-song debut album Strap It On, the band found themselves at the center of a major label bidding war,[6][7] eventually signing to Interscope for a reported budget of US$1 million.[6] In the wake of the grunge band Nirvana's recent success, many touted Helmet as the next big thing.[6] Regarding the band's label as "the next Nirvana", Hamilton said "They were interested in us before Nirvana even broke. And that's good, because we're obviously not it. I actually had an A&R guy at one label tell us that we were the next U2. At a certain point it just becomes ludicrous."[8]

The song "In the Meantime" was recorded by Steve Albini and later remixed by Andy Wallace. Wallace would make additional changes to the album and the contrast between his style of mixing, which involves (among other things) triggered samples and a cleaner, more polished sound (leading to the album's distinctive half wood, half metal snare drum sound), irritated Albini. Later, when in negotiations to record Nirvana's In Utero, he stipulated a clause be added to his contract stating that Wallace would not be allowed to remix the album, after he had mixed Nevermind, which was released nine months before Meantime.

Professional ratings

Review scores
Source	Rating
AllMusic	[6]
Chicago Tribune	[9]
Christgau's Consumer Guide	[10]
Entertainment Weekly	B−[11]
Kerrang!	5/5[12]
The Philadelphia Inquirer	[13]
Rolling Stone	[14]
The Rolling Stone Album Guide	[15]
Select	4/5[16]
Spin Alternative Record Guide	8/10[17]

Meantime was Helmet's first breakthrough album. Upon its release in June 1992, Meantime peaked at number 68 on the Billboard's Top 200 album chart and number one Top Heatseekers chart. The album granted Helmet international recognition. To date, Meantime is the only Helmet album to go gold in the United States.

The album received positive reviews, John Franck of AllMusic labeled Meantime "arguably one of the most influential and overlooked rock records of the '90s". He praised the music "colored by Teutonic riffs, with only 'Unsung' hinting at a gasp of commercial accessibility". In regards to the album's success, he also claims that Helmet "were curiously touted as the next big thing". Meantime received a rating of four and a half out of five stars, while "Unsung", "Give It" and "In the Meantime" earned Helmet its heaviest airplay on MTV and radio stations.[5][6] Steffan Chirazi of Kerrang! defined the album "a wall of angry, bitter and agonised New York street cries", giving it maximum ratings.[12]

The sound of Meantime, with Page Hamilton's staccato riffs, jazz-influenced chords and solos, and dual-voice singing style, proved influential to nu metal and alternative metal bands. This album, along with Betty and Aftertaste, is considered a definitive influence in post-metal.[18] In 2017, Rolling Stone ranked Meantime as 54th on their list of 'The 100 Greatest Metal Albums of All Time.'[19]

On September 16, 2016, Magnetic Eye Records released a compilation called Meantime (Redux) that featured song for song covers of the original Helmet album by various artists including KEN mode, Fuck the Facts and Rosetta.[20][21]

The album cover features an image of a man in a white protective suit shoveling some substance on the ground. It is taken from a photograph by David Plowden, "Puddler In Blast Furnace Cast House, Steel Mill, East Chicago, Indiana (1979)".

The album is available with one of two reversely-colored covers; one has a blue background with a white-on-red Helmet logo, and the other has a red background with a white-on-blue Helmet logo (pictured above).

All tracks are written by Page Hamilton.

Credits taken from the CD liner notes.

Helmet

• Page Hamilton - vocals, lead guitar
• Peter Mengede - rhythm guitar
• Henry Bogdan - bass
• John Stanier - drums

Technical

• Helmet - production
• Steve Albini - engineering, "In the Meantime"
• Wharton Tiers - engineering, all songs except "In the Meantime"
• Andy Wallace - mixing
• Steve Sisco - assistant mixing, engineering
• Howie Weinberg - mastering