Mexican Radio
"Mexican Radio" is a song by American new wave band Wall of Voodoo. Produced by Richard Mazda, the track was initially released on their 1982 album Call of the West and was released as a single in early 1983. With regular airplay on MTV in their native United States,[2] the song had moderate commercial success, peaking at #58 on the Billboard Hot 100 chart.[3] It did better in other parts of the world, peaking at #18 in Canada, #21 in New Zealand and #33 in Australia.[4] It also reached #64 in the UK.[5]
"Mexican Radio" | |
---|---|
Single by Wall of Voodoo | |
from the album Call of the West | |
B-side | "Call of the West" |
Released | 1983 |
Recorded | 1982 |
Genre | New wave[1] |
Length | 4:08 (album version) 3:55 (single/music video edit) |
Label | IRS Records |
Songwriter(s) | Wall of Voodoo |
Producer(s) | Richard Mazda |
Audio sample | |
"Wall Of Voodoo - Mexican Radio"
|
The song was covered by Swiss extreme metal band Celtic Frost and released in the 1987 album Into the Pandemonium.
Background
Wall of Voodoo frontman Stan Ridgway and guitarist Marc Moreland cited listening to high-wattage unregulated AM Mexican radio stations (among them XERF, XEG, and XERB) as the inspiration for the song.
Moreland was the first to begin writing the song. In a recorded interview in the 1990s, he stated, "It was basically just me singing 'I'm on a Mexican radio' over and over again". Moreland added that, when he played it for his mother, she hated it because of his repetitious lyrics. Ridgway collaborated with Moreland to finish the song, adding all the verse lyrics to Moreland's chorus and guitar lick, as well as the "mariachi" harmonica melody in the song's middle breakdown. When performing live with Wall of Voodoo, Ridgway usually played the mariachi melody via an organ/synthesizer and Bill Noland used a synthesizer to play the melody when performing with Wall of Voodoo in the 1982–1983 era.
Single version
The 7" single mix differs in a few areas from the album cut:
- Ridgway's vocals are mixed differently, with a more pronounced echo effect on certain lines.
- The first few bars of the LP version have no overtalk while the single version does.
- A loud Spanish-speaking DJ voice is present on both versions, but each version's voice is different and is saying different words.
- A significantly louder snare drum part is noticeable in the song's chorus.
- Ridgway chants "radio, radio, oleo, radio" at the song's end, rather than "radio, radio, radio, radio" as he does on the album version. Because of this, the single mix is sometimes called the "oleo" mix.
- A pulsing, mangled synth noise is heard at the end of the song on the album version, but not in the 7" mix. Instead, this sound is heard at the beginning of the track, as well as during the song's instrumental break.
Releases
7" single
Side A
- "Mexican Radio" - 3:55
Side B
- "Call of the West" - 6:00
Two Songs by Wall of Voodoo 12" single
Side A
- "Mexican Radio" - 3:55
Side B
- "There's Nothing on This Side" - 10:00
- Side B is actually two separate tracks. The first is an instrumental piece, which leads directly into "Mexican Radio (Limited Edition Special Dub Mix)" which is unlisted.
1989 mini CD reissue
- "Mexican Radio" - 3:55
- "Tomorrow" - 2:43
- "Call of the West" - 5:35
- Tracks 2 and 3 recorded live at Barstow Auditorium, Barstow, CA on August 18, 1982.
Music video
The music video for the song was produced and directed by Francis Delia at his studio on Hollywood Boulevard in Hollywood, CA, as well as on location in Tijuana, Mexico. Wall of Voodoo rehearsed down the hall from Delia's commercial photography studio and chose him to direct the video. The video's fast cutting, impressionistic dark images and faux documentary style in Mexico made it one of the most popular clips in MTV history to that point in time[8] and was in heavy rotation throughout 1983.
Iconic images include a morbidly obese woman (Ann Marie Bates), uncovering a large bowl of baked beans—cooked by Bob Casale of Devo[9]—from which the face of Stan Ridgway emerges.[10] The Los Angeles studio photography was done in a nearly 24-hour span and left the production bereft of extras, forcing the director to cameo as an anonymous Mexican turning an iguana on a spit over a campfire. The wardrobe for the video was provided by Genny Schorr and Tony Riviera of the Strait Jacket clothing store in Los Angeles.
Charts
Chart (1983) | Peak position |
---|---|
Australia (Kent Music Report)[11] | 33 |
Trivia
In the Season 9, Episode 12 of Seinfeld, "The Reverse Peephole", Kramer sang the main chorus of the song while changing his peephole. In the closing credits, a two-second sting of the chorus was also played.
See also
References
- Raggett, Ned. "Into the Pandemonium - Celtic Frost | Songs, Reviews, Credits". AllMusic. Retrieved July 3, 2020.
A nuclear-strength rip through Wall of Voodoo's West Coast new wave classic 'Mexican Radio,'
- "Where Are They Now? 1982's Biggest Pop Acts". Rolling Stone. August 8, 2012.
- Whitburn, Joel (2004). The Billboard Book of Top 40 Hits, 8th Edition (Billboard Publications)
- Steffen Hung. "New Zealand charts portal". charts.nz. Retrieved March 8, 2014.
- Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 590. ISBN 1-904994-10-5.
- "SP-70963 Promo Only". 45cat.com. Retrieved March 24, 2017.
- "IR-9912". 45cat.com. Retrieved March 24, 2017.
- Delia, Francis; Patrick Goldstein (September 2, 1983). "DELIA FILMS DREAMS, NIGHTMARES". Los Angeles Times. RAD PICS. pp. two (2).
- "Devo - Hosting 'Rage' in Australia 1997" – via www.youtube.com.
- "80sonVEVO GAMV Takeover Week 7 w/ FEATURED VIDEO Wall of Voodoo's "Mexican Radio"". February 26, 2013.
- Kent, David (1993). Australian Chart Book 1970–1992 (illustrated ed.). St Ives, N.S.W.: Australian Chart Book. p. 311. ISBN 0-646-11917-6.