Michael Fernandes (artist)
Michael Fernandes (born in 1944)[1] is a Canadian experimental artist and art educator based in Halifax, Nova Scotia. His work uses familiar, even banal materials to ask the viewer to confront the boundary between daily life and art.[2]
Michael Fernandes | |
|---|---|
| Born | 1944 |
| Nationality | Canadian |
| Known for | installation, performance, audio, bookworks |
Early life
Fernandes was born in Trinidad. He came to Canada to art school in Montreal when he was 17yrs. old.
Career
Initially a painter, Fernandes turned to installation and multimedia to create situations that actively solicit participation from the viewer.[3] Fernandes' texts and interventions explore this intersection of private life with public space.[4]
Michael Fernandes[3]
Fluxus suggested that everyday life should not be excluded from art. It encouraged a direct approach to creating work using the minimum amount of means required. Fernandes extends this approach to use everyday objects and experiences to provoke the viewer to make connections between the installation/performance and the spaces of the viewer's own life.[2] It deliberately leaves room for the viewer to find their own approach to understanding the work, which can be uncomfortable for some.[3]
His approach has been compared to that of Jimmie Durham, David Medalla and David Hammons—all use wit and humour to illuminate attitudes and pre-conceptions based on ethnicity or race.[2]
Fernandes has little interest in preserving objects for posterity or in meeting the viewer's expectations. He is more concerned with an 'ephemeral expressive situation'.[5] The challenge to the viewer is to return from Fernandes' work to experience the artistic moment in the viewer's own life.[3]
He is an instructor in intermedia at NSCAD University.[4]
Exhibitions
He has exhibited extensively nationally, notably at the Blackwood Gallery, Mercer Union, The Power Plant, and YYZ (Toronto,ON); C.I.A.C. (Montreal Biennale); Articule, and Mai, (Montreal, QB), Dunlop Art Gallery (Regina, SK); The National Gallery of Canada, and Saw Gallery (Ottawa, ON); Art Gallery of Nova Scotia, Eye Level Gallery, and Mount Saint Vincent Art Gallery (Halifax, NS); and internationally at P.S.1 (New York, NY); Art Public Calaf (Barcelona, Spain); In The Context of Art Biennale (Warsaw, Poland).[6] His work was included in Traffic: Conceptual Art in Canada 1965-1980, the nationally touring exhibition.[7]
References
- "Archived copy". Archived from the original on 2010-05-03. Retrieved 2010-03-11.CS1 maint: archived copy as title (link)
- Horne, Stephen. "The Artistic Momentary: (Michael Fernandes at the Art Gallery of Nova Scotia) 2004". Stephen Horne: writing on art. Stephen Horne. Archived from the original on 6 October 2013. Retrieved 6 October 2013.
- Eyland, Cliff (1991). "Michael Fernandes". Arts Atlantic. 40 (Spring/Summer): 42–43. Retrieved 5 October 2013.
- "Michael Fernandes". MSVU Art Gallery. Retrieved 5 October 2013.
- Shuebrook, Ron (March 1980). "Michael Fernandes at Eye Level Gallery, Halifax, October 24 - November 14". Vanguard. 9 (2). Retrieved 6 October 2013.
- "Michael Fernandes". Truck Gallery. Retrieved 6 October 2013.
- "Traffic: Conceptual Art in Canada c. 1965 to 1980". University of Toronto Art Centre. Archived from the original on 19 December 2013. Retrieved 6 October 2013.
Further reading
- Régimbal, Christopher, "Whose life are we talking about anyway? Michael Fernandes' One potato, two potato...it's your life...", Fuse Magazine, 2008, 31, 44-46.
- Cronin, Ray, "Who, who, who is Michael Fernandes?" C International Contemporary Art (28 July 2005)
- Horne, Stephen, "The Everyday Escapes," Third Text, winter 1997-98
- Horne, Stephen, "The Everyday Escapes," Abandon Building, 11 Press, Montreal 2007
- Michael Fernandes: Room of Fears and Fixing Room, MSVU Art Gallery , 18 March - 14 May 2006.
- Wark, Jayne and Peter Dykhuis, Michael Fernandes: Room of Fears, Art Gallery Mount Saint Vincent University (09/2006) 72 pp 23 ill. 5 x .5 in 1-894518-34-9
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