Mott the Hoople (album)

Stevens, the group's initial mentor and guide, wanted to create an album that would suggest Bob Dylan singing with the Rolling Stones. This was partially achieved, with the album including several Dylanesque cover versions along with aggressive rock originals. Years later, vocalist Ian Hunter - who had only just joined the band prior to Mott the Hoople's recording and had yet to play live with them - would insinuate, in an August 1980 Trouser Press magazine interview, that the Stones' 1971 track "Bitch" bore more than a passing resemblance to this album's "Rock and Roll Queen."[4] (Both songs are in the key of A, and use the pentatonic scale.)

An instrumental version of The Kinks' "You Really Got Me" introduces the album, though a vocal version was recorded and is available on Mott's compilation release Two Miles From Heaven. Doug Sahm's "At the Crossroads" (originally recorded by Sahm's Sir Douglas Quintet in 1968) and Sonny Bono's "Laugh at Me" (originally issued by Sonny & Cher on their second full-length album in 1966, but without vocals from Cher) are suitably reminiscent of Bob Dylan, as is Hunter's "Backsliding Fearlessly."

Initial copies of the UK album were wrongly pressed with the song "The Road to Birmingham," (the B-side of their debut single in the UK) at the end of side one, with "Backsliding Fearlessly" replacing "Rock and Roll Queen" at the start of side two.

The album's cover is a colorized reproduction of M. C. Escher's lithograph "Reptiles." In an interesting coincidence considering Guy Stevens' desire for Mott to sound like the Rolling Stones, in early 1969 Mick Jagger had approached Escher wanting to commission a painting for the cover of the Stones' upcoming album Let It Bleed; Escher declined the request.[5]

Stephen Thomas Erlewine of AllMusic, gives the album four stars out of five and states:

Up to this point, Mott the Hoople is wildly imaginative and invigorating, and that's enough to make this a fine debut, even if it falls off the tracks during the second side. The first side and those two originals reveal a band whose rowdy power is matched by sly humor, clever twists, and fierce intelligence -- all qualities they built a career on, and this blueprint still stands the test of time.[1]

Robert Christgau however rates the album "C+" and states:

Despite the hype, these guys strike me as an ordinary hard rock combo.[6]