Moyinkutty Vaidyar

Moyinkutty was born to Unni Mammad and Kunjamina in 1852 at Ottuparakkuzhi, near Kondotti in Malappuram district.[3] Unni Mammad was famous practitioner of Ayurvedic medicine and a poet too. He lived longer than his son and completed his unfinished work titled Hijra from the 27th Ishal onwards.[4] Moyinkutty continued his family tradition of Ayurvedic medical practice and learnt Sanskrit and Arabic languages.[5] He died at the age of 40 in 1892 leaving behind his wife, two sons and a daughter. No known photograph or painting of the poet exists today and none of his descendants survived after his children.[4][6]

At a very young age of seventeen, he composed the romantic epic Badarul Munir – Husnul Jamal (1872) . It narrates a fictional love story between Prince Badarul Muneer, the son of the King Mahazin of Ajmeer and Husnul Jamal, daughter of his minister Mazmir. Most of the events narrated are pure fantasy, with plots involving the transformation of the hero into a bird and back, and frequent interactions with Jinns.[7]

Later works by the poet followed a very different pattern. These works were essentially war songs in nature. The Badar Padappattu and Malappuram Padappatt are the most popular songs of this genre.

Other major works of the poet include:[4]

• Salaseel
• Elippada (The battle of the rats, based on a Panchatantra tale )
• Ottakathinteyum maaninteyum katha ( The story of the camel and the deer)
• Bethilappattu (songs which appreciate the advantages of using betel leaf, the customs and folkways associated).[12]
• Hijra
• Kilathimala
• Moolapuranam
• Uhad Padappattu (tells the legendary story of Uhud war)[12]
• Theevandichinth
• Swaleeqath
• Mullappoocholayil
• Karamath Mala

The songs of Moyinkutty Vaidyar are distinguished by their depth of imagination, the beauty of the metaphors used, the creativity comparisons involved and the variety of their ishals (tunes/modes).[8] His poems depicted the emotional manifestation of Muslims of the day, using literary forms such as romanticism, devotionalism and social realism.[10] The vivid portrayal of the movements of the horses in the battlefield in Vaidyar's Badar Padappattu is a particular example of the poet's style. The galloping of the stallions, their hoof-falls, their lightning speed, the tails fluttering and flying in the wind, the excitement of the riders pulling the bridle and the horses rearing up – together provide the reader a very peculiar effect.[13]

The poems are also notable for the hybrid language of Arabi Malayalam, Sanskrit and at times full sentences in pure Arabic.[12]

In 1999, then Chief Minister of Kerala, E. K. Nayanar inaugurated the Maha kavi moyinkutty vaidyar smaraka at the poet's birthplace in Kondotty as a cultural centre to attract research into the annotations of Badar pattu, and its studies and interpretations in Malayalam. The centre runs certificate courses in Mappilappattu and Mappila kali. It also has a folklore study centre, reference library and a historical museum attached to it. Each year it conducts the Vaidyar Mahotsavam, a two or three-day festival that includes cultural and literary programmes related to all Mappila art forms.The Vaidyar Memorial Lecture is also delivered during the festival.[14][15]

In 2005, a two volume compilation of his works were released as a book Mahakavi Moyinkutty Vaidyar, Sampoorna Krithikal by the Kondotty based Mahakavi Moyinkutty Vaidyar Smaraka Samithi under the aegis of the Culture Department, Government of Kerala. The songs were compiled by historians K.K. Mohammed Kareem and K. Abubacker.[16]

In 2010, a biographical work titled Ishal Chakravarthy Moyinkutty Vaidyar authored by Basheer Chunkathara was published by the Kerala Sahitya Akademi.[6][17]

• Mappila songs
• Kondotty
• Maha kavi moyinkutty vaidyar smaraka