Mysteron

As shown in the first episode of the Captain Scarlet television series, hostilities between Earth and the Mysterons commence following a Zero-X expedition to Mars, led by Captain Black of the Earth security organisation Spectrum. The purpose of the mission had been to locate the source of radio signals that Spectrum had detected emanating from the planet. The Zero-X astronauts discover an alien city complex on the Martian surface. After mistaking a deployed surveillance device for a weapon, Black fears an attack and, in violation of his orders, launches an assault on the complex that destroys it completely. However, the city is almost immediately rebuilt before their eyes as a blue beam of light passes over its ruins.

Speaking in a deep, echoing voice, the aliens identify themselves as the Mysterons and state that they have discovered the secret of "reversing matter" (a power later referred to as "retrometabolism"). They have the ability to heal any physical injury, and re-create the exact likeness of any object or person – a power they can exercise only after the original object has been destroyed or the original person killed. Dedicating themselves to a "slow, but nonetheless effective" retaliation for the unprovoked attack on their Martian complex, the Mysterons seize telepathic control of Black and return him to Earth, making him instrumental in avenging the Mysterons by acting as their agent and destroying other people and objects, so that they may be re-created under Mysteron control.

The Mysteron "rings", twin circles of green light that pass over the Mysterons' victims (here, two men killed in a road accident) as the aliens create replicas to do their bidding. In their original script for the first episode, the Andersons compared the rings to eyes.[1]

In an attempt to assassinate the World President the Mysterons kill and re-create Spectrum's foremost agent, Captain Scarlet, as a replicated doppelganger. The plot fails, however, when Scarlet's reconstruction falls to its apparent death from the top of a tower, later returning to life with the indestructible qualities intact but his original human consciousness restored. (The mechanism by which this occurs is never explained in the series canon).

The Mysterons themselves are never seen on screen. They broadcast their threats by radio, often disguising their intentions with word play – such as stating that they will "kill time" when they intend to kill a major Spanish official whose surname is Tiempo (Spanish for "time") in the episode "Operation Time". The original script for the first episode described the voice of the Mysterons as "commanding" and "hypnotic", also specifying that it would be created "by the [voice] artist inhaling helium and the subsequent recording being played back at a lower speed, together with a repetitive echo treatment".[1] The aliens are represented visually by twin rings of green light that they cast onto the scenes of murder and destruction from which their facsimiles emerge. The pilot script described these rings as "two fiery green circles" suggestive of eyes.[1] Gerry Anderson said that he came up with this device after seeing a TV advertisement for wool that featured the Woolmark logo being projected over the body of a woman.[2][3][4] During filming, the ring effect was produced by panning a transparency across the set using a slide projector.[5]

The Mysteron likenesses created are impervious to X-Rays - showing up on X-Rays as though they were conventional photographs - and can only be destroyed by massive amounts of electricity. The re-creation process requires the subject to be clinically dead before the copy is created; in one episode, ("Treble Cross"), World Air Force test pilot Major Gravener, who the Mysterons had attacked and copied, was later resuscitated in hospital, allowing Spectrum to set a trap for the Mysterons by sending the real Gravener out in place of his duplicate. Despite their general ruthlessness, certain storylines have shown that the Mysterons are unwilling to cause agony or resort to torture. In one episode Captain Black releases one of the Angels from a radioactive chamber before she could suffer radiation poisoning (albeit after he trapped her there), although this was a ruse to draw away the Spectrum agents who were tracking him with geiger counters. A novelisation also depicts the Mysterons trapping Captains Scarlet and Blue on a satellite that they plan to obliterate using its self-destruct mechanism, rather than leaving it to plunge into the Sun where the Spectrum agents would die a slower, more painful death.

Anderson originally intended the Mysterons to be more conventional Martians, later choosing to make them effectively invisible so that the series would not feel dated.

Two Mysterons, as drawn Don Harley for TV Tornado comic

The Captain Scarlet strip in the TV Century 21 comic book depicted the Mysterons as both energy beings and a computer collective.

On 16 September 1967 a new comic strip called "The Mysterons" appeared simultaneously in the comic books Solo, and its sister publication TV Tornado. The initial story provides an adaptation of the destruction of the Mysteron city on Mars by Captain Black, as shown in the first episode of the Captain Scarlet television series. Following the re-creation of their city, it then goes on to depict the previously peaceful Mysterons deciding that they must protect themselves from further aggression by conquering the universe. To that end some of the Mysterons depart in a flying saucer, headed for the Andromeda Galaxy, to commence their plan.

Solo merged with the TV Tornado comic the following week, with the Mysteron strip running in the latter publication from issues 36 to 58. In the second instalment, when a Mysteron party lands on the planet Andorme, the atmosphere restores the hitherto disembodied creatures to visibility in "… the ancient Mysteron shape". In this form they are depicted as spherical, polyhedral beings, with three of the faces having "eye slits", one of which can emit a destructive energy beam.[6]

The final episode of the re-imagined series, Gerry Anderson's New Captain Scarlet, reveals a great deal about the Mysterons as they exist in the version of the new series. They live in a city on Mars that is normally hidden from view. The city appears on the surface of Mars for the first time in 2068, during the ill-fated mission commanded by Captain Black (Instrument of Destruction, Part 1). They are categorically stated to be energy beings, with one being shown to be capable of transforming into the "green rings", and are to some extent individualised – there is a dissenting faction in the "Mysteron consciousness" (as a member of the faction puts it) that believes that, given time, humans will outgrow their destructive impulses and become more like the Mysterons themselves. Unfortunately for the series' protagonists, this group has virtually no influence, and their only agent dispatched to Earth was quickly de-corporalised and remanded into Mysteron custody by the majority group's primary agent, Black.

The Mysterons were first discovered by Spectrum captains Scarlet and Black during an investigation into the source of strange signals emanating from Mars. They appear as a pair of green rings; however, it is not known whether this is the result of technology. The Mysterons claim to be peaceful beings, but wage a "war of nerves" against the people of Earth following Black's devastating assault on the Mysteron city.

The Mysterons possess the ability to reconstruct exact replicas of objects or persons. It is due to this remarkable ability that they are able to re-create their city following Black's attack. They also employ this power from time to time during the "Mysteronisation" process, which imbues the reconstruction (dubbed "replicant" by Spectrum) with the power of "retro-metabolisation" – the replicant is able to heal completely from almost any injury, including fatal ones. The only known survivor of the process is Scarlet, who retains his retro-metabolism and remains virtually indestructible, an ability which is a great asset in his work.

Mysterons are also able to control the minds of their human victims, whether the subject has been replicated or not. Mysterons make use of hypnosis for short-term control, as demonstrated by the replicant of Commander Lewis on Doctor Gold ("The Homecoming"). To create a full agent, they use the reconstruction process which leaves them in total control of the victim's body.

The Mysteronisation process alters the replicants at the sub-atomic level and subtly alters their genetic code. It is this alteration of DNA that leaves them vulnerable to detection, and as such all Spectrum personnel are subject to regular DNA checking.

Actor Cy Grant, who voiced the original Lieutenant Green and praised Captain Scarlet for its positive multiculturalism,[19][20] believed that the series employed a form of black-and-white dualism of which the Mysterons were an aspect: "The 'darkness' of the Mysterons is most easily seen as the psychological rift — the struggle of 'good' and 'evil' — of the Western world as personified by Colonel White and his team. Dark and light are but aspects of each other. Incidentally, green is the colour of nature that can heal that rift."[20]

The Mysterons have also been interpreted as part of a supposed religious allegory in the series. Grant and other commentators have compared Cloudbase (Spectrum's airborne headquarters) to Heaven,[19][21][22][23] Colonel White (the head of Spectrum) to God,[19][23] and the resurrected Captain Scarlet (White's top agent) to the Son of God;[19][20][21][22][23] Captain Black, a Spectrum officer-turned-Mysteron agent, is viewed as either an analogue of the Devil or a Judas figure in league with the "satanic" Mysterons of the planet Mars (which Grant likened to Hades).[19][20][22][23] Anderson denied that any of this symbolism was intentional.[23]

Bill Osgerby argues that the Mysterons' tactic of replacing humans with alien doppelgangers promotes "themes of anxiety and mistrust" and an "atmosphere of unease and ambiguity", which he believes reflect the "crisis and collapse of social and political certainties" during the 1960s.[24][25] Cull, who interprets the original Captain Scarlet as a media product of the Cold War, regards the Mysterons' campaign against Earth as a kind of "Cold War scenario".[7] In an allusion to other science fiction of the time, he states that the Mysterons' reconstructive ability "creates an ever-present danger of an enemy within, which is the stuff of archetypal Cold War paranoia narratives on the model of Invasion of the Body Snatchers (1956)."[7] He adds that Captain Scarlet reflects progressive attitudes to real-world events in that it is humans who start the conflict by attacking the Mysteron city; this "opens the issue of blame and invites reflection on the guilt of one's own side."[7] Discussing humanity's first contact with the Mysterons in the original series' first episode, Geoff Willmetts of Sfcrowsnest notes the Mysterons' technological advantages and humanity's status as a relatively "immature sentient species", stating that this leads to a lack of trust that provokes conflict. He comments: "This is a dilemma of any first contact scenario. One side is always likely to be superior to the other and that will always build some elements of mistrust as to what motivates them and their actions."[26] For Jeffery, that the Mysterons are not "out-and-out villains" is one of the elements that makes Captain Scarlet more "mature" than Thunderbirds.[14]

The Mysterons' tactics have been characterised as a form of terrorism by Gerry Anderson and others,[27][28][29] including commentator Andrew Billen.[30] Jim Sangster and Paul Condon consider it "oddly prophetic" that Captain Scarlet's original UK run ended not long before the hi-jacking of El Al Flight 426, an event that "made political terrorism big news." They regard the series' theme of terrorism as "incredibly perceptive" on Anderson's part, calling it "staggering ... that at the same time as airplane hi-jacks became a distressingly regular occurrence in the Middle East, and IRA bombings in London, Gerry Anderson was explaining the effects of terrorism to kids, even down to having an aggressor who, it could be argued, has a genuine cause for complaint."[28]

The aftermath of the September 11 attacks and subsequent War on Terror have also prompted comparisons. In 2003, Tom Weaver of Starlog magazine noted that the Mysterons employ "what in these troubled times would be called sleeper agents and homicide bombers", "hi-jack" airliners and attempt to wage biological and nuclear warfare. He concluded that "the similarities between the Mysterons' terrorist tactics and our current real-life conflict are so striking, they become impossible to ignore."[31] Commenting on the updated Mysterons of the 2005 remake, David Garland suggested that the aliens' persistent focus on terrorising Earth remotely, as opposed to invading it, "holds particular contemporary resonance".[32] Anderson rejected comparisons to 21st-century terrorism, stating that the Mysterons' methods are not terrorism "as we know it" but "of an invisible force from another world".[27] On parallels between the series and modern events, he argued that "any film that has any kind of war or conflict is always timely, because we as human beings are forever killing each other".[31]