National Emblem

"National Emblem", also known as the National Emblem March, is an American march composed in 1902 and published in 1906 by Edwin Eugene Bagley. It is a standard of the U.S. march repertoire, appearing in eleven published editions. The U.S. military uses the trio section as ceremonial music for the entry of the ceremony's official party.

For national emblems in general, see national emblem
National Emblem
March by Edwin Eugene Bagley
Composed1902 (1902)
Published1906 (1906)
Recorded19 May 1908 (1908-05-19)

National Emblem, an American march by Edwin Eugene Bagley, as played by the United States Army Band.

History

Bagley composed the score during a 1902 train tour with his family band, Wheeler's Band of Bellows Falls, Vermont.[1] He became frustrated with the ending, and tossed the composition in a bin. Members of the band retrieved it and secretly rehearsed the score in the baggage car. Bagley was surprised when the band informed him minutes before the next concert that they would perform it. It became the most famous of all of Bagley's marches. Despite this the composition did not make Bagley wealthy; he sold the copyright for $25.

In the first strain, Bagley incorporated the first twelve notes of "The Star-Spangled Banner" played by euphonium, bassoon, alto clarinet, tenor saxophone, and trombone, disguised in duple rather than triple time. The rest of the notes are all Bagley's, including the four short repeated A-flat major chords that lead to a statement by the low brass that is now reminiscent of the national anthem. Unusually, Bagley's march does not incorporate either a breakstrain or a stinger. However the exact repetition of the trio's melody at a chromatic mediant (A-flat Major/m.3 of Trio, then C Major/m.10 of Trio)[2] is suggestive of a breakstrain.

John Philip Sousa was once asked to list the three most effective street marches ever written. Not surprisingly, Sousa listed two of his own compositions, but he selected "National Emblem" for the third. When Sousa formed and conducted the 350-member U.S. Navy Jacket Band at the Naval Station Great Lakes he chose five marches for World War I Liberty bond drives. Four were by Sousa—"Semper Fidelis", "Washington Post", "The Thunderer", "Stars and Stripes Forever", and Bagley's "National Emblem March". "National Emblem March" was the favorite march composition of Frederick Fennell, who made an arrangement of it in 1981. Fennell called the piece "as perfect a march as a march can be".

Besides Fennell's arrangement, there are also band arrangements by Albert Morris (1978), Andrew Balent (1982), Paul Lavender (1986), and Loris J. Schissel (2000).

The band of Arthur Pryor made the first recording of the march on May 19, 1908, followed by a United States Marine Band recording on March 21, 1914 (both recordings by the Victor Talking Machine Company).[3]

References
  1. Bellows Falls Historical Society
  2. "Band music" (PDF).
  3. E. E. Bagley. "National Emblem March" – via Internet Archive.

Further reading
  • Duffy, John J. (2003). The Vermont Encyclopedia. UPNE. p. 46.

The march was also used in El Salvador as a protest against the Banana Trust, under the name of "Quien te dijo que me pelaras el guineo" ( Who asked you to peel my banana), in 1962 by Paquito Palaviccini and Orquesta Internacional Polio. The Álbum " Que siga la fiesta" contains a medley named Ensalada a la Palaviccini, which includes the National Emblem March (at least part of it) with lyrics from " Quien te dijo que me pelaras el guineo"

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