National Museum of Anthropology (Mexico)

The Central Courtyard Umbrella

Designed in 1964 by Pedro Ramírez Vázquez, Jorge Campuzano, and Rafael Mijares Alcérreca, the monumental building contains exhibition halls surrounding a courtyard with a huge pond and a vast square concrete umbrella supported by a single slender pillar (known as "el paraguas", Spanish for "the umbrella"). The halls are ringed by gardens, many of which contain outdoor exhibits. The museum has 23 rooms for exhibits and covers an area of 79,700 square meters (almost 8 hectares) or 857,890 square feet (almost 20 acres).

Top View of the Stone of Tizoc. The stone is currently in the National Museum of Anthropology.[7]

At the end of the 18th century, by order of the viceroy of Bucareli, the items that formed part of the collection by Lorenzo Boturini — including the sculptures of Coatlicue and the Sun Stone — were placed in the Royal and Pontifical University of Mexico, forming the core of the collection that would become the National Museum of Anthropology.

On August 25, 1790, the Cabinet of Curiosities of Mexico (Gabinete de Historia Natural de México)[note 1] was established by botanist José Longinos Martínez. During the 19th century, the museum was visited by internationally renowned scholars such as Alexander von Humboldt. In 1825, the first Mexican president, Guadalupe Victoria, advised by the historian Lucas Alamán, established the National Mexican Museum as an autonomous institution. In 1865, the Emperor Maximilian moved the museum to Calle de Moneda 13, to the former location of the Casa de Moneda.

The "La Malinche" huipil it is made of cotton with feathers, wax and gold thread. The design is dominated by an image of a double headed eagle, showing both indigenous and Spanish influence. It is part of the collection of the Museo Nacional de Antropología.[8]

In 1906, due to the growth of the museum's collections, Justo Sierra divided the stock of the National Museum. The natural history collections were moved to the Chopo building, which was constructed specifically to shelter permanent expositions. The museum was renamed the National Museum of Archaeology, History and Ethnography, and was re-opened September 9, 1910, in the presence of President Porfirio Díaz. By 1924 the stock of the museum had increased to 52,000 objects and had received more than 250,000 visitors.

In December 1940, the museum was divided again, with its historical collections being moved to the Chapultepec Castle, where they formed the Museo Nacional de Historia, focusing on the Viceroyalty of the New Spain and its progress towards modern Mexico. The remaining collection was renamed the National Museum of Anthropology, focusing on pre-Columbian Mexico and modern day Mexican ethnography.

The construction of the contemporary museum building began in February 1963 in the Chapultepec park. The project was coordinated by architect Pedro Ramírez Vázquez, with assistance by Rafael Mijares Alcérreca and Jorge Campuzano. The construction of the building lasted 19 months, and was inaugurated on September 17, 1964, President Adolfo López Mateos, who declared:

The Mexican people lift this monument in honor of the admirable cultures that flourished during the Pre-Columbian period in regions that are now territory of the Republic. In front of the testimonies of those cultures, the Mexico of today pays tribute to the indigenous people of Mexico, in whose example we recognize characteristics of our national originality.

The film Museo tells the story of the famous robbery to the National Museum of Anthropology on December 25, 1985, in Mexico City.

Original Aztec Sunstone is available for exhibit

The museum's collections include the Stone of the Sun, giant stone heads of the Olmec civilization that were found in the jungles of Tabasco and Veracruz, treasures recovered from the Maya civilization, at the Sacred Cenote at Chichen Itza, a replica of the sarcophagal lid from Pacal's tomb at Palenque and ethnological displays of contemporary rural Mexican life. It also has a model of the location and layout of the former Aztec capital Tenochtitlan, the site of which is now occupied by the central area of modern-day Mexico City.

The permanent exhibitions on the ground floor cover all pre-Columbian civilizations located on the current territory of Mexico as well as in former Mexican territory in what is today the southwestern United States. They are classified as North, West, Maya, Gulf of Mexico, Oaxaca, Mexico, Toltec, and Teotihuacan. The permanent expositions at the first floor show the culture of Native American population of Mexico since the Spanish colonization.

The museum also hosts visiting exhibits, generally focusing on other of the world's great cultures. Past exhibits have focused on ancient Iran, Greece, China, Egypt, Russia, and Spain.

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  Reproduction of the Temple of the feathered serpent in Teotihuacan
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  Disc of Mictlantecuhtli
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  Statue of Chalchiuhtlicue
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  Olmeca-Xicalanca - Cacaxtla bird man mural
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  Mural and model of Tenochtitlan, looking east
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  Ocelotl-Cuauhxicalli
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  Teocalli of the sacred war
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  Statue of Xiuhcoatl
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  Statue of Aztec goddess Coatlicue
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  Xochipilli
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  Skull covered with turquoise
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  Replic of Codex Borbonicus
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  Feather headdress replic of Moctezuma II
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  Relief of Toniná
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  Lintel 26, Yaxchilan
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  Ceramic of the Jaina Island
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  Reproduction of the mausoleum of the Palenque ruler, K'inich Janaab' Pakal
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  Mortuary mask of K'inich Janaab' Pakal
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  Frieze of Placeres
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  Mask of Chaac
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  Zapotec mask of the Bat God
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  Reproduction of the Tomb 105 of Monte Albán
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  Mixtec ceramic
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  Mixtec pectoral of gold and turquoise, Shield of Yanhuitlán
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  Olmec colossal head
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  Olmec wrestler
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  Tuxtla statuette
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  Reproduction of the sculpture of Mictlantecuhtli in El Zapotal
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  Mask of Malinaltepec
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  Figure of a pelota player.
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  Ball Game Goal, Chichen Itza.

• Doris Heyden
• Felipe R. Solís Olguín, director 2000–2009

• Official website
• Website of the INAH