Nikolas Schreck

In 2012, Nikolas Schreck (vocalist/lyricist) and James Collord (bassist/multi-instrumentalist) founded their musical collaboration Kingdom of Heaven (KOH) whose songs In Dreamland and Midnight in Cairo were premiered on a Nightwatch Radio interview in November 2013.

Kingdom of Heaven's first single "The Ballad of Lurleen Tyler" was made available via iTunes in December 2013, followed in March 2014 by a video for the song on the Kingdom of Heaven YouTube channel.

In May 2014, Nikolas Schreck was interviewed on the Green Tea Berlin radio program broadcast by Alex Radio and 88.4 Berlin, which featured the European radio premiere of Kingdom of Heaven's song "Enemy on Both Sides", which Schreck introduced as the 'theme to a non-existent James Bond movie'.

In March 2015, Schreck's Facebook page announced that Kingdom of Heaven would perform a concert at the Wave-Gotik-Treffen music festival in Leipzig Germany on May 22, 2015.

He has since then recorded and performed with his band consisting of Winfried Strauss (keyboards), Ohnesorg (bass) and Heathen Rae (drums and percussion) with whom he recorded the vinyl EP The Futura Model, released in October 2017. His album The Illusionist, featuring the same band, was released in 2019 by Recorda Ad Nauseam.

Schreck founded the band Radio Werewolf in 1984. His theatrical ritual performances as the group's lead singer, billed as Rallies of the Radio Werewolf Youth Party, provoked controversy, as did provocative appearances on several television programs. Tension over the contentious nature of the band's music led to the departure of co-founder Evil Wilhelm from Radio Werewolf shortly after their participation in the notorious 8-8-88 Rally in San Francisco.[9][10] Although there was hostility during the breakup, the band members later reconciled. Schreck's 1989 LP The Fiery Summons was the first Radio Werewolf album, although the previous formation recorded a still unreleased album in 1987.

Key to the bands beliefs about themselves was the existence of what they termed the "dominant frequency" or "alpha frequency." Schreck explained the band by saying "Radio Werewolf is a sound, a vibration, a certain frequency from another world. I just transmitted it. The bodies and minds of all the people who tuned into that frequency were the mediums that broadcast came through on. I only get credit for ”creating” it because I have a big mouth, I was in the front of the stage, and I was the one the media paid the most attention to."[11]

Zeena Schreck served as Radio Werewolf co-director from 1988-1993, the group's most prolific period, which saw the release of their recordings Songs for the End of the World, The Lightning and the Sun, Bring Me the Head of Geraldo Rivera!, Witchcraft-Boots: A Tribute to the Sinatras and Love Conquers All.

In 2012, Radio Werewolf's The Vinyl Solution - Analog Artifacts, Ritual Instrumentals and Undercover Versions was released by World Operations. The compact disc, the first official Radio Werewolf release since 1992, compiles newly remastered re-releases of 12 ambient sonic magic tracks from Zeena and Nikolas Schreck's rare Radio Werewolf vinyl recordings between 1989-1992 as well as 2 bonus tracks never previously released to the public.

Schreck's The Manson File (1988) is a thorough study of the philosophy, music and spiritual ideas of Charles Manson. The book brings Manson's previously obscure ATWA ecology concept and his religious devotion to the Gnostic god Abraxas to public attention. Schreck posited that the demonization of Manson (and perhaps the martyrdom of Manson by other groups) is the result of media sensationalism.[12]

In April 2011,[13] Schreck's The Manson File: Myth and Reality of an Outlaw Shaman, a new and greatly expanded edition of over 900 pages was released in France as "Le Dossier Manson : Mythe Et Réalité D'un Chaman Hors-La-Loi". Schreck delves deeply into previously unknown aspects of Manson's life and the Tate-La Bianca murders to present evidence that the "Helter Skelter" theory put forth by prosecuting attorney Vincent Bugliosi had little if anything to do with the reality of the crimes. According to Schreck, the murders of Sharon Tate and the others actually resulted from conventional underworld rivalries between drug dealer associates Charles Watson and Jay Sebring, who Schreck contends was linked to the Mafia.[14]

As of August 2011, the new version of Schreck's book became available in English format, on his personal website. A mass market edition was published in December 2011. Leading alternative culture source Metal Impact praised The Manson File, congratulating it on its comprehensive view of the subject, and for taking an academic stance, rather than the sensationalism of Vincent Bugliosi's Helter Skelter.[15] A final updated version of The Manson File is due to be released in Fall of 2020, according to Schreck's Manson File Facebook group dedicated to research into the subject.

Schreck's Flowers From Hell: A Satanic Reader was released in 2001. The book detailed the history of the use of Satan as a symbol, archetype, and deity in fiction throughout history, from ancient to modern times, and through several different cultures.[16]

The Satanic Screen: An Illustrated Guide to the Devil in Cinema was also released in 2001. The book revealed a detailed study of the use of the devil (in all his various forms) in film media throughout its existence. In an interview with American Movie Classics, Schreck noted that: "I think people's ideas of the devil and of Satan in the 20th century have largely been shaped and dictated by imagery from the cinema. I've studied the black arts in history and practice for many decades, and I found that Satanism had been looked at in terms of literature and music but never in terms of cinema."[17][18]

In Demons of the Flesh: The Complete Guide to Left Hand Path Sex Magic, released in 2002, Schreck and his wife Zeena explored the theory, history and practice of erotic sorcery and worship of the feminine in all of the world's religions. Presented as a ritual fusing of male and female, the book refutes common Western Satanic misconceptions of the left hand path by tracing its origins in Tantric Hinduism and Buddhism, and presents a crash course of magical exercises based on the Schrecks' own experiences as practitioners of what they term the sinister current.[19]