Nishtha Jain

Nishtha Jain (born 21 June 1965) is an Indian film director and producer best known for her documentaries like Gulabi Gang (2012), Lakshmi and Me (2007) and City of Photos (2004). Her films interrogate lived experience at the intersection of gender, caste and class. They explore the political in the personal and uncover the mechanisms of privilege.[1] In addition to documentary film, she's been working across various platforms including narrative (Saboot/Proof [2019]) and virtual reality (Submerged[2016]).

Her training began at Jamia Mass Communication Research Centre, New Delhi. She then worked as an editor and correspondent for video news magazines Newstrack and Eyewitness. After this, she studied at Film and Television Institute of India, specializing in film direction.

Jain has served as a juror at IDFA, ZFF, Cinéma Vérité and IDSFFK.  She’s given lectures and master classes at numerous universities  internationally, including Stanford, NYU, Wellesley College, UCSB, Northwestern University, UT Austin,  Cambridge University, University of London, St. Andrews University, Heidelberg, Danish Film School, FTII Pune, India, Satyajit Ray Film & TV Institute.

Her films have received several international awards and have been extensively shown in international film festivals, broadcast on international TV networks and regularly shown in schools and colleges in India and abroad.[2] She’s a Chicken & Egg Award winner (2020); Member of the Academy of Motion Pictures and Sciences (AMPAS); Film Independent Global Media Maker Fellow (2019-20); and recipient of Fulbright-Nehru Academic and Professional Excellence Fellowship (2019).[3]

Filmography

City of Photos (60 min. 2004)

Call it Slut (14 min. 2005)

6 Yards to Democracy (66 min. 2007) Directed by Nishtha Jain, Co-Director Smriti Nevatia

Lakshmi and Me (59 min. 2007)

At My Doorstep (70 min. 2009)

Family Album (60 min. 2010)

Gulabi Gang (96 min. 2012)

Submerged (8 min. V.R. 2016)

Saboot/Proof (21 min. 2019) Directed by Nishtha Jain and Deepti Gupta.

References
  1. Matzner, Deborah (1 January 2012). "Domestic Concerns, Transnational Fields: Two Recent Documentary Films from Mumbai and an "Interstitial Mode of Production"". BioScope: South Asian Screen Studies. 3 (1): 35–51. doi:10.1177/097492761100300104. ISSN 0974-9276. S2CID 144499019.
  2. "Norwegian Film Database". Norwegian Film Institute. Archived from the original on 3 March 2016. Retrieved 14 February 2013.
  3. "ABOUT". Nishtha Jain. Retrieved 20 October 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.