Olivia Laing

Olivia Laing grew up in Chalfont St. Peter, Buckinghamshire.[1] She enrolled at Sussex University to study English, but dropped out to join a road protest in Dorset with some friends.[2] At the age of 20, she spent three months living alone on an abandoned farm near Brighton, an experience she has described as being formative.[3]

Between 2007 and 2009, Laing was Deputy Books Editor of The Observer.[4] She writes on art and culture for the Guardian, frieze and New Statesman and has written catalogue essays for many contemporary artists, including Derek Jarman, Chantal Joffe, Wolfgang Tillmans and Andy Warhol.

Laing is the author of three books of nonfiction, each mixing cultural criticism and memoir with elements of biography, psychoanalysis, and travel writing. Her first book, To the River: A Journey Beneath the Surface, was published in 2011. Walking the length of the Ouse, the river in which Virginia Woolf drowned in 1941, Laing reflects upon Woolf's life and work and, more generally, upon the relationship between history and place, and the difficulties of biography.[5] The book was shortlisted for the Ondaatje Prize[6] and the Dolman Best Travel Book Award.[7]

The Trip to Echo Spring: On Writers and Drinking (2013), a finalist for both the Costa Biography Award[8] and the Gordon Burn Prize,[9] employs a similar tack. Travelling across America, Laing explores the difficult relationship between creativity and alcoholism, placing her own experience growing up in an alcoholic family alongside the lives of male alcoholic writers such as John Cheever, F. Scott Fitzgerald, Raymond Carver and Ernest Hemingway. In the book, she praises literature’s “power to map the more difficult regions of human experience and knowledge.” According to the judges of the Windham-Campbell Prize, "this power to map the difficult, the shameful, and the grotesque, as well as the beautiful and transcendent, is inherent in her own work."[10]

Her third book, The Lonely City: Adventures in the Art of Being Alone, was aided by research Laing undertook as a recipient of the 2014 Eccles British Library Writer Award[11] and was published in 2016. It was shortlisted for the Gordon Burn Prize[12] and the National Book Critics Circle Award for Criticism.[13] Examining her own experience of solitude during a period living in New York, Laing considers how the culturally stigmatised condition of loneliness provides new insights into the work of numerous artists for whom the creative act became a means of exploring solitude and forging companionship, among them Andy Warhol, Edward Hopper, Henry Darger and David Wojnarowicz. The result is a merging of inner and outer realities, a revelatory exploration of the intense feelings of shame that loneliness can provoke as well as a vivid portrait of 1970s and 1980s New York at the peak of the AIDS crisis.[14]

Laing's first novel, Crudo, is a roman-à-clef about the politically turbulent summer of 2017. Written in real time over seven weeks, the novel is also an homage to Kathy Acker, on whom the protagonist is based.[15] It was a New York Times Notable Book of 2018,[16] and was shortlisted for the Gordon Burn Prize and the Goldsmiths Prize.[17] In 2019, Crudo won the 100th James Tait Black Memorial Prize. According to the fiction judge, Dr Alex Lawrie: "This is fiction at its finest: a bold and reactive political novel that captures a raw slice of contemporary history with pace, charm, and wit."[18] Writing in The New Yorker, Alexandra Schwartz described Crudo as "a work of autofiction that captures the apprehension of the present moment."[19]

• 2014 Eccles British Library Writers Award[11]
• 2018 Windham–Campbell Literature Prize[20]
• 2019 James Tait Black Memorial Prize - Crudo

• Author website
• Guardian review of Crudo
• New Statesman review of The Lonely City
• Observer review of The Trip to Echo Spring
• An interview with Olivia Laing