Omer Arbel

Arbel was born and raised in Jerusalem until age thirteen, when his family relocated to Vancouver, British Columbia, Canada. As a youth, Arbel enjoyed considerable success as a competitive fencer, making the Canadian Junior National team numerous times and ranking in the top 20 at the Junior World Championships.[4] He received a BSc in environmental science from the University of Waterloo in 1997, and began an apprenticeship with Catalan architect Enric Miralles the following year. Miralles’ death in 2000 brought Arbel back to Canada, where he completed his professional degree in architecture and began working at Patkau Architects in Vancouver.[5][6][7]

Omer Arbel is the co-founder of Bocci - a design and manufacturing company based in Vancouver and Berlin. Founded in 2005 under the artistic principles of Omer Arbel’s method, Bocci is committed to fostering a lateral and open-ended relationship between creative direction and craft.[8] The company launched with one lighting design, ‘14’, which was immediately successful and remains a design staple and bestseller[9]. The realization that the most successful aspects of 14 were unintended, being rather a consequence of material properties or process, was the impetus for defining Arbel’s open ended method.

Large, site-specific lighting installations based on Bocci works have been on view at public art institutions such as the Victoria & Albert Museum,[10] London and the Barbican,[11] London.

In 2015 Bocci opened a 2200qm exhibition space in Berlin[12].  The showroom closed in 2020. Bocci will open a new, permanent exhibition space, also in Berlin, in 2021.

Arbel launched his own building design practice (OAO) in 2005. Since then he has completed several commercial and residential projects, including 23.2, a freestanding house located in South Surrey, B.C, Canada.[13] 23.2 began with a depository of reclaimed, century-old Douglas Fir beams from the local forests of British Columbia. The project regards the beams as archaeological artifacts resulting from the social and ecological history of the region, as such, they were not milled, cut, or finished, with massive geometrical consequence to the plan. Arbel has been shortlisted for the World Architecture Award three times [14]and won a World Architecture Festival Award in 2019 for his project 75.9 - a house constructed on a hay farm in the Canadian Pacific Northwest. The project makes use of a technique of pouring concrete into fabric formwork deployed within plywood rib structures, yielding walls, and columnar roof forms.[15] A deliberately slow, continuous pour and special concrete mix are employed to create each element, in some cases approaching 10 meters tall. [16]The fabric formed concrete elements are treated as if they were found archeological ruins in the hayfield landscape, with the house considered a contemporary construction built around and among them.[17] Differing height and position for each column creates a cinematographic narrative of domestic habitation. The trumpet shape of each column is hollow, allowing the planting of mature trees on the inhabited roofscape.

Omer’s built work has been exhibited at both the Surrey Art Gallery [18][19]and the Aedes Architekturforum in Berlin. [20]

While some of Arbel's experiments have been suitable for production, many of his designs serve no clear function or purpose. Some of these experiments have been presented as sculpture in the context of the art gallery. For example, 41.0 was a prototype armature for exhibiting surrealist artwork proposed to the Vancouver Art Gallery in 2010. The armature took shape by coating a chaotic pile of hay bales in sugar beet foam, then removing the bales to reveal an irregular negative space that could house paintings or other artwork.[21] That same year Arbel was selected to co-design Canada's 2010 Olympic medals in collaboration with Aboriginal artist Corrine Hunt.[22] His original submission 27.3 included plans for the medals to be held together by invisible magnets, concealing a cavity on the inside where an athlete could store a memento, and having an onsite engraver etch the sounds of the last ten minutes before a medal event onto the medal itself. Financial and practical concerns prevented these plans from being realized, however Arbel's desire to design a system of production that resulted each medal having unique form was preserved.[23] In 2015, Arbel had a solo exhibition at the Monte Clark Gallery in Vancouver, B.C. The exhibition featured experiments 30 and 71, both of which have existed for some time but were only recently considered in a sculptural context. 30 is an exploration of glass’ self organizing crystalline structure. Colourful glass rods are fused together at high heat and become faceted geometrical arrangements that slump downwards with the force of gravity. 71 results from steel with a coil of copper wire repeatedly dipped into an electrified nickel-based chemical solution, resulting in the nickel accreting around an electromagnetic field.[24]

Arbel's work has been selected for large-scale public installations that hover between artwork and industrial design.[25] He has had multiple exhibitions at Spazio Rossana Orlandi in Milan, the Art Institute of Chicago, and more recently at the Fairmont Pacific Rim Vancouver, Mallett Antiques, Canada House, and the Victoria and Albert Museum in London. The 2013 Victoria and Albert Museum exhibit featured 280 of the 28 spheres cascading more than 30 metres from the museum's vaulted ceiling.[26] In 2014, Arbel collaborated with Mallett Antiques to outfit their entire showroom with large installations of his 57 series, 38 series, 19 series and 28 series.[27] The project was intended to create compositional tension through the juxtaposition of modern lighting with antique furnishings.[28] Canada House on Trafalgar Square was reopened in February 2015 with the addition of 157 of Arbel's 57 series light winding down the central staircase.[29] On March 5, 2015 Arbel unveiled a large outdoor installation of his new 16 series at Vancouver's Fairmont Pacific Rim Hotel.[30] The Royal Architectural Institute of Canada (RAIC) announced on March 16, 2015 that Arbel would be awarded the Allied Arts Medal for 2015 based on his recent work at the Victoria and Albert Museum.[31] The award is given once every two years to a Canadian artist or designer for outstanding achievement in artwork designed to be integrated with architecture.[32]

Arbel is active as a guest critic, speaker and master's thesis committee member at the University of British Columbia School of Architecture.[33][34] In 2012, Arbel taught a master class on form at Parsons The New School for Design.[35]

• Omer Arbel Office website
• BOCCI website
• 2010 Olympic Medals
• Vancouver Penthouse
• Omer Arbel Profile
• 16 at the Fairmont
• Vancouver Maneuvers, interview with Omer Arbel in Dwell
• omer arbel office: seating, Designboom
• omer arbel office: lighting, Designboom
• 23.2 house in Wallpaper
• omer arbel Men's Epee (Junior) at the Wayback Machine (archived October 20, 2009)
• omer arbel UBC Thesis Reviews
• UBC School of Architecture Curriculum Proposal
• Dezeen - V&A Museum
• London Design Festival
• Vancouver Sun - Canada House
• Monte Clark Gallery
• RAIC Announcement

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