Par le trou de la serrure

A hotel porter finds out the secrets of the guests by looking through the keyholes of four different rooms:

• in the first one he sees a woman combing her hair,
  
• in the second, what looked like a woman removes her whig and false breasts, revealing that she was in fact a transvestite,
  
• in the third, a man drinks champagne with a woman sitting on his lap,
  
• finally the door of the fourth room opens while he is watching and the furious guest kicks him down the stairs.

After being hired by Charles Pathé as main film director of the recently created film production company Pathé Frères, Zecca convinced Pathé to produce in addition to documentaries other genres of films, notably comedy films such as this one but also crime films, like Histoire d'un crime (1901), or religious subjects, like La vie et la passion du Christ (1903).

He also introduced in France innovations with respect to cinematographic style. Par le trou de la serrure is the first French film featuring editing in order to combine wide shots and medium close-up point of view shots. Zecca was clearly influenced by George Albert Smith who had used for the first time these innovations in 1900 in his short films Grandma's Reading Glass and As Seen Through a Telescope.[2]

Par le trou de la serrure is also characteristic of a certain voyeuristic trend in early cinema in showing what was normally hidden in a hotel room. The film was judged by some, notably Georges Méliès's granddaughter, as being of dubious taste.[3]

Par le trou de la serrure was distributed by Pathé Frères in 1901 in France, and in 1902 in the United States. In the latter country, it was also distributed by the Kleine Optical Company, the Edison Manufacturing Company, and the Lubin Manufacturing Company.[4]

• Par le trou de la serrure at IMDb
• Par le trou de la serrure (1901) What Is Seen Through a Keyhole at A Cinema History
• Par le trou de la serrure – Zecca / Ferdinand – 1901 at Fondation Jérôme Seydoux-Pathé (in French)