Paradise by the Dashboard Light

"Paradise by the Dashboard Light" is one of the longest songs to be released uncut on one side of a 45 RPM record. The only difference between the single (45 RPM) and album versions is that the single version fades out almost immediately after the final line is sung. In some countries, a shorter 5:32 edit was released. The largest change is the complete removal of the "baseball play-by-play" section. Jim Steinman had stated that he wanted to write "the ultimate car/sex song in which everything goes horribly wrong in the end."[4]

According to Meat Loaf on VH1 Storytellers, the original length of the track was to be 27 minutes.

The song is divided into three parts:

Part I. Paradise

The song opens with the characters reminiscing about days as a young high school couple on a date. They are parking by a lake and having fun, experiencing "paradise by the dashboard light", until the male character insists they're "gonna go all the way tonight" (the audio track suddenly cuts out, quickly pans through the left and right channels once before slowly returning to both channels).

Baseball broadcast

His pushing the matter is mirrored by New York Yankees announcer Phil Rizzuto broadcasting a portion of a baseball game that serves as a metaphor for his attempts to achieve his goal, accompanied by funk instrumentation and the two characters talking in the two individual left and right channels.

Rizzuto's baseball play-by-play call was recorded in 1976 at The Hit Factory in New York City by producer Todd Rundgren, Meat Loaf and Steinman. Rizzuto publicly maintained he was unaware that his contribution would be equated with sex in the finished song, but Meat Loaf asserts that Rizzuto only feigned ignorance to stifle some criticism from a priest and was fully aware of the context of what he was recording.[5]

An edited version of the baseball broadcast was spliced into the Boston radio version of the song, where the baseball call was re-recorded by Red Sox broadcasters.

Part II. Let Me Sleep on It

Just as the boy is about to score (via the suicide squeeze), the girl bursts out telling him to "Stop right there!" She refuses to go any further unless the boy first promises to love her forever and marry her. Reluctant to make such a long-term commitment, the boy repeatedly asks her to continue on for the time being and promises to give his answer in the morning. However, she is not giving in that easily, so he finally cracks and gives his promise: "I started swearing to my God and on my mother's grave/That I would love you to the end of time".

Part III. Praying for the End of Time

Back in the present, the male character can no longer stand the woman's presence. As the man cannot break his vow, he is now "praying for the end of time" to relieve him from his obligation. The song fades out on the situation, juxtaposing his gloomy "it was long ago, it was far away, it was so much better than it is today!" in the left channel with her nostalgic "it never felt so good, it never felt so right, we were glowing like the metal on the edge of a knife" in the right channel.

In early live performances of the song, this part (and thus the conclusion of the song itself) was followed by a spoken-word epilogue by Meat Loaf and Karla DeVito, where they, still in character as the two protagonists, argued about what to keep after the couple's divorce (having been presumably married for a number of years). The argument was cut short by DeVito shouting "...And I'll keep the baby!", which left Meat Loaf's character speechless as he apparently ignored the existence of a baby; immediately after, he ended the argument by screaming incoherently at her.[6] The exchange was repeated with different female vocalists, in different versions and with different endings, in most of Meat Loaf's subsequent live tours and remains in the set to the present day, when it is still occasionally performed by Meat Loaf and his current featured vocalist Patti Russo.

35mm prints of a live-on-soundstage performance of "Paradise" were struck and initially sent to many theaters holding midnight screenings of The Rocky Horror Picture Show, as a short subject to play before the feature. Very few of these prints are still extant and/or in playable condition. The video also received healthy airplay in the first years of MTV, despite its relative age to the new artists the channel was showcasing.

Although Ellen Foley is recorded on the album, another singer, Karla DeVito, was used for the music video and for live performances.[7] This would also happen for Meat Loaf's 1993 hit "I'd Do Anything for Love (But I Won't Do That)", where Dana Patrick mimed to Lorraine Crosby's vocals.[8]

In the original video as released to television and in 35mm prints, the male/female "Hot Summer Night" prologue from "You Took the Words Right Out of My Mouth" was spoken live by Jim Steinman and Karla DeVito before the song performance. On the Hits Out of Hell music video compilation, the prologue was removed and spliced in front of the video for "You Took the Words Right Out of My Mouth", ostensibly to properly replicate the album Bat Out of Hell, and the video for "Paradise by the Dashboard Light" goes right into the performance.

The single had modest success in the United States, peaking at number 39 on the Billboard Hot 100. In Belgium, the single stalled at number 2 where it stayed for 5 weeks,[9] being blocked from the Number 1 position the whole time by Y.M.C.A. from the Village People whilst in the Netherlands, the single became Meat Loaf's biggest all-time hit, reaching number one at the end of 1978, going on to be a hit there again in 1988. In the United Kingdom the one did not chart at all but is well known and is a classic rock staple. In various all time charts, such as the Radio 2 Top 2000 or Radio Veronica's All Time Top 1000, it consistently charts inside the top 30.

• Meat Loaf - male lead vocals, backing vocals (as Marvin Lee)
• Ellen Foley - female lead vocals, backing vocals
• Todd Rundgren - guitar, backing vocals
• Kasim Sulton - bass guitar
• Roy Bittan - piano, keyboards
• Jim Steinman - keyboards, "lascivious effects"
• Roger Powell - synthesizer
• Edgar Winter - saxophone
• Max Weinberg - drums
• Phil Rizzuto - baseball play-by-play
• Rory Dodd - additional backing vocals

• James F. Harris (1993). Philosophy at 33​¹⁄₃ Rpm: Themes of Classic Rock Music. Open Court Publishing. pp. 116–118. ISBN 0-8126-9241-1.

• Lyrics of this song at MetroLyrics