Patricia Bosworth

While still a student at Sarah Lawrence, Bosworth began modeling for the John Robert Powers Agency. She was hired by Diane and Allan Arbus to pose for a magazine ad for the Greyhound bus company. Allan drove everyone, including his and Diane's assistant Tad Yamashiro (who later became an exhibited photographer himself), from Manhattan to the Ardsley Acres section of Ardsley, New York for the photo shoot.

Shortly after her college graduation, Bosworth became a member of the Actors Studio in Manhattan, where she studied under master teacher Lee Strasberg.[4] Arthur Penn cast her as the lead in her first professional play, a pre-Broadway tryout of James Leo Herlihy’s Blue Denim, about the consequences of teenage pregnancy and abortion. Bosworth appeared in several Broadway shows during the 1950s and 1960s, including Inherit the Wind, Small War on Murray Hill (directed by Garson Kanin), and Jean Kerr's Mary, Mary (where she understudied from 1961 to 1965 before being cast as the lead for the end of the play's run). She played Elaine Stritch's sister in the drama The Sin of Pat Muldoon and a motormouthed teen based on the young Nora Ephron in Phoebe Ephron's comedy Howie. During this period Bosworth also toured in The Glass Menagerie, playing Laura to Helen Hayes's Amanda, and Remains to be Seen opposite Tommy Sands. She worked regularly on popular television series including Naked City, The Secret Storm, Young Dr. Malone, and The Patty Duke Show. Bosworth can also be seen in the film Four Boys and a Gun as James Franciscus's wife, and as a disgruntled redhead in the audience of Bert Stern’s 1960 cult documentary Jazz on a Summer's Day, about the 1958 Newport Jazz Festival.

As an actress, Bosworth is perhaps best known for playing Sister Simone, the young friend of Audrey Hepburn's character Sister Luke, in The Nun's Story (1959). Directed by Fred Zinnemann, the film was a major box office success and nominated for multiple Academy Awards. In 1958, upon learning she was cast in The Nun's Story, she also learned she was pregnant. She subsequently received an abortion at an underground abortionist in Manhattan. Shortly after, she boarded a plane to Rome to meet Fred Zinnemann, where she began to hemorrhage. In Rome, she was sent to a hospital convent where she was to learn about being a nun. The nun discovered she wasn't feeling well due to the abortion and rushed her to the hospital for care. The film was delayed for her recovery.[5]

In the mid-1960s, Bosworth left acting to become a journalist. She gained notice as a writer with several Broadway-focused features and interviews published in New York magazine and the New York Times. Later in the decade, she became editor of Screen Stars magazine and worked at Magazine Management Company alongside Mario Puzo, who was then beginning drafts of his novel The Godfather. From 1969 to 1972 Bosworth was senior editor of McCall's; she served as managing editor of Harper's Bazaar from 1972 to 1974. Penthouse founder Bob Guccione hired Bosworth as executive editor of the erotic women's magazine Viva from 1974 to 1976.[6] During the 1970s and 1980s, Bosworth reviewed numerous books for The New York Times, wrote freelance art pieces for the Times, Time Life, and other national magazines, and contributed a monthly column on arts and entertainment to Working Woman magazine.

Bosworth was an editor at Mirabella from 1993 to 1995. She was first hired as a contributing editor at Vanity Fair in 1984, under Tina Brown’s editorship of the magazine, and served in that capacity until 1991. She continued to freelance for the magazine until 1997, when she rejoined as contributing editor under Graydon Carter’s leadership, a position she held to the end of her life. Her profile of Elia Kazan and his reflections on the Hollywood Blacklist, published in a spring 1999 issue of Vanity Fair, won Bosworth the Front Page Award from the Newswomen's Club of New York.

Bosworth was the author of bestselling biographies on Montgomery Clift (1978), Diane Arbus (1984), Marlon Brando (2000) and Jane Fonda (2011). Her book, Montgomery Clift: A Biography explores how the actor's introverted approach to his craft influenced James Dean and many others. Bosworth, whose father had been Clift's lawyer in the late 1940s, had total access to Clift's family while doing research for the project. She also spoke to many of Clift's close friends and colleagues. Conversations between Bosworth and Brooks Clift appeared in Montgomery Clift's nephew documentary Making Montgomery Clift.[7]

Bosworth's biography of Arbus, a photographer known for her poetic approach to eccentric and abnormal subjects, was a nuanced appraisal of the artist that also investigated the lurid details of her life, culminating in Arbus's 1971 suicide.[8] The book was critically acclaimed. Andrew Holleran of New York magazine said it was "a biography that seems to have... more than enough material for several art legends... Patricia Bosworth has created a spellbinding portrait." Washington Post Book World reviewed it as "fascinating" and "a compelling biography... as valuable in its insights into the cultural history of the 50s and 60s as its understanding of the special place Arbus occupies in it." However, the book also proved to be extremely controversial, and did not receive formal approval from the Arbus estate. Bosworth's work is still widely considered to be the definitive biography of Arbus; it was the inspiration for Steven Shainberg’s 2006 film Fur, which starred Nicole Kidman as Diane Arbus and Ty Burrell and Robert Downey Jr. as her husband and lover respectively.

According to Publishers Weekly, Bosworth's biography on Marlon Brando "offers a vivid reminder of the personal and professional highlights of Brando's life ... [It is] an informative biography of Brando that, because of the limited format of the Penguin Lives series, hints at but cannot do justice to the great unruliness of Brando's career and life. She provides a fine, detailed sketch of his New York days when he took acting classes with Harry Belafonte, Elaine Stritch, Gene Saks, Shelley Winters, Rod Steiger and Kim Stanley, and presents a great portrait of the craziness on the set of Last Tango in Paris (co-star Maria Schneider announced that they got along 'because we're both bisexual')", but in only 228 pages, the author "can't approach the complexity of her earlier work."

Bosworth spent ten years completing a biography of Jane Fonda, with whom she had attended sessions at the Actors Studio in the 1950s and 60s. Fonda granted Bosworth total access; they met frequently throughout the research process for the book. Bosworth's biography, Jane Fonda: The Private Life of a Public Woman, was on the New York Times bestseller list in 2011 and was named one of Kirkus Reviews’ Best Six Books of the Year.

In addition to her biographies, Bosworth was the author of two memoirs. The first, Anything Your Little Heart Desires: An American Family Story, was published by Simon & Schuster in 1997. It tells the story of Bosworth's father, Bartley Crum, and how his decision to defend the Hollywood Ten at the height of McCarthyism destroyed his career, ultimately leading to his suicide.[2] Anything was featured on the front page of the New York Times Book Review and was named a Notable Book of the Year in 1997. Following publication of this memoir, Bosworth became an active spokeswoman for suicide survivors and suicide prevention. She received the American Foundation for Suicide Prevention’s Lifesavers Award in 1998.

Her book The Men in My Life: A Memoir of Love and Art in 1950s Manhattan was published by HarperCollins in 2017. It examines Bosworth's career as an actress, her early transition into journalism, and her first and second marriages, as well as how she survived the suicides of both her brother and father.

In 2018, Bosworth released Dreamer With a Thousand Thrills: The Rediscovered Photographs of Tom Palumbo, published by powerHouse Books. The book features Palumbo's fashion photographs and celebrity portraits from the 1950s and 60s, as well as several works that were never published during his lifetime.

Bosworth was working on her latest project, Protest Song, at the time of her death. Protest Song (Farrar, Straus, & Giroux) is about Paul Robeson's work to create federal anti-lynching legislation, which her father collaborated on, and J. Edgar Hoover's subsequent successful campaign to blacklist Robeson. Similar anti-lynching legislation to that proposed by Robeson and Crum was passed by the U.S. House of Representatives on February 26, 2020.