Philip Green (composer)

Green was born on 19 July 1911 in Whitechapel, London. His father was Philip Green, a boot clicker, and his mother was Elizabeth Vogel.[1] He began learning the piano at the age of seven, and went on to study at Trinity College of Music in London, aged just 13. After college he played in various orchestras, and then became conductor at the Prince of Wales Theatre in London. He signed as a recording artist to EMI in 1933 at the age of 21 and continued to record for them throughout his lifetime.[2][3] Green conducted large orchestras and played piano and accordion in small bands across Europe, and between 1935 and 1939 became well known for his Radio Luxembourg programmes, which were broadcast to Britain.[4]

During the war Green regularly conducted for BBC broadcasts with various orchestras, on programmes such as Salute to Rhythm,[5] and Band Call.[6] In these programmes he first introduced stars such stars as Dorothy Carless (1916-2012), Monte Ray (1900-1982) and Beryl Davis to British listeners.[3] One of his bands during this period featured a remarkable set of players from the classical music world: Green himself on accordion, Arthur Gleghorn (flute), Leon Goossens (oboe), Reginald Kell (clarinet), Victor Watson (double bass), Jack Collings (percussion), and Denis Gomm, piano - all members of the BBC Salon Orchestra at the time.[7]

Green's first credited film work was on 1943's The Sky's the Limit, but his first notable success came with The Magic Bow (1946), a musical based on the life and loves of the Italian violinist and composer Niccolò Paganini.[8] The 'Romance' from that film, as played by Yehudi Menuhin, became a great hit.[4] He was a house arranger and conductor for Decca and accompanied many of their vocalists such as Gracie Fields, Donald Peers and Anne Shelton. He was later appointed resident musical director of the Rank Organisation.[9]

He composed more than 150 film scores, including The Yellow Balloon (1952), Carry on Admiral (1957), The Square Peg (1958, together with several other Norman Wisdom films), The League of Gentlemen (1960), Victim (1961), The Singer Not the Song (1961), and The Intelligence Men (1965). His themes for John and Julie (1954) and The March Hare (1956) both won Ivor Novello Awards.[9] He also composed the themes for the 1960s ATV television crime series Ghost Squad and Sergeant Cork. Green made two cameo appearances in films that he worked on: as a bandleader in It Happened One Sunday (1944); and again as a bandleader in The Dream Maker (1963).[10]

Like many composers of film music, Green also composed and arranged light orchestral concert works and wrote prolifically for production music libraries. As a result, a number of his compositions are familiar through their use in radio and television programmes. They include pieces such as Cuban Suite and Cocktail Hat Suite, and single movement pieces such as Follow Me Around and White Orchids.[11] Shopping Centre was used as the theme for the 1936 BBC television programme Picture Page, and was released commercially by Charles Williams in the 1930s.[12] Horse Feathers was used as the theme tune for the BBC radio series Meet the Huggetts, (1953-1961). Other pieces were written under pseudonyms, such as Ecstasy by Jose Belmont or Frenesi by Don Felipe.[4][13] A number of his production music pieces were used in Night of the Living Dead, Looney Tunes theatrical shorts (such as in 1958 when the musicians were on strike, or later added as part of TV prints for Freudy Cat). His stock music continues to be used in modern shows such as The Ren and Stimpy Show, The World's Greatest Magic and SpongeBob SquarePants.

Philip Scowcroft remembers some stage music, including a children's musical Noddy in Toyland, a revue Fancy Free and an ice show, Wildfire, as well as some songs that achieved popularity in the early 1950s, such as 'Let's Go To The Pictures' and 'Love Is Like An April Shower'.[14]

Green continued to compose and conduct for film and television, including the theme tune for The Golden Shot (1967), and to issue light orchestral music recordings until his retirement in 1966.[15] Along with his wife he established the Philip and Dorothy Green Music Trust to help young musicians and composers. While living in Ireland, he became interested in church music, and composed a full-scale St Patrick's Mass, which was recorded by the Trinity Chorale in 1971 with the composer conducting.[16] It was followed a year later by the Mass of St. Francis of Assisi. This was recorded with the Cork Children's Choir and the Scottish tenor/celebrant Canon Sydney MacEwan and released in November 1972. The song "Suffer Little Children" from the Mass was released as a single in 1973 and reached No 3 in the Irish charts, remaining in the charts for five months. It is regularly used as a communion hymn in Catholic churches.[17]

Green died in Dublin in 1982 after a long illness, of cerebral metastasis.[1][9]

• Philip Green at IMDb
• Biography at the Robert Farnon Society
• Romance from 'The Magic Bow', played by Yehudi Menuhin
• 'Horse Feathers' (theme tune from Meet the Huggetts)
• 'Communion Hymn - 23rd Psalm' from St Patrick's Mass, Trinity Chorale