Philippe Starck

Asahi Breweries Headquarters

The buildings he designed in Japan, starting in 1989, went against the grain of traditional forms. The first, Nani Nani, in Tokyo,[6] described as a biomorphic shed.[1] A year later he designed the Asahi Beer Hall in Tokyo, a building topped with a golden flame. This was followed in 1992 by Le Baron Vert office complex in Osaka.[7] In France he designed the extension of the École Nationale Supérieure des Arts Décoratifs (ENSAD) in Paris (1998).

In 1991, Starck designed one of the pavilions for the new Groninger Museum.[8]

Since the late 1980s, Starck has designed several hotels in different countries, these include the Royalton Hotel[9] (1988) and Paramount hotel(1990) in New York City,[1] the Delano in Miami,[1] the Hudson Hotel[10] and the Mondrian Hotel in West Hollywood, the Sanderson [11] the Saint Martin's Lane in London,[12] Le Meurice renovations in 2016, the Royal Monceau (2010)[13] as well as more recently the Hotel Brach (2018)[14] and the Hotel 9Confidentiel (2018),[15] in Paris. Also in France, in the South West, Philippe Starck designed La Co(o)rniche[16] and Ha(a)itza[17] hotels, both in Arcachon, near the Dune of Pilat. In 2019, Starck created the Lily of the Valley Hotel[18] on the French Riviera and in 2020 opened La Réserve Eden au Lac Zurich.[19]

Starck has designed several restaurants, including in the early years, the Café Costes (1984) in Paris, Manin (1985) in Tokyo, Theatron (1985) in Mexico City, Teatriz (1990) in Madrid[20][1] or more recently several restaurants with the Alajmo brothers in Paris, Venice and Milan – Caffe Stern (2014[21]), Amo (2016),[22] Gran Caffe Quadri (2018)[23] and Amor (2019),[24] La Réserve à la Plage in Saint Tropez with Michel Reybier Hospitality, The Avenue at Saks in New York in 2019.[25]

The Alhondiga, a 43,000 square-meter culture and leisure venue in Bilbao designed by Starck, opened in 2010.[26]

Starck also designed affordable and adjustable pre-fabricated P.A.T.H. houses.[27]

Starck was commissioned by the Hilton Worldwide to create entirely a new hotel in Metz, France. Maison Heler is a phantasmagoric building topped by a traditional Alsatian house, a poetic symbol of the region that should open in 2021.[28]

In 2004 Starck designed the Motor Yacht A[29] and then in 2012 the A (sailing yacht) – one of the world's largest sailing yachts.[30][31][32]

A (sailing yacht).

Starck designed the infrastructure for the Port Adriano harbour on the south-west bay of Palma de Mallorca,[33] Mallorca and was artistic director for the interior. It opened in April 2012.

In 2008 he designed Steve Jobs's yacht Venus, which was launched in October 2012, just over a year after the death of Apple's founder. The yacht was built at Aalsmeer in the Netherlands.[34]

Starck's work is seen in the collections of European and American museums, including the Musée National d'Art Moderne[35] (to which he has donated several pieces, in particular prototypes) the Musée des Arts Décoratifs in Paris,[36] the MOMA[37] and the Brooklyn Museum[38] in New York City, the Vitra Design Museum in Basel[39] and the Design Museum in London.[40] More than 660 of his designs were inventoried in French public collections in 2011.[41]

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  Masters Chair, homage to the masters , Arne Jacobsen, Charles Eames, Eero Saarinen, Kartell, Indianapolis Museum of Art.
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  Dr.Glob Chair, Kartell Indianapolis Museum of Art.
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  Tabouret WW, 1990, Vitra, Indianapolis Museum of Art.
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  Table center, Alessi, Indianapolis Museum of Art.
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  Chaise Costes, Centre Georges Pompidou.
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  Juicy Salif, Alessi, Indianapolis Museum of Art.
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  Louis Ghost Chairs

Volteis electric car, 2012

Starck develops alternative materials to create in a more ecological way. In 2010 he took an interest in sorting waste in companies and designed Elise, an ecological trash can available in six colors, for six different types of waste.

Zartan, created for Magis in 2010, is a chair entirely made from natural material as bamboo, linen and hemp fiber, a non-toxic and biodegradable alternative to replace plastic.[42] This made it eco friendly and very good for the environment as he wasnt using plastic .

In 2012, Starck released Broom for Emeco, an anti-waste chair made of materials collected in lumber and plastic plants factories.[43]

Starck continues his reflection on structure and matter with the 7 chairs of the Generic Collection for Kartell in 2015. The evolution of universal seats as chairs found in cafes, offices, administrations that are part of the collective memory. In 2016, he introduces wood into Kartell's catalog with the Smart Wood collection by transforming wood residues into material able to be molded like plastic.

Starck released Cassina Croque la pomme in 2019, a furniture collection for Cassina, entirely made from a vegan fabric, with apple leather.[44]

Starck's concept of democratic design led him to focus on mass-produced consumer goods rather than one-off pieces, seeking ways to reduce cost and improve quality in mass market goods.[45]

In 2007, Starck was the first designer to participate in the TED Talks (Technology, Entertainment & Design).[46]

Through his "democratic design" concept, Starck has campaigned for well-designed objects that are not just aimed for upper-tiered incomes. He has expressed this as a utopian ideal, approached in practice by increasing production quantities to cut costs and by using mail-order,[47] via Les 3 Suisses. In 1998, Philippe Starck sets up the Good Goods catalogue with La Redoute, proposing 170 sustainable and respectful everyday life objects "for the future moral market".[48] Later in 2000, driven by his desire to make design accessible for everyone, he works with Target Stores and proposes a collection of more than 50 exclusive and affordable products.[49]

Starck released Ideas Box in 2011 for Bibliothèques Sans Frontières. These kit media libraries give the refugee populations access to culture and information. The can by installed anywhere around the world and provide screens, books, games, cameras etc.[50]

One of the ways Starck has economized costs for the public[51] is his plastic-furniture line, producing pieces such as the Kartell Louis Ghost chair, over a million of which have been sold. He has also been involved in the development of Fluocaril toothbrushes[52] to bathroom fittings for Duravit, Hansgrohe, Hoesch and Axor, from Alessi's Juicy Salif lemon squeezer to Zikmu speakers, Zik headphones by Parrot, Laguiole Knives,[53] Starckeyes glasses by Mikli and the Marie Coquine lamp for Baccarat.[54]

Alongside his work, Starck partnered with Moustache Bikes for the M.A.S.S. (Mud, Asphalt, Sand and Snow). This is a portfolio of four e-bikes that use a Bosch electrical engine and battery pack.[55]

In January 2013 Starck redesigned the Navigo travel pass.[56]

In 1996, Starck worked with Alain Mikli to launch Starck Eyes. Bought in 2013 by Luxottica, Starck Eyes becomes Starck Biotech Paris in 2019 and is inspired by the human body to create revolutionary eyewear, merging design with biomechanics.[57]

Starck helped design the Xiaomi Mi MIX smartphone, notable for having a 6.4-inch "whole surface screen".[58]

In 2016 Starck developed a GPS-tracking wristband, DIAL (Individual Alert and Localization Device) for Société nationale de Sauvetage en Mer, which allows endangered people to share their exact location to rescue service whether they are in the sea or in the beach.[59]

In 2019 the so-called AI chair was presented to the public. Starck cooperated with experts of the 3D software company Autodesk and created a chair design with help of an Artificial Intelligence.[60] The same year he teames up with the corsican start-up Icare Technologies to imagine the design of Aeklys by Starck, a connected ring which allows contactless payment among other parameters.

In 2020 Starck collaborates with Axiom Space and creates the interior of the International Space Station's housing module. A comfortable and luxurious living space adapted to weightlessness, with suede-textured walls, big windows to appreciate the view and all the technology needed to stay connected.[61]

Sometimes pointed political messages, combined with the unexpected and humour[62] can be found in Starck's projects, such as the subversive Gun Lamp (Flos, 2005), the Superarchimoon floor lamp (Flos, 2000), in fact a giant architect's lamp standing 217 centimetres high, the Haaa!!! and Hooo!!! lamps he imagined with the American artist Jenny Holzer (Flos/Baccarat, 2009) and the chandeliers in the Darkside collection, featuring the Zenith chandelier (Baccarat, 2005).