Pingala
Acharya Pingala[2] (piṅgala; c. 3rd/2nd century BCE)[1] was the ancient Indian author of the Chandaḥśāstra (also called Pingala-sutras), the earliest known treatise on Sanskrit prosody.[3]
Pingala | |
---|---|
Born | unclear, 3rd or 2nd century BCE[1] |
Academic background | |
Academic work | |
Era | Maurya or post-Maurya |
Main interests | Sanskrit prosody, Indian mathematics, Sanskrit grammar |
Notable works | Author of the Chandaḥśāstra (also called Pingala-sutras), the earliest known treatise on Sanskrit prosody |
Notable ideas | mātrāmeru, binary numeral system, arithmetical triangle |
The Chandaḥśāstra is a work of eight chapters in the late Sūtra style, not fully comprehensible without a commentary. It has been dated to the last few centuries BCE.[4][5] In the 10th-century, Halayudha wrote a commentary elaborating on the Chandaḥśāstra.
Combinatorics
The Chandaḥśāstra presents the first known description of a binary numeral system in connection with the systematic enumeration of meters with fixed patterns of short and long syllables.[6] The discussion of the combinatorics of meter corresponds to the binomial theorem. Halāyudha's commentary includes a presentation of Pascal's triangle (called meruprastāra). Pingala's work also includes material related to the Fibonacci numbers, called mātrāmeru.[7]
Use of zero is sometimes ascribed to Pingala due to his discussion of binary numbers, usually represented using 0 and 1 in modern discussion, but Pingala used light (laghu) and heavy (guru) rather than 0 and 1 to describe syllables. As Pingala's system ranks binary patterns starting at one (four short syllables—binary "0000"—is the first pattern), the nth pattern corresponds to the binary representation of n−1 (with increasing positional values).
Pingala is credited with using binary numbers in the form of short and long syllables (the latter equal in length to two short syllables), a notation similar to Morse code.[8] Pingala used the Sanskrit word śūnya explicitly to refer to zero.[9]
Editions
- A. Weber, Indische Studien 8, Leipzig, 1863.
Notes
- Plofker, Kim (2009). Mathematics in India. Princeton University Press. pp. 55–56. ISBN 0-691-12067-6.
- Singh, Parmanand (1985). "The So-called Fibonacci Numbers in Ancient and Medieval India" (PDF). Historia Mathematica. Academic Press. 12: 232.
- Vaman Shivaram Apte (1970). Sanskrit Prosody and Important Literary and Geographical Names in the Ancient History of India. Motilal Banarsidass. pp. 648–649. ISBN 978-81-208-0045-8.
- R. Hall, Mathematics of Poetry, has "c. 200 BC"
- Mylius (1983:68) considers the Chandas-shāstra as "very late" within the Vedānga corpus.
- Van Nooten (1993)
- Susantha Goonatilake (1998). Toward a Global Science. Indiana University Press. p. 126. ISBN 978-0-253-33388-9.
Virahanka Fibonacci.
- "Math for Poets and Drummers" (pdf). people.sju.edu.
- Plofker (2009), pages 54–56: "In the Chandah-sutra of Pingala, dating perhaps the third or second century BC, [...] Pingala's use of a zero symbol [śūnya] as a marker seems to be the first known explicit reference to zero. ... In the Chandah-sutra of Pingala, dating perhaps the third or second century BC, there are five questions concerning the possible meters for any value “n”. [...] The answer is (2)7 = 128, as expected, but instead of seven doublings, the process (explained by the sutra) required only three doublings and two squarings – a handy time saver where “n” is large. Pingala’s use of a zero symbol as a marker seems to be the first known explicit reference to zero."
See also
References
- Amulya Kumar Bag, 'Binomial theorem in ancient India', Indian J. Hist. Sci. 1 (1966), 68–74.
- George Gheverghese Joseph (2000). The Crest of the Peacock, p. 254, 355. Princeton University Press.
- Klaus Mylius, Geschichte der altindischen Literatur, Wiesbaden (1983).
- Van Nooten, B. (1993-03-01). "Binary numbers in Indian antiquity". Journal of Indian Philosophy. 21 (1): 31–50. doi:10.1007/BF01092744.
External links
- Math for Poets and Drummers, Rachel W. Hall, Saint Joseph's University, 2005.
- Mathematics of Poetry, Rachel W. Hall