Puchito Records

The founder, Jesús Gorís (né Jesús Ramon Francisco Gorís Ballas; 12 April 1921 Havana, Cuba – 16 Aug 2006 Miami, Florida) had been a representative of RCA Victor, selling records from a separate counter at his father's hardware store, La Estrella.[4] Eventually, the store became known as Gorís Shop.

Back then, stores were restricted to sell records from just one label. At La Estrella, they were supposed to sell only RCA Records, but Gorís, he would sell you Columbia and Decca recordings he kept hidden under the counter. I guess that secret can now be told.

— Cristóbal Díaz Ayala, 2006[1]

In 1952, Gorís invested in a single, "Guantanamera", composed by Joseíto Fernández, which did well in jukeboxes.[5] Gorís and two partners, Messrs. Alfredo Beltrán and Oliva, originally wanted to launch a series of children's records, so they chose the name Puchito, which, in this context, means "youngest child." In 1954, Gorís and his two partners produced an LP of Olga Guillot singing with The Castro Brothers Orchestra, one of Cuba's first jazz bands (no relation to Fidel Castro).[6] Although Guillot. "Mienteme" ("Lie to Me"), a bolero composed by Chamaco Domínguez (es) (1921–1985), was one of the album's great successes. Puchito went on to produce Guillot on nine more albums, and a few singles, up until 1960.[4] In 1958, Gorís hired pianist René Touzet (1916–2003) as musical director and orchestrator of Guillot's album, Intemidades (MLP-526), which gained reputation as having the most important works of her career, and several that cemented Touzet's reputation as an original composer: "La Noche de Anoche" ("The Night Last Night"), "Será Cuando Tú Quieras," "Estuve Pensando," and "No Te Importe Saber" ("Let Me Love You Tonight"). Guillot and Touzet, though never married, had a daughter together: Olga María Touzet-Guillot (born 1960).

With the support of Benny Moré, Gorís spearheaded the rediscovery of a major sonero artist from the 1920s, Abelardo Barroso, who, back then, had sung with Sexteto Habanero. Gorís curated and, through Puchito, republished old photographs and produced Barroso with the Orquesta Sensación. In early July 1955, Barroso recorded a single, "La hija de Juan Simón" and "En Guantánamo" (Puchito 224, 78 rpm & 45 rpm), his first recording in over fifteen years, and apart from his solitary single in 1939, his first in over a quarter century. Rolando Valdés, founder of Orquesta Sensación, selected the songs for the session, both from Barroso's radio hits of the 1930s. The release became one of the greatest double-sided hits in the history of popular music. It became a Gold Record in 1956.[7]

In 1956, Puchito released 5 more singles featuring Barroso and Orquesta Sensación.

For the rest of the 1950s, Gorís produced several other highly successful records on the Puchito label. He produced Chapottin y sus Estrellas on with singer Miguelito Cuní (es) (1917–1984), the Orquesta Riverside with singer Tito Gomez (1920–2000) and Roberto Faz (1914–1966) and his conjunto for the label. Puchito manufactured its discs at Panart's factory.[4]

At some point, Puchito recorded in the studios of Radio Progreso, built in 1950. Puchito also recorded in a private studio at Calle 10 n.52 in the Vedado district of Havana. And for many years, Puchito recorded at Cuban Plastics & Record Corporation at San Miguel 410, between Campanario and Lealtad in Havana, with the factory outside of the city. San Miguel 410 was the home of Panart, founded and owned by Ramón S. Sabat and his wife, Julia, both also founders of Cuban Plastics and Record Corporation.

On May 29, 1961, during the process of enterprise nationalization started by the Revolutionary Government, the assets and management of several record companies were assumed by the Imprenta Nacional de Cuba (INC) (National Press of Cuba), an arts overseer created March 31, 1961. Companies included in the seizure included Puchito and Panart.

Imprenta Nacional de Cuba acted as the only legal Cuban label until 1964.

In 1964, EGREM (Empresa de Grabaciones y Ediciones Musicales) became Cuba's national label. EGREM operated several imprints including Areito (for recordings made in the former Panart studios in Havana), Palma (for international distribution) and Siboney (for recordings made in Santiago de Cuba).

In 1961, two years after the end of the Cuban Revolution, Gorís went into exile, immigrating to Miami, Florida, and was lawfully admitted in the United States for permanent residence on October 20, 1962. He began working at a 7-Eleven, then became a top salesman for Equitable Life Insurance in Miami.[8] While working in insurance, Gorís, with a partner, Giuseppe Pucci Storniolo (1929–1993), launched Puchito Record Mfg. Co. Inc. in 1963 as a Florida entity, initially located at 480 East 28 Street, Hialeah. Puchito Record Mfg. Co. produced the recordings that Gorís brought with him from Cuba. After a period of time, the new Puchito released those recordings on its newly created budget label, Adria. The new Puchito also started to distribute its newly created Krystal label.[3][9]

Gorís and his wife, Georgina Rita Gorís (1927–2012), became naturalized United States citizens on April 12, 1968. Jesús Gorís married Georgina around 1945, and remained married to her for the rest of his life.[1]

The company remained active until 1971. It somehow operated afterwards from the US, but seemed to have continued also in Cuba for a while after the revolution.

Puchito Mfg. Co. Inc. (1969)

President & Head of A&R: Jesús Gorís

Vice President: Giuseppe Pucci Storniolo (1929–1993)

Labels: Puchito, Adria, Dardo Recordings, J. & G. Recordings

J. & G. Recordings was a United States trademark of Puchito Record Mfg. Co. Inc., based in Hialeah, Florida. The trademark was active ten years, from April 25, 1967, to April 25, 1977.

José Armada Sr. and Vicente Rodríguez, who had been in the record business together in Cuba, remain together when they arrived in New York in 1964. They recorded and distributed Puchito Records and set up racks in New York and New Jersey.

Fellow Cubans brought them to Miami in 1968, where they purchased the bankrupt Puchito label at an auction, picked up some other labels, and started a distributing business. In 1972 they opened a manufacturing plant —Armada and Rodriguez of Florida, Inc.— where they pressed LP's and 45's for their own labels: Gema Records, Velvet Records Inc., Continental Records, Aro Records, Funny Records, Regio Records, and Suave Records, and a number of custom labels. Their labels, Aro, Funny, Regio, and Suave are distributed all over the U.S. and Puerto Rico and for the most part are licensed works from Latin America.

But, they also produced and recorded local artists, including The Antiques, Alexis Fari, Miriam (aka Myriam) and the Sons of Paraguay. Armada & Rodriquez distributed Gema throughout the U.S., and they owned their own distributing organization in New York and Antilla.

They sold only to distributors, not to retail stores, but also owned a distributing company that sold to retail stores and serviced their racks.[10]