Radney Foster

Two years later Foster signed with Arista Nashville and released the album Del Rio, TX 1959 (named for Foster's place and year of birth).[2] The album produced two consecutive Top Ten hits: "Just Call Me Lonesome" and "Nobody Wins", which respectively reached No. 10 and No. 2 on the Billboard country charts. Two later singles, "Easier Said Than Done" and "Hammer and Nails", also reached Top 40, peaking at No. 20 and No. 34, respectively.

In 1994, Foster began work on his second album, which was originally to be titled Never Say Die.[5] After the lead single "Labor of Love" failed to make the Top 40, Arista delayed the album's release so that it would not compete with the compilation album Mama's Hungry Eyes: A Tribute to Merle Haggard, to which Foster had contributed the track "The Running Kind".[5] Steve Ripley, who recorded on Arista as lead singer of The Tractors at the time, remixed the following single "Willin' to Walk" and the album was released under the title Labor of Love in April 1995.[5] Later that year, Foster contributed the song "Close Up the Honky Tonks" to the AIDS benefit album Red Hot + Country produced by the Red Hot Organization.[6]

Foster's third album was 1999's See What You Want to See, featuring a more pop-oriented sound and backing vocals from Darius Rucker of Hootie & the Blowfish. The album produced a charting single in "Godspeed (Sweet Dreams)", a duet with Emmylou Harris which peaked at No. 74 on the country charts and was recorded by the Dixie Chicks in 2003. Two of the album's cuts were later covered by Keith Urban, who released his renditions as singles: "Raining on Sunday" from Golden Road, and "I'm In" from Defying Gravity. The latter was also a single for The Kinleys, whose version Foster produced, in 2000.[7]

In 2001, Foster signed to Dualtone Records[1] and released Are You Ready for the Big Show?, included the song "Texas in 1880", which Foster had originally recorded as a member of Foster & Lloyd. The new version featured Pat Green and peaked at No. 54 on the country charts. Foster's next album was 2002's Another Way to Go. One of its tracks, "A Real Fine Place to Start" (another collaboration with Ducas) became a No. 1 hit single for Sara Evans on her 2005 album Real Fine Place. Foster's released This World We Live In in 2006 but none of the songs made the country charts. In 2005, Foster released a website-only album titled And Then There's Me: The Back Porch Sessions containing 11 acoustic tracks. Foster produced two albums for the Randy Rogers Band: their 2006 album Just a Matter of Time and 2008's Randy Rogers Band.

Foster began his own music label called Devil's River. In September 2009 Foster released the album Revival under the band name "Radney Foster and the Confessions" and a feature-length DVD documentary on the making of the album. The 90-minute film was co-produced by Foster and his wife.[8] Keith Urban recorded Foster's song "I'm In" for his 2009 album Defying Gravity and it became a No. 2 single.

In December 2010, Foster rejoined the Foster & Lloyd duo and they released the album "It's Already Tomorrow" in 2011.

Foster is the host of the music anthology series "Crossroads" on CMT.

In early 2017, Foster starred in Troubadour, a country musical by Sugarland member Kristian Bush and playwright Janece Shaffer. The production took place in Atlanta, at the Tony Award-winning Alliance Theatre. Foster also appears in the 2017 film Beauty Mark.

In September 2017, Foster released For You To See The Stars, a CD/book duo. The collection of short stories is his first print publication and follows the stories on the CD, which included nine new songs and a special re-recording of "Raining on Sunday", Foster's single that was later recorded by Keith Urban for his album Golden Road.

For You To See The Stars is Foster at his classic storytelling best, both as a seasoned singer-songwriter and a soulful writer of prose. Although both components stand alone as separate pieces of art, they are meant to be enjoyed together. When coupled, the book and CD give fans a deeper insight into the subconscious of Foster's storytelling. Long-time Tennessean journalist Peter Cooper commented, “Radney Foster writes with uncommon depth of emotion, humor, empathy, and clarity. I’m going to ask him how he does it, and if he tells me I’ll let you in on his secret. Until then, it’s best that we read, wonder, and revel.”