Red Sails in the Sunset (album)

Midnight Oil released Red Sails in the Sunset in October 1984. It was recorded in June to August in Japan, and was produced by Nick Launay, who had worked on their breakthrough album, 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982).[3][4] Columbia asked the band to return to the studio and record a more commercial single that could chart in America, but the band refused. Drummer Rob Hirst said that the band told Columbia to take it or leave it, and Columbia released the album as-is.[5] It peaked at No. 1 for four weeks on the Australian charts,[6] and charted on the Billboard 200.[7] Singles from the album were also released in the United States and United Kingdom but had no chart success.[3] Whilst the album showed an over-reliance on technical wizardry, their lyrical stance was positive.[3] The band continued to expand their sound and explore themes of politics, consumerism, militarism, the threat of nuclear war and environmental issues.[8]

The album cover by Japanese artist Tsunehisa Kimura featured a photomontage of Sydney – both city and harbour – cratered and devastated after a hypothetical nuclear attack.[9] Live concert footage of "Short Memory" was used in the Australian independent anti-nuclear war movie One Night Stand.[10] A promotional video for "Best of Both Worlds" received airplay worldwide on cable music TV station MTV.[11] In January 1985, Midnight Oil performed Oils on the Water, a concert on Goat Island in Port Jackson to celebrate Triple J's tenth birthday,[3] before a select audience of fans who had won tickets in a radio competition. The concert was filmed, simulcast on ABC-TV and Triple J, and released on video,[3] which was remastered for their 2004 Best of Both Worlds DVD.

Professional ratings

Review scores
Source	Rating
AllMusic	[12]
Rolling Stone	(favourable)[13]
Spin	(favourable)[14]

AllMusic's William Ruhlmann found that group were "ambitiously taking on a variety of lyrical causes in a variety of musical styles" and the album's "martial rhythms, chanted vocals, and guitar textures, served as a jumping-off place".[12] However Garrett's vocals showed an "unrelentingly judgmental tone ... sung with dead seriousness ... tended to douse the album's potential enjoyment".[12] Rolling Stone's Don Shewey felt their music "combines the postpunk abrasiveness of the Clash and Gang of Four with the Kinks' music-hall variety and the pure pop of groups like Cheap Trick".[13] Shewey wrote that their "references to local politics and history that stud the group's songs and account in large part for its huge appeal down under may seem exotic or puzzling to Americans".[13] Bill Wolfe of Spin wrote, "Midnight Oil is not only the Australian band of the '80s, it may very well be the band of the '80s. Period."[14]

Album is credited to:[18]

• Midnight Oil