Research Centre for Russian Music

The Serge Prokofiev Archive is the only archive in the world wholly dedicated to this composer.[4] Established at Goldsmiths College in 1994, the Archive was an initiative of Lina Prokofiev, the composer's first wife, who set up the Serge Prokofiev Foundation, with the objective of furthering the knowledge and study of Prokofiev's life and work. After her death in 1989, the Foundation decided to set up and support an archive where all available materials relating to Prokofiev, including family papers, would be regrouped under one roof.

The Archive was started with the family's private collection of the composer's music manuscripts, private and business papers, correspondence, photos (including unpublished originals), articles, press cuttings, concert programmes and memorabilia. The Archive's holdings were subsequently increased at various stages with donations from individuals such as Christopher Palmer, publishers Boosey & Hawkes and Peters (London), Chant du Monde (Paris), Hans Sikorski (Hamburg) and Kompozitor (Moscow). EMI, Harmonia Mundi, Philips/Decca, Chandos, Naxos and Warner Classics have substantially contributed to the audio-visual collection. The Archive's prime mission is to make its collection available to a wide public, to provide up-to-date information to scholars and musicians as to the nature and location of extant autographs, and to initiate collaborative projects with its Russian counterparts, and aims to promote greater recognition of Prokofiev's significance.

The Archive was founded in 1999 and contains facsimile copies of almost every score that Alfred Schnittke completed, many original and unfinished scores, sketches, documentary material relating to premieres/commissions and an extensive collection of secondary sources relating to Schnittke's work.[5]

• Malcolm Henbury Ballan's collection of Russian Piano Music (including many rare first editions);
• Malcolm Henbury Ballan's collection of orchestral and chamber scores;
• Special collection of post-Soviet scores, recordings and document;
• Nikolai Korndorf's archive;
• Giles Roche's collection of the scores, recordings and books

CRM has collaborated with following research and educational institutions:[6]

• Centre for Contemporary Music, Moscow, Russia;
• The Russian Music Academy, Moscow, Russia;
• The Alfred Schnittke Academy, Hamburg, Germany;
• The State Institute of Arts Studies, Moscow;
• The State Schnittke Institute, Moscow;
• The Rakhmaninov Institute, Tambov,Russia;
• The Rutgers University, USA;
• The Ohio State University, USA;
• The Yale University, USA (The Prokofiev Society of America);
• The University of California, USA;
• The University d’Evry, France;
• The Shostakovich Centre, Paris, France;
• The D.D.Shostakovich Archives, Moscow, Russia;
• The Rostropovich Archive, St Petersburg, Russia;
• The Saratov State Conservatoire (The Schnittke Centre), Saratov, Russia;
• The Russian State Archive for Literature and Arts (RGALI);
• The Russian Composers Union Library and Archives;
• The State Museum of Musical Culture Archive;
• The University of Canterbury, New Zealand;
• The University of Manchester;
• The University of Edinburgh (Slavic Languages Department);
• The SSEES, University of London;
• The British Film Institute;
• The Royal Musical Association;
• The Moscow Conservatory, Russia;
• The Glinka Conservatoire, Nizhni Novgorod, Russia;
• The Compozitor Publishers, St Petersburg, Russia;
• The Bolshoi Opera House and Archives, Moscow, Russia;
• The Birmingham University;
• The Trinity Laban Conservatoire of Music and Dance, London;
• The School of Advanced Studies, Institute of Musical Research, London

• Research Centre for Russian Music
• Goldsmiths, University of London