Resurrection (Common album)

The album is divided into two sections: the "East Side of Stony" (tracks 1–7) and "West Side of Stony" (tracks 8-15). Stony Island Avenue is a street that runs through the South Side of Chicago, where Common was raised. The closing track, "Pop's Rap" was the first of a series of tracks featuring spoken word and poetry by Common's father Lonnie "Pops" Lynn Sr., whom Common has used to close several of his albums since. Interlaced throughout the album are short interludes that form a loose narrative concerning day-to-day life on the South Side.

Songs such as "Thisisme", are full of self-assessing rhymes that reflect the emcee's personal growth since 1992's Can I Borrow A Dollar? Likewise the crasser moments found on that LP, such as the misogynistic "Heidi Hoe" are greatly toned down for Resurrection, and replaced by thought-provoking narratives such as "Chapter 13 (Rich Man Vs. Poor Man)", and "I Used to Love H.E.R." - a song that re-imagines Hip hop as a formerly unadulterated woman, led astray after being enticed by materialistic elements of life. The use of a conflicted woman as an allegory for Hip hop allowed Common to covertly express his disdain at the genre's turn toward gangsta-inspired content and what he saw as the resulting reorientation of hip hop artists.

This song, which brought Common to the attention of fans and music critics alike, would also become the cause of a rift between the rapper and West Coast emcee Ice Cube, who took exception to the insinuation that the West Coast pioneered gangsta style was detrimental to hip hop—even going as far as to claim that hip hop altogether "started in the West". Together with his Westside Connection compatriots, Cube hurled insults Common's way on the song "Westside Slaughterhouse" and throughout the group's album Bow Down, to which the rapper replied with the equally venomous "The Bitch in Yoo." In the aftermath of the murders of both Tupac Shakur and the Notorious B.I.G., the rivalry would be settled out of public view at a peacemaking function held by Louis Farrakhan at his home.

The album is broken down track-by-track by Common in Brian Coleman's book Check the Technique.[4]

Professional ratings

Review scores
Source	Rating
AllMusic	[5]
Chicago Tribune	[6]
Christgau's Consumer Guide	[7]
Encyclopedia of Popular Music	[8]
RapReviews	9.5/10[9]
Record Collector	[10]
Rolling Stone	[11]
The Rolling Stone Album Guide	[12]
The Source	3.5/5[13]

Resurrection is frequently held to be a classic album by hip hop-music critics. This album signified both the arrival of a level of maturity in Common's work, and yet the end of his first phase, which was characterized by a more straightforward and underground-based sound. Subsequent albums by the emcee would see him delving into experimentation and themes such as love, which perhaps marked his second phase.

In the Rolling Stone review, Touré wrote of the album: "Resurrection belongs among the best recent hardcore albums: Illmatic by Nas, Enter the Wu-Tang (36 Chambers) by Wu-Tang Clan, and Ready to Die by the Notorious B.I.G.."[11] Despite critical acclaim, the album sold poorly, peaking at #179 on the Billboard 200 with 2,000 copies sold before dropping out of the charts the following week.

• All tracks produced by No I.D., except tracks 12 and 14 produced by Ynot.

• The album was originally released under Common's original stage name, "Common Sense." However, the "Sense" has since been dropped from the album's listings because of a legal case between Common and a ska band named Common Sense.[14]
• The song "Thisisme" is used as the name for Common's greatest hits compilation, Thisisme Then: The Best of Common.

• List of hip hop albums considered to be influential