Richard Harland

Many of Harland's novels contain maps. He has confessed to a fascination with maps, sometimes spending hours studying them. He has also admitted to often viewing his fictional worlds as though seen from an elevated distance, something he feels is a common feature among fantasy writers.[2]

Following the 1999 publication of Hidden from View, the final volume in his Eddon and Vail series, all of his novels have been written either for young adults or children, with the exception of The Black Crusade (2004). Some of his novels have also been published as audio books.

The first volume of this series, The Vicar of Morbing Vyle, was Harland's first published novel. He set up his own publishing company to bring it to press, and approached individual booksellers in the Australian cities of Brisbane, Canberra, Melbourne and Sydney to promote it. While it is no longer in print, it has since attained a cult status, something he claims was his original intention when marketing the book.[4][5]

It was followed in 2004 by The Black Crusade, a prequel to The Vicar of Morbing Vyle. It describes the journey of the hapless Basil Smorta, a multi lingual bank clerk, who is forced into the company of a group of "fundamental Darwinists" by their imprisonment of the object of his undying love, Australian singer, Volusia, in a mobile iron box. The group travel across Eastern Europe during 1894, and encounter ghosts, blood donating vampires and other comic horror curiosities. The novel, which shows the origin of the 'vyle' Marquis of Morbol Villica from the first volume in the series, plays with the notion of the tale's reliability as a factual narrative, including fictional footnotes, apparently inserted by the publisher, to show their disdain and disagreement with Basil's actions and their unheroic qualities.[6]

The novel was published by Chimaera Publications, which also produces Aurealis, a magazine which publishes and promotes Australian speculative fiction, and originated the Aurealis Awards (although these awards have been administered entirely independently from Chimaera by another organisation since 2004). The novel won an Aurealis Award in 2004 in both the "Best Horror Novel" and the overarching "Golden Aurealis Best Novel" categories.[7]

In this series of three science fiction novels with both mystery and supernatural elements, Inspector Eddon Brac, a male detective with traditional sleuth leanings, is partnered with assistant Vail ev Vessintor, a female goth noble with expertise in the psychic sciences. Each novel presents the pair with a murder mystery with an unorthodox and surprising origin and also explores the tension between them.

The series is set against the background of the colonial hegemony of the planet Terra, whose influence has spread across the cosmos, but is increasingly threatened by the Anti-Human, an unknown menace, which follows a steady path from the boundaries of the universe towards the core, consuming Terran colonies as it advances.

The first volume, The Dark Edge was a finalist for the 1997 Aurealis Award in both the Horror Novel and Science Fiction Novel categories and the third, Hidden from View, was nominated for the 1999 Ditmar Award in the Best Novel category.[7]

This trilogy for young adults is set in Australia 1000 years into the future and concerns a war between heaven and earth. Each book includes an 'angelology'.

In preparation for writing the trilogy, Harland extensively researched angels and cosmology, including both the mainstream and unorthodox sources of Christian, Islamic and Judaic lore on the subjects. He was particularly concerned to present angels as beings which departed from the comforting 'Disney' representations of some previous works, and were awe inspiring, beautiful and disturbing, while remaining characters readers could still empathise with.[5] The first book he read on angels was A Dictionary of Angels by American poet Gustav Davidson, and he has returned to this book numerous times since to help with inspiration on subsequent fiction projects. He has also stated that the Ghent Altarpiece by Jan van Eyck greatly assisted in creating his vision of heaven.[8]

The Wolf Kingdom Series comprises four illustrated fantasy books, aimed at older pre-adolescents, commencing with Escape! and completed by The Heavy Crown, all published in 2008. Harland wrote the story, and Laura Peterson provided illustrations which head each chapter and are mostly full page. Each tale functions as a self-contained narrative, but the series also interlinks as a larger story arc.

The books were launched in association with the Children's Book Council of Australia.[9]

A race of talking, bipedal wolves have overrun and enslaved humankind, leaving only a determined resistance, known as the "Free Folk", who shelter in a subterranean refuge and plot to liberate themselves from their animal overlords and must discover how these creatures have risen from their former bestial state, to become oppressive rulers of humankind. The books focus on two children, a brother and sister, whose parents are taken by the wolves, and who subsequently join the "Free Folk" and become key to the success of the rebellion. Harland has long been fascinated with wolves; during his childhood in the United Kingdom he passed an ominous wood named 'Wolves Wood' on daily basis in a school bus and this left a marked impression upon him.[9]

The series won the 2008 Aurealis Award for the "best children's illustrated work/picture book" category.[7] In awarding the series an Aurealis the judges, acknowledging the dual work of Harland and his illustrator partner, Laura Peterson, commented: "The illustrations help to bring alive aspects of the story – muscular pictures for a muscular tale. Laura Peterson has shown attention to detail in all the artwork pertaining to the wolves and helps to support the atmosphere of peril that Richard Harland has created."[10]

Harland's most recent series of novels commenced with Worldshaker, a young adult steampunk novel partly inspired by the work of Charles Dickens, released in May 2009 in Australia. The main inspiration for this book was the dream he had which is now one of the scenes in the book. The principal character is Col, who lives in the privileged upper sections of a mountain-sized city-ship. He has been selected to become the next commander of the craft, but is forced to question his world when a girl who has escaped from the lower decks, seeks his help and reveals to him the poverty and exploitation below the elite world of his upbringing. The novel sold to US publisher Simon & Schuster for a substantial advance.

The story itself is very similar to the plot of the film Metropolis. Both feature a young man who is the heir to a futuristic society where the wealthy live "above" and the poorly treated workers "below", with a young woman of the worker class teaming together with the young man to overthrow the cruel establishment.

Harland began developing the ideas for Worldshaker in the mid 1990s and took five years to write the novel, passing through 3 complete rewrites. It was first entitled Leviathan, later Juggernaught before finally being published as Worldshaker. The sequel to Worldshaker has been published as Liberator.

• Walter Wants to Be a Werewolf (2003)

It is part of the Aussie Chomps series for teenagers. Walter is a young member of a family of werewolves, but struggles to manifest true werewolf characteristics when the full moon rises, and subsequently visits a doctor hoping to find a cure for his condition.

• Sassycat: The Night of the Dead (2005)

It was a finalist for the 2005 Aurealis Award for best children's (8–12 years) long fiction.[7]

Richard Harland has published nearly 20 short stories and novellas. His work has been included in anthologies such as Encounters, Outcast, and the 2008 published Dreaming Again, the second anthology of Australian speculative fiction compiled by prolific editor and anthologist, Jack Dann. He has also published shorter works in magazines in Australia and the United States. Several of his stories have received honourable mentions in the prominent Year's Best Fantasy and Horror anthologies, edited by Ellen Datlow & Terri Windling. His shorter fiction has been both nominated for and won Australian speculative fiction awards.