Riding into the Sunset

Riding into the Sunset is a bronze sculpture by Electra Waggoner Biggs, depicting Will Rogers on his horse, Soapsuds. There are four castings, located in Fort Worth, Texas, Claremore, Oklahoma, Lubbock, Texas, and Dallas, Texas.[1]

Riding into the Sunset
ArtistElectra Waggoner Biggs
Year1942 (1942)
TypeBronze sculpture
Dimensions2.87 m × 0.91 m × 1.78 m (9 ft 5 in × 3 ft × 5 ft 10 in)
LocationWill Rogers Memorial Center, Fort Worth, Texas (original casting)

The work was commissioned in 1937, by Amon G. Carter, a friend of Rogers, following Rogers death in 1935. Biggs initially used Soapsuds as her model but was not satisfied with her animal anatomy. While living in New York City, she hired a police horse and model, as well as a veterinarian to check her horse anatomy, to aid in the work's completion.[2]

Castings

Fort Worth, Texas

The original casting was installed at Amon Carter Square, in front of the Will Rogers Memorial Center in Fort Worth, Texas, in 1942.[3] Carter built the center as an indoor arena to be used for rodeos, cattle and horse shows, and other events.

Claremore, Oklahoma

Oklahoma's Will Rogers Memorial features the Will Rogers Museum, and a garden containing the entertainer's tomb. The casting of Riding into the Sunset was initially placed near the front entrance to the museum, but was later moved to beside the tomb, overlooking the city of Claremore.[4]

Lubbock, Texas
Riding into the Sunset
LocationLubbock, Texas
Built1950
SculptorElectra Waggoner Biggs
Part ofTexas Technological College Historic District (ID96000523)
Added to NRHP1996

The Amon G. Carter Foundation donated the casting of Riding into the Sunset to Texas Tech University in 1950. Carter was the first chairman of the university's board of regents when it was founded in 1923. The sculpture is located in what is now called Amon G. Carter Plaza at the university's main entrance.[5] While visiting Lubbock in 1926, Rogers donated $200 to the Goin' Band from Raiderland to aid with travel expenses for the marching band to accompany the football team for a game against the TCU Horned Frogs in Fort Worth. At the sculpture's dedication on February 16, 1950, Carter was quoted as saying "Will Rogers felt at home in the Lubbock area. His statue is a befitting monument to your students and faculty."[6] In 1996, Riding into the Sunset was added to the National Register of Historic Places as a contributing object to the Texas Technological College Historic District.[7]

A campus legend holds that the sculpture was originally intended to be positioned with Will Rogers and Soapsuds facing due west, so that it would appear he was riding into the sunset. However, that position would cause Soapsuds's posterior to face due east, towards downtown Lubbock, potentially insulting the local business community. To address this issue, the sculpture was turned 23 degrees to the east in the late 1960s, supposedly causing Soapsuds's rear to face in the direction of the Texas A&M University in College Station.[8] The sculpture was found covered in maroon paint, the school color of Texas A&M, after the Texas Tech Red Raiders football team defeated the Texas A&M Aggies 13–9 in 1969.[9] After the act of vandalism, a Texas Tech student organization known as the Saddle Tramps, began the tradition of wrapping the statue in red crepe paper prior to every home football game to protect the sculpture. Riding into the Sunset has also been covered in black crepe paper to observe national tragedies such as the September 11 attacks.[10]

Dallas, Texas

A 1989 casting of Riding into the Sunset was installed on the exterior grounds of the Hilton Anatole in Dallas.[11] This, along with several other sculptures, was donated by the hotel's developer Trammell Crow.[1]

References
  1. Little, Carol Morris (1996). A Comprehensive Guide to Outdoor Sculpture in Texas (1st ed.). Austin, Texas: University of Texas Press. pp. 170–171. ISBN 0292760361.
  2. Hendricks, Patricia D and Becky Duval Reese, A Century of Sculpture in Texas: 1889-1989, Archer M. Huntington Art Gallery, University of Texas at Austin, 1989 pp. 40-41
  3. Little, Carol Morris (1996). A Comprehensive Guide to Outdoor Sculpture in Texas (1st ed.). Austin, Texas: University of Texas Press. p. 209. ISBN 0292760361.
  4. "Archived copy" (PDF). Archived from the original (PDF) on 2012-10-26. Retrieved 2012-04-27.CS1 maint: archived copy as title (link)
  5. Rushing, Jane Gilmore; Kline A. Nall (1975). Evolution of a University: Texas Tech's first fifty years. Austin, Texas: Madrona Press. p. 168. ISBN 0-89052-017-8.
  6. "The Sculpting of A Tradition". Texas Tech University. 2007-09-06. Archived from the original on 2012-10-05. Retrieved 2012-04-27.
  8. "Will Rogers & Soapsuds". Texas Tech University. Retrieved 2008-08-14.
  9. La Ventana. 45. 1970. p. 607.
  10. Ehrenfeld, Charles L. (2011-10-04). "Texas Tech, Will Rogers and the legend of A&M". Lubbock Avalanche-Journal. Lubbock, Texas. Retrieved 2012-04-27.
  11. Dallas casting from SIRIS.
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