Robert Reed (artist)

Reed was born in Charlottesville, Virginia, in 1938. He attended segregated public elementary (Jefferson) and high (Burley) schools in Charlottesville. He graduated with a B.A. from Morgan State, an historically black college in Baltimore, MD (1958). However, unable to make the final tuition payment Reed's graduation date was recorded as 1959 when he was able to pay off what he owed. He earned his B.F.A. (1960) and M.F.A. (1962)[1] at Yale School of Art. While at Yale, Reed studied with and was influenced by Josef Albers, Neil Welliver, and Jon Schueler. In later years, he was influenced by Philip Guston who was a colleague at Skidmore College in the mid-1960's.

While a student at Yale, Reed was selected to attend Yale Norfolk Summer School of Art[3] in 1960. Reed credited this summer experience as being pivotal to his development as an artist. There he meet another student, Ozer Kabas. When Reed returned to Yale at the end of the program, Kabas arranged a job for Reed working for Josef Albers. Mr. Albers, as Reed always referred to him, hired Reed to work at Alber's studio in Yale's Street Hall in preparing Alber's first Interaction of Color book. Reed's job was doing the mixing for the plates. The plates were given to Reed and his job was to take the colors and mix them in silkscreen ink and to record the color recipes. Mr. Albers woud come in regularly and say "Yes" and "No" keeping tabs on Reed's work. The recipes would then go to the silkscreen company.

Reed was an ardent adherent of Albers pedagogy[4] and Foundation Studies in art which Reed continued to advocate throughout his teaching career.

Academic

Reed's career as an art educator began as an Assistant Professor at the Minneapolis College of Art and Design in 1962. This was followed by his appointment as Assistant Professor at Skidmore College in Saratoga Springs, NY from 1965-1969.[1]

Reed's 45 year teaching career at the Yale School of Art began in 1969 as Assistant Professor of Painting followed by appointment to the tenured permanent faculty as Professor of Painting in 1987 until his death in 2014.[1]

From 1970-1975, Reed served as Director of the Yale Summer School of Art.[3] Over the five years of his directorship, he assembled a summer faculty of artists which included: Philip Guston, Arnold Bittleman, Erwin Hauer, Gabor Peterdi, Joan Snyder, Chuck Close, Al Held, Lester Johnson, Judy Pfaff, Romare Bearden, and Sam Gilliam. Reed was known to periodically take his undergraduate students to Norfolk where he would recreate a truncated Norfolk experience over the course of a weekend.

Reed served as juror or curator for numerous shows including Creative Arts Workshop in New Haven, CT.,[5] Silvermine Arts Center in New Canaan, CT, and Artspace in New Haven, CT.

Reed was a Guest Artist and lecturer at over 60 colleges and universities throughout the country and in Europe.[6]

He authored several art education programs including Acre, Spokane, WA.; Site, Cancun, Mx; SIX: Summer In Experiment; Saratoga, NY.; and The Institute for Studio Studies, Auvillar, France.[7]

He served on the Board of Directors of Lyme Academy College of Fine Arts 2010-2012; the MacDowell Colony, 1987-1990, and Virginia Center for Creative Arts.[8]

Artistic

Throughout his academic career, Reed continued to be a prolific artist producing new bodies of work every 8 to 10 years. His artistic career began in the 1960's and found early success with a one-man show at the Whitney Museum of American Art in 1973. A committeed abstractionist he resisted pressure in the 1970's to create Black identity art. As Reed would state in a 1986 interview "I think of myself as an artist who is Black. An artist who goes to the same well as Black identity artists for metaphors for experiences that I have had in the stereotype Black experience. I know what it is to automatically go to the back of the bus. I know what it is to be spat on. And you find some other way or representing that." However, Reed was, for the most part, overlooked during the Black Arts movement of the 1960's and 1970's. He continued to work in a self-imposed obscurity due in part to his persistence in developing his personal visual and symbolic language of abstraction; and in part to the murder of his mother and sister, his only sibling, in 1965 which left him deeply reclusive about both his personal and artistic life.

The most recognizable of Reed's bodies of work are:

• Plum Nellie - 1970's the use of symbolic color as a reaction to his Interaction of Color experience in which color is a character and landscape;
• San Romano - 1980's pays homage to Paulo Uccello's sixteenth century paintings Battle(s) of San Romano;
• Tree For Mine - 1990's a personal exploration of the people and places of Reed's remembered childhood home of Charlottesville, Virginia;
• Galactic Journal - 2000's highly autobiographical work journaling the paths of his life over nearly 8 decades[9]

• Reed's works are in the permanent collections of a number of museums, including the Whitney Museum of American Art, New York, NY;[10][11] National Academy Museum, New York, NY; Hirshhorn Museum and Sculpture Garden, Washington, DC;[12] Minneapolis Institute of Art, Minneapoli, MN; Walker Art Center, Minneapolis, M;[13] Yale University Art Gallery, New Haven, CT;[14] Fralin Museum of Art, Charlottesville,Va.;[15] Ogden Museum of Southern Art [16] New Orleans; Detroit Institute of Art, Detroit, MI; the African American Museum, Dallas, TX; and the Martin Museum of Art, Baylor University, Waco, TX,[17] among others.

His work was also included among the 407 artists exhibited in the 2015 inaugural exhibition "America Is Hard To See"[18] for the opening of the new Whitney Museum of American Art, New York, NY.

Reed is the recipient of a number of awards and honors including:

• Yale University, William Devane Medalist for outstanding undergraduate teaching 2014;[19]
• National Academy of Design[20] fellow, New York, 2009;
• College Art Association Distinguished Teaching of Art Award, 2004;[21]
• Honorary Doctorate of Fine Arts, Minneapolis College of Art and Design, 2001;
• National Council of Arts Administrators Award, 2000;
• Virginia Center for the Creative Arts residency, 1987
• Yaddo residency,1980
• Darmouth Artist in Residence,[22] 1976

In recognition of Reed's contribution to undergraduate teaching, the Robert Reed Scholarship Fund[23] at the Yale School of Art was established and the Yale School of Art building, GO1 classroom[24] was named in his honor as the "Robert Reed Studio"[25] where Reed's admonition to his basic drawing students is inscribed at the entry "Drawing is a search, not a destination".

In further recognition of his contribution to the Yale School of Art, a solo retrospective exhibition[26][27] of his work was held in 2015, "Robert Reed: Non-Stop Painting",[28] curated by Robert Storr, former Dean, Yale School of Art.

Reed was a member of the Alpha Iota chapter of Kappa Alpha Psi fraternity since 1956 having served as president of his line.

Reed died of cancer in New Haven, Connecticut on December 26, 2014.[29] Reed is buried at the historic Grove Street Cemetery, New Haven, Connecticut.

• Artist Info: https://www.artist-info.com/artist/Robert-Reed
• Artcyclopedia: http://www.artcyclopedia.com/artists/reed_robert.html
• National Council of Arts Administrators: https://www.ncaaarts.org