Rose Marie McCoy

McCoy was born Rose Marie Hinton to Levi and Celetia Brazil Hinton in Oneida, Arkansas, on April 19, 1922.[1] Her father was a farmer. She later married James McCoy and moved to New York City with $6 in her pocket to pursue a singing career in 1942.[2] Living in Harlem, she supported herself by working at a Chinese laundry and performing at nightclubs on the weekends.[3] McCoy eventually booked gigs at famous venues such as the Baby Grand in Harlem, the Flame Show Bar in Detroit, the Sportsmen's Club in Cincinnati and Basin Street in Toronto.[1] She he opened for performers like Ruth Brown, Moms Mabley, Dinah Washington, and Pigmeat Markham.

In 1952, Rose Marie McCoy wrote and recorded two songs for the newly formed rhythm and blues label Wheeler Records, "Cheating Blues" and "Georgie Boy Blues". After publishers heard these songs they sought her out, and she started working in the Brill Building.[4] One of the first songs she was asked to write was a half-spoken, half-sung song, "Gabbin' Blues", co-written with Leroy Kirkland, and sung by Big Maybelle with the spoken part provided by McCoy herself. "Gabbin' Blues", which reached number 3 on the Billboard R&B chart, was the first big hit for Big Maybelle and the songwriter's first hit.[5]

McCoy wrote other songs for Big Maybelle, and other popular R&B artists including Louis Jordan ("If I Had Any Sense I'd Go Back Home" and "House Party") and co-wrote, with Fred Mendelsohn, Nappy Brown's 1955 single "Don't Be Angry" (also recorded for the pop market by the Crew-Cuts).[6]

In 1954, Rose Marie McCoy teamed with songwriter Charles Singleton.[7] They soon scored their first hit, "It Hurts Me to My Heart", recorded in 1954 by Faye Adams. Their collaboration lasted about eight years and, individually and together, they penned many hits for the top artists of the time, including Elvis Presley's "I Beg Of You", The Eagles' "Trying to Get to You" (later recorded in Presley's Sun Sessions), Ruth Brown's "Mambo Baby", and Nappy Brown's "Little by Little". Singleton & McCoy tunes were also recorded by Nat King Cole ("If I May", "My Personal Possession"), Little Willie John ("Letter from My Darling"), Eartha Kitt, Eddy Arnold, Big Joe Turner, The Du Droppers, Little Esther, The Clovers, and many other top artists of the time.

After the Singleton and McCoy team split up, Rose Marie McCoy continued to write songs on her own and collaborated with other writers. Noted for her independent stance, McCoy turned down several opportunities to join major record labels such as Motown, Stax and Atlantic.[4] One of her most successful songs was "It's Gonna Work Out Fine", co-written with Joe Seneca (as Sylvia McKinney),[5] which was released by Ike & Tina Turner in 1961. It reached number 14 on the Billboard Hot 100 and number 2 on the R&B chart, earning them their first Grammy nomination. She also collaborated successfully with songwriter Helen Miller, writing "We'll Cry Together" for Maxine Brown, and "Got to See If I Can't Get Mommy (To Come Back Home)" for Jerry Butler.[5]

McCoy received offers to become a staff songwriter with many top labels such as Motown, Atlantic, and Stax Record, but she turned them down, preferring to be independent so she could keep control of her music.[3] Though she is most often associated with songs recorded by R&B artists of the 1950s and 1960s, McCoy has written many jazz, pop, rock 'n' roll, country, and gospel songs. Jazz vocalist Jimmy Scott recorded nine of her tunes, and Sarah Vaughan recorded six of her songs, five of them on the singer's 1974 album Send in the Clowns. McCoy also composed jingles, including one sung by Aretha Franklin and Ray Charles for Coca-Cola.[1]

The biography, Thought We Were Writing the Blues: But They Called It Rock 'n' Roll, on the life and career of McCoy was written by Arlene Corsano and published in 2014.[8]

• 1951: "Cheating Blues" / "Georgie Boy" (Wheeler 102)
• 1954: "Dippin' In My Business / Down Here" (Cat 111)
• 1977: "I Do The Best I Can With What I Got" (Brunswick 55541)
• 2013: "Switch Around" (with Wallie Hoskins) (Beltone ST1005) – previously unreleased