Eartha Kitt

Eartha Mae Keith was born on a cotton plantation near the small town of North, South Carolina,[4] or St. Matthews[5] on January 17, 1927. Her mother Annie Mae Keith was of Cherokee and African descent. Though she had little knowledge of her father, it was reported that he was a son of the owner of the farm where she had been born, and that Kitt was conceived by rape.[6][7][8] In a 2013 biography, British journalist John Williams claimed that Kitt's father was a white man, a local doctor named Daniel Sturkie.[9] Kitt's daughter, Kitt McDonald, has questioned the accuracy of the claim.[10] Eartha's mother, Annie Mae Keith (later Annie Mae Riley), soon went to live with a black man who refused to accept Eartha because of her relatively pale complexion; she was raised by a relative named Aunt Rosa, in whose household she was abused. After the death of Annie Mae, Eartha was sent to live with another relative named Mamie Kitt (who may, in fact, have been her biological mother) in Harlem, New York City,[7] where she attended the Metropolitan Vocational High School (later renamed the High School of Performing Arts).[11]

Kitt photographed by Carl Van Vechten, October 19, 1952

Kitt began her career as a member of the Katherine Dunham Company in 1943 and remained a member of the troupe until 1948. A talented singer with a distinctive voice, she recorded the hits "Let's Do It", "Champagne Taste", "C'est si bon" (which Stan Freberg famously burlesqued), "Just an Old Fashioned Girl", "Monotonous", "Je cherche un homme", "Love for Sale", "I'd Rather Be Burned as a Witch", "Kâtibim" (a Turkish melody), "Mink, Schmink", "Under the Bridges of Paris" and her most recognizable hit "Santa Baby", which was released in 1953. Kitt's unique style was enhanced as she became fluent in French during her years performing in Europe. She spoke four languages (she is thought to have learned German and Dutch from her stepfather, English from her mother, and French from the European cabaret circuit) and sang in eleven, which she demonstrated in many of the live recordings of her cabaret performances. Diana Ross said that as a member of The Supremes she largely based her look and sound after Kitt's.[12]

Career peaks

Kitt asleep on a bus, 1962

In 1950, Orson Welles gave Kitt her first starring role as Helen of Troy in his staging of Dr. Faustus. Two years later, she was cast in the revue New Faces of 1952, introducing "Monotonous" and "Bal, Petit Bal", two songs with which she is still identified. In 1954, 20th Century Fox distributed an independently filmed version of the revue entitled New Faces, in which she performed "Monotonous", "Uska Dara", "C'est si bon",[13] and "Santa Baby". Though it is often alleged that Welles and Kitt had an affair during her 1957 run in Shinbone Alley, Kitt categorically denied this in a June 2001 interview with George Wayne of Vanity Fair. "I never had sex with Orson Welles," Kitt told Vanity Fair: "It was a working situation and nothing else."[14] Her other films in the 1950s included The Mark of the Hawk (1957), St. Louis Blues (1958) and Anna Lucasta (1958). Kitt had a minor hit in Sweden 1956 with her record in Swedish, "Rosenkyssar" ("Rose Kisses", RCA FAS 511).

Throughout the rest of the 1950s and early 1960s, she recorded; worked in film, television, and nightclubs; and returned to the Broadway stage, in Mrs. Patterson (during the 1954–1955 season), Shinbone Alley (in 1957), and the short-lived Jolly's Progress (in 1959).[15] In 1964, Kitt helped open the Circle Star Theater in San Carlos, California. In the late 1960s, Batman featured Kitt as Catwoman after Julie Newmar had left the show in 1967. She appeared in a 1967 Mission: Impossible episode, "The Traitor," as a contortionist.

Kitt as Catwoman in the Batman television series, 1967

Kitt at the Carlton Tower hotel in London, 1973

After romances with the cosmetics magnate Charles Revson and banking heir John Barry Ryan III, she married John William McDonald, an associate of a real estate investment company, on June 6, 1960.[25] They had one child, a daughter named Kitt McDonald, born on November 26, 1961. They divorced in 1965. A long-time Connecticut resident, Eartha Kitt lived in a converted barn on a sprawling farm in the Merryall section of New Milford for many years and was active in local charities and causes throughout Litchfield County. She later moved to Pound Ridge, New York, but returned in 2002 to the southern Fairfield County, Connecticut, town of Weston, in order to be near her daughter Kitt and family. Her daughter, Kitt, married Charles Lawrence Shapiro in 1987[26] and had two children, Jason and Rachel Shapiro.

Kitt was active in numerous social causes in the 1950s and 1960s. In 1966, she established the Kittsville Youth Foundation, a chartered and non-profit organization for underprivileged youths in the Watts area of Los Angeles.[27] She was also involved with a group of youths in the area of Anacostia in Washington, D.C., who called themselves "Rebels with a Cause". Kitt supported the groups' efforts to clean up streets and establish recreation areas in an effort to keep them out of trouble by testifying with them before the House General Subcommittee on Education of the Committee on Education and Labor. In her testimony, in May 1967, Kitt stated that the Rebels' "achievements and accomplishments should certainly make the adult 'do-gooders' realize that these young men and women have performed in 1 short year – with limited finances – that which was not achieved by the same people who might object to turning over some of the duties of planning, rehabilitation, and prevention of juvenile delinquents and juvenile delinquency to those who understand it and are living it". She added that "the Rebels could act as a model for all urban areas throughout the United States with similar problems".[28] "Rebels with a Cause" subsequently received the needed funding.[29] Kitt was also a member of the Women's International League for Peace and Freedom; her criticism of the Vietnam War and its connection to poverty and racial unrest in 1968 can be seen as part of a larger commitment to peace activism.[30] Like many politically active public figures of her time, Kitt was under surveillance by the CIA, beginning in 1956. After The New York Times discovered the CIA file on Kitt in 1975, she granted the paper permission to print portions of the report, stating: "I have nothing to be afraid of and I have nothing to hide."[20]

Kitt later became a vocal advocate for LGBT rights and publicly supported same-sex marriage, which she considered a civil right. She had been quoted as saying: "I support it [gay marriage] because we're asking for the same thing. If I have a partner and something happens to me, I want that partner to enjoy the benefits of what we have reaped together. It's a civil-rights thing, isn't it?"[31] Kitt famously appeared at many LGBT fundraisers, including a mega event in Baltimore, Maryland, with George Burns and Jimmy James.[23] Scott Sherman, an agent at Atlantic Entertainment Group, stated: "Eartha Kitt is fantastic... appears at so many LGBT events in support of civil rights." In a 1992 interview with Dr. Anthony Clare, Kitt spoke about her gay following, saying:

We're all rejected people, we know what it is to be refused, we know what it is to be oppressed, depressed, and then, accused, and I am very much cognizant of that feeling. Nothing in the world is more painful than rejection. I am a rejected, oppressed person, and so I understand them, as best as I can, even though I am a heterosexual.[32]

Kitt died of colon cancer on Christmas Day 2008, three weeks short of her 82nd birthday at her home in Weston, Connecticut.[33][34] Her daughter, Kitt McDonald, described her last days with her mother:

I was with her when she died. She left this world literally screaming at the top of her lungs. I was with her constantly, she lived not even 3 miles from my house, we were together practically every day. She was home for the last few weeks when the doctor told us there was nothing they could do any more. Up until the last two days, she was still moving around. The doctor told us she will leave very quickly and her body will just start to shut down. But when she left, she left the world with a bang, she left it how she lived it. She screamed her way out of here, literally. I truly believe her survival instincts were so part of her DNA that she was not going to go quietly or willingly. It was just the two of us hanging out [during the last days] she was very funny. We didn't have to [talk] because I always knew how she felt about me. I was the love of her life, so the last part of her life we didn't have to have these heart to heart talks. She started to see people that weren't there. She thought I could see them too, but, of course, I couldn't. I would make fun of her like, "I'm going to go in the other room and you stay here and talk to your friends."[35]

On June 25, 2019, The New York Times Magazine listed Eartha Kitt among hundreds of artists whose material was reportedly destroyed in the 2008 Universal Studios fire.[36]

Kitt won awards for her film, television, and stage work. In 1960, the Hollywood Walk of Fame honored her with a star, which can be found on 6656 Hollywood Boulevard.[37]

• Gent, Helen (May 4, 2009). "Eartha Kitt: The Feline Femme Fatale". Marie Claire (Australia).
• Kitt, Eartha (1976). Alone with Me : A New Autobiography. Chicago: H. Regnery. ISBN 0-8092-8351-4. OCLC 1945260.
• Walsh, David (December 27, 2008). "Harold Pinter and Eartha Kitt, artists and opponents of imperialist war". World Socialist Web Site.

Wikimedia Commons has media related to Eartha Kitt.

• Official website
• Eartha Kitt discography at Discogs
• Eartha Kitt at IMDb
• Eartha Kitt at the Internet Broadway Database
• Eartha Kitt at the Internet Off-Broadway Database
• "Eartha Kitt Showcase". Local Music Scene South Carolina.
• Eartha Kitt at The Interviews: An Oral History of Television
• Eartha Kitt at TV Guide
• Eartha Kitt at Find a Grave
• Image of Eartha Kitt with her fiance Bill McDonald recovering stolen items at a pawnshop in Los Angeles, California, 1960. Los Angeles Times Photographic Archive (Collection 1429). UCLA Library Special Collections, Charles E. Young Research Library, University of California, Los Angeles.