Rute (music)

The name of the instruments derives from German Rute (rod). The final e is pronounced, making the pronunciation 'ROOT-eh'.

In orchestral music, rute (or ruthe) first appeared in the music of Mozart, in his opera Die Entführung aus dem Serail, K. 384 (1782). The setting of the opera is Turkey, and rute were imported from Turkish Janissary music, the martial music of the Sultan's royal guard, very much in vogue at the time. (James Blades, "Percussion Instruments and their History" 1992) The rute were played by the bass drum player, with a mallet striking on downbeats and rute being struck on offbeats.[1] A typical pattern in this style would generally go, in 4/4 time, boom-tap-tap-tap boom-tap-tap-tap, the taps representing strikes of the rute. Mozart's contemporaries and immediate successors used the rute in a similar fashion for military effect. Mahler's use of the rute in the third movement of the Symphony No. 2[1] broke completely with traditional military writing for the instrument, focusing more on its coloristic possibilities than on the rhythmic role. This application was continued by Edgard Varese in his coloristic use of percussion.

Widespread usage of the rute in kit drumming dates from US patent 4535671, 20 August 1985, where Pro-Mark described their new Hot Rod rute-type drumstick intended for drum kit use. Variations such as Lightning Rods (seven canes, as opposed to nineteen for the Hot Rod), Thunder Rods (seven thicker canes giving the same weight as the Hot Rod) and Cool Rods (nineteen thin canes giving a similar weight to the Lightning Rod) soon followed from Pro-Mark.

The rute stick for drum kit is now produced by most major drum stick manufacturers including also Vic Firth and Vater.

The rute stick is held in the same way as a drum stick, and therefore is usually held either with a matched grip or a traditional grip. The "handle" of the rute is the plastic area, as the drum or cymbal is struck with the wooden "rutes" or bundles of wooden stick.