Saint-Ouen Abbey, Rouen

Saint-Ouen Abbey, (French: Abbaye Saint-Ouen de Rouen) is a large Gothic Roman Catholic church and former Benedictine monastic church in Rouen. It is named for Audoin (French: Ouen, English: Owen), 7th-century bishop of Rouen in modern Normandy, France.[9] The church's name is sometimes anglicized as St Owen's.[10][11] Built on a similar scale to nearby Rouen Cathedral, the abbey is famous for both its architecture and its large, unaltered Cavaillé-Coll organ, which was described by Charles-Marie Widor as "a Michelangelo of an organ". With the cathedral and the Church of Saint-Maclou, Saint-Ouen is one of the principal French Gothic monuments of the city.

Plan.
360° panorama, interior
(view as a 360° interactive panorama)
Saint-Ouen Abbey
Saint Owen Abbey[1][2][3]
Abbaye Saint-Ouen de Rouen
The Abbey Church
as seen from the Great Clock
Saint-Ouen Abbey
Location of Saint-Ouen
49°26′33″N 1°05′59″E
LocationCity Hall Square, Rouen, Normandy
CountryFrance
DenominationRoman Catholic
Websiterouen.catholique.fr
History
StatusAbbey Church
Founded750[4]
DedicationSaint-Ouen
Dedicated17 October 1126
Relics heldSaint-Ouen
Architecture
Functional statusDefunct
Heritage designationClassée Monument Historique
Designated1840[5]
Architectural typechurch
StyleGothic, Flamboyant
Groundbreaking1318
Completed1537
Specifications
Number of towers3
Bells3 bells : "Saint-Ouen", 4 tons (1701); "Marie", 3 tons (1651); "Julie Marcelle", 2135kg (1887)[6]
Administration
ArchdioceseRouen
Clergy
ArchbishopDominique Lebrun
Laity
Organist/Director of musicMarie-Andrée Morisset-Balier[7]
Organist(s)Jean-Baptiste Monnot[8]
Building details
General information
LocationRouen, Normandy
Height
Antenna spire82m

The Abbey

At the transept crossing

The church was originally built as the abbey church of Saint-Ouen for the Benedictine Order, beginning in 1318 and interrupted by the Hundred Years' War and sacked and badly damaged during the Harelle. It was completed in the 15th century in the Flamboyant style.

The foundation of Saint-Ouen Abbey has been variously credited, among others, to Chlothar I and to Clotilde, royal saint and wife of Clovis I, but evidence is scanty. It was dedicated at first to Saint Peter when the body of Audoin, Archbishop of Rouen (d. 678), was buried there; the name of St Peter and St Ouen became common and finally St Ouen only.

The history of the abbey, on record from the 1000, is unremarkable; a list of abbots is in Gallia Christiana XI, 140.

In 1660 the monastery was united to the Congregation of Saint Maur, and when suppressed, in 1794, the community numbered twenty-four. The abbey building itself was vacated by the time of the French Revolution and was subsequently occupied by the Town Hall of Rouen.[12]

Architecture

The church is 137 m in length under 33 m high vaults. The central crossing is surmounted by an unusual lantern-style tower similar to that at Ely Cathedral in England. The tower was completed in the Flamboyant style.

The well-preserved stained glass of the nave dates to the 15th and 16th centuries, and features jewel tones among panels of clear and frosted white glass. These materials allow more light to filter into the nave, creating a brighter interior than is typical of Gothic churches. Despite the use of Flamboyant tracery in the aisles, triforium, and clerestory, the nave maintains a conservative appearance through the use of compound piers, trumpet bases, and capitals which helps maintain harmony throughout the edifice.

The west façade was never completed during the Middle Ages. The present structure was constructed between 1846 and 1851 in a Neo-Gothic style that bears little resemblance to the original Late Gothic designs.

Organ

Interior with organ.

The church contains a large four-manual pipe organ built in 1890 by Aristide Cavaillé-Coll. This instrument is considered to be one of the most important organs in France, and is notable for its unusually powerful 32' Contre Bombarde. The organ stands unaltered and thus is one of the few of the master's works to speak with its original voice.

I Positif
Montre8'
Bourdon8'
Gambe8'
Unda maris8'
Flûte douce4'
Dulciane4'
Doublette2'
Plein-jeu V1'
Cor anglais16'
Trompette8'
Cromorne8'
Clairon4'
II Grand-Orgue
Montre16'
Violon-basse16'
Bourdon16'
Montre8'
Diapason8'
Bourdon8'
Salicional8'
Flûte harmonique8'
Prestant4'
Trompette en chamade8'
Clairon en chamade4'
III Récit expressif
Quintaton16'
Corno dolce16'
Diapason8'
Flûte traversière8'
Cor de nuit8'
Voix éolienne8'
Viole de gambe8'
Voix céleste8'
Flûte octaviante4'
Viole d'amour4'
Quinte2 2/3'
Octavin2'
Carillon I-III1'
Cornet V8'
Tuba magna16'
Trompette harmonique8'
Basson-Hautbois8'
Clarinette8'
Voix Humaine8'
Clairon harmonique4'
Tremolo
IV Bombarde
Grosse Flûte8'
Flûte4'
Doublette2'
Fourniture V2 2/3'
Cornet V16'
Bombarde16'
Basson16'
Trompette8'
Clairon4'
Pédale
Soubasse32'
Contre-basse16'
Soubasse16'
Basse8'
Violoncelle8'
Bourdon8'
Flûte4'
Contre-bombarde32'
Bombarde16'
Basson16'
Trompette8'
Clairon4'
  • Couplers: Tirasse G.O., Tirasse Pos., Tirasse Réc., Appel G.O., Pos./G.O., Réc./G.O., Bomb./G.O., Pos./Réc., Bomb./Réc., Oct. gr. G.O., Oct. gr. Réc./G.O., Oct. gr. Réc., Oct. aiguë Réc., Anches Péd., Anches G.O., Anches Pos., Anches Réc., Anches Bomb., Trémolo Réc., Expression Réc.

Notes

Bibliography

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