Sarangi

Surjeet Singh tuning his Sarangi

Sarangi derives its name from the bow of lord Vishnu and probably as it is played with a bow it is named as sarangi. According to some musicians, the word sarangi is a combination of two words ‘seh’(Persian equivalent of three) and ‘rangi’ (Persian equivalent of coloured) corrupted as sarangi. The term seh-rangi represents the three melody strings. However the most common folk etymology is that sarangi is derived from 'sol rang' (a hundred colours) indicating its adaptability to many styles of vocal music, its flexible tunability, and its ability to produce a large palette of tonal colour and emotional nuance.

The repertoire of sarangi players is traditionally very closely related to vocal music. Nevertheless, a concert with a solo sarangi as the main item will sometimes include a full-scale raag presentation with an extensive alap (the unmeasured improvisatory development of the raga) in increasing intensity (alap to jor to jhala) and several compositions in increasing tempo called bandish. As such, it could be seen as being on a par with other instrumental styles such as sitar, sarod, and bansuri.

It is rare to find a sarangi player who does not know the words of many classical compositions. The words are usually mentally present during the performance, and a performance almost always adheres to the conventions of vocal performances including the organisational structure, the types of elaboration, the tempo, the relationship between sound and silence, and the presentation of khyal and thumri compositions. The vocal quality of sarangi is in a separate category from, for instance, the so-called gayaki-ang of sitar which attempts to imitate the nuances of khyal while overall conforming to the structures and usually keeping to the gat compositions of instrumental music. (A gat is a composition set to a cyclic rhythm.)

The Nepali Sarangi is also a traditional stringed musical instrument of Nepal, commonly played by the Gaine or Gandarbha ethnic group but the form and repertoire of sarangi is more towards the folk music as compared to the heavy and classical form of the repertoire in India. In Nepal, Sarangi is viewed as an iconic musical instrument to identify the Gandarbha people.

A sarangi laid flat

Carved from a single block of tun (red cedar) wood, the sarangi has a box-like shape with three hollow chambers: pet (stomach), chaati (chest) and magaj (brain). It is usually around 2 feet (0.61 m) long and around 6 inches (150 mm) wide though it can vary as there are smaller as well as larger variant sarangis as well. The lower resonance chamber or pet is covered with parchment made out of goat skin on which a strip of thick leather is placed around the waist (and nailed on the back of the chamber) which supports the elephant-shaped bridge that is made of camel or buffalo bone usually (made of ivory or Barasingha bone originally but now that is rare due to the ban in India). The bridge in turn supports the huge pressure of approximately 35–37 sympathetic steel or brass strings and three main gut strings that pass through it. The three main playing strings – the comparatively thicker gut strings – are bowed with a heavy horsehair bow and stopped not with the fingertips but with the nails, cuticles, and surrounding flesh. Talcum powder is applied to the fingers as a lubricant. The neck has ivory or bone platforms on which the fingers slide. The remaining strings are resonance strings or tarabs, numbering up to around 35–37, divided into 4 choirs having two sets of pegs, one on the right and one on the top. On the inside is a chromatically tuned row of 15 tarabs and on the right a diatonic row of 9 tarabs each encompassing a full octave, plus 1–3 extra surrounding notes above or below the octave. Both these sets of tarabs pass from the main bridge to the right side set of pegs through small holes in the chaati supported by hollow ivory/bone beads. Between these inner tarabs and on either side of the main playing strings lie two more sets of longer tarabs, with 5–6 strings on the right set and 6–7 strings on the left set. They pass from the main bridge over to two small, flat, wide, table-like bridges through the additional bridge towards the second peg set on top of the instrument. These are tuned to the important tones (swaras) of the raga. A properly tuned sarangi will hum and cry and will sound like melodious meowing, with tones played on any of the main strings eliciting echo-like resonances. A few sarangis use strings manufactured from the intestines of goats.

• Navneet Aditya Waiba - in the album Ama Lai Shraddhanjali
• Pritam - Tere Ore
• A. R. Rahman for the song "Tum Ko" performed by Kavita Krishnamurthy in the feature film Rockstar (sarangi played by Dilshad Khan)
• Yuvan Shankar Raja for the song "Yogi theme in saarangi" in his 2009 film Yogi, performed by Ustad Sultan Khan. Also in the song Yengengo Kalgal sellum pathaiyil in Nandha
• Hiphop Tamizha for the song "Indru Netru Naalai" in Indru Netru Naalai.
• Anirudh for the song "Neeyum Naanum" in Naanum Rowdy Dhaan 2015 film, performed by "Manonmani"
• Aerosmith, sarangi parts performed by Ramesh Mishra (featured on the track "Taste of India" from the 1997 album Nine Lives)
• Surinder Sandhu, The Fictionist with The Royal Liverpool Philharmonic Orchestra, SauRango Orchestra with Steve Vai and Cycles and Stories
• Cheb i Sabbah
• Jhalak Man Gandarbha is one of the most significant Nepali folk singers. He was member of ethnic group known as Gandarbha who are known for singing using only Sarangi as musical instruments.
• Def Leppard in "Turn to Dust" from 1996 album Slang
• Howard Shore (the Lothlórien portions of the score for The Fellowship of the Ring)
• Nitin Sawhney
• Robert Miles (on his 2001 album Organik)
• Manonmani who produces sarangi instrumentals of tamil movie songs vocals in her youtube channel
• Secret Chiefs 3
• Steve Shelley of Sonic Youth
• Tabla Beat Science
• Tool (featured on the track "Reflection")
• Talvin Singh
• Robin Williamson of the Incredible String Band (notably in the song “White Bird” on the Changing Horses album)
• Blind Melon's track “Sleepyhouse” from their debut album Blind Melon
• Ram Narayan
• Jon Foreman of Switchfoot for the song "She Said" on his 2015 solo EP, The Wonderlands: Darkness
• Ahsan Ali Taj (National Anthem on Sarangi)
• Bipul Chettri in Sketches of Darjeeling
• Future of Forestry heavily features the instrument throughout the album Awakened to the Sound.
• Sigh, Featured on the album In Somniphobia on multiple songs
• J.I.D Featured as part of the backing track for the song 151 Rum
• Paul Ruskay, composer of the Homeworld PC game series, featured a sarangi prominently in the soundtracks for Homeworld 2 and Homeworld: Deserts of Kharak

• Esraj
• Sarinda
• Hindustani music

• Bor, Joep, 1987: "The Voice of the Sarangi", comprising National Centre for the Performing Arts Quarterly Journal 15 (3–4), December 1986 and March 1987 (special combined issue), Bombay: NCPA
• Magriel, Nicolas, 1991 Sarangi Style in North Indian Music (unpublished Ph.D. thesis), London: University of London
• Qureshi, Regula Burckhardt, 1997: “The Indian Sarangi: Sound of Affect, Site of Contest”, Yearbook for Traditional Music, pp. 1–38
• Sorrell, Neil (with Ram Narayan), 1980: Indian Music in Performance, Bolton: Manchester University Press

Wikimedia Commons has media related to Sarangis.

• Resham Firiri A popular Nepali folk music with a Sarangi and madal.
• sarangi.info – downloadable sarangi and vocal music, including the integral of two important books, The Voice of the Sarangi by Joep Bor and Indian Music in Performance and Practice by Ram Narayan and Neil Sorrell.
• Growing into Music – includes several films by Nicolas Magriel on Indian musical enculturation including films about the sarangi players, Farooq Latif Khan (b. 1975), Sarwar Hussain Khan (b. 1981), Mohammed Ali Khan, Sarangi (d. 2002), Ghulam Sabir Qadri (1922-), Vidya Sahai Mishra (d. 2019), Siddiqui Ahmed Khan (1914-), Ghulam Sabir Khan (b. 1948), Murad Ali (b. 1977), Faiyaz Khan (Varanasi), Zakan Khan (Varanasi) and Kanhaiyalal Mishra (Varanasi).
• Sarangi, Gujarat, 19th century
• Sarangi, ca. 1900
• Sarangi, North India, late 19th century