Scott Putesky

Scott Putesky was born in Los Angeles, California, and was adopted and raised in New Jersey. His family is Jewish, but he described himself as atheist. Putesky's first instruments were the flute and the snare drum, and in 6th grade joined the school's chorus, for which he apparently had a talent. He started playing the guitar when he was 15.[2] His early loves were drawing, movies and Star Wars. His first record was the Star Wars soundtrack, and the influence that it had on him can be seen in much of his original artwork featuring aliens and spaceships. In the late 1970s, when Scott was in his preteen years and punk had given way, he found admiration for artists such as David Bowie and Talking Heads, influences that are apparent in his later work.[6]

Putesky's discovery of MTV after moving to Fort Lauderdale in 1980 gave him the inspiration to save up to buy a small Casio keyboard. He taught himself to play, and later, in 8th grade, took guitar lessons. Influenced by his early favorites, Putesky learned to play songs by The Cure and U2, leading to his development of an odd personal style sometimes described as a fusion between blues and grunge. Putesky's first band, "The Flying Eggbeaters" featured schoolmates Tom Wolf and Jim Neuman as drummer and bassist. This gave him the experience needed to later go on to other bands, such as "Blue China" and "Ear Wacks".

A period of drifting followed, in which Putesky attended a local art college where he majored in advertising design. Though his musical abilities were sidetracked, he began to visit local metal clubs such as The Gutter and The Cell. In 1988, after being given a small 4-track recorder by his parents, he bought a bass guitar and drumkit to record his music with a full ensemble. At this time, Scott also played with a surf-rock band called "The Hodads", and later formed a band named "Kinetic Ritual" with Hodads' bassist Rick Waters and future "Spooky Kid" Fred Streithorst on drums. Another drifting period soon set in, however, as Putesky was unsure where to take his unique style.[7]

Putesky and Marilyn Manson met at a Fort Lauderdale club called The Reunion Room and later at a local after-party in December 1989.[8][9] The two created the concept of Marilyn Manson & the Spooky Kids poking fun at American media hypocrisy and its obsessions with serial killers and beautiful women. For this act, he took the stage name of Daisy Berkowitz, devised by mixing the names of Dukes Of Hazzard character Daisy Duke and serial killer David Berkowitz.[10]

Putesky, who had at this point developed his own poetry but not yet worked lyrics into his music, began to meet up with Manson and brainstorm character and show/event ideas after Manson asked for help starting a band as a creative outlet for his poetry writing. Putesky played guitar, bass and keys, programmed a Yamaha RX-8 drum machine, and taught Manson about vocal performance, recording and arranging. Input from both parties gave the band its darkly psychedelic style, and as early as January 1990, they began to record songs like "Red (in My) Head", "White Knuckles", "Cake and Sodomy" and "Strange Same Dogma" on Putesky's 4-track. By March they had assembled a band with Manson's Broward Community College schoolmate Brian Tutunick and Perry Pandrea. The band played its first show at Churchills, a club in Miami April 28, 1990, opening for the popular local band "The Goods".

In 1996, creative differences with Manson caused Putesky to leave the studio before Antichrist Superstar was completed. Manson had begun to work more with the other members of the band, and the dark environment of Antichrist Superstar's production led to Berkowitz being muscled out of the group. He is, however, credited for writing the music for four songs on the record, among them being the album's second single, "Tourniquet". Due to unpaid royalties, Berkowitz filed a $15 million lawsuit against Manson, which was later settled under confidential terms.[11]

Abandoning the Daisy Berkowitz stage name in favor of his own initials SMP, Putesky began recording demos for his first solo project, Three Ton Gate, named for the massive coral gate at the entrance of the Coral Castle in Homestead, Florida. His three-song demo 3x3 was his first musical undertaking post Marilyn Manson. The tape featured rough tracks written and performed entirely by Putesky, under the name Scott Mitchell (his first and middle names). Shortly thereafter, Putesky hired Tyreah James to handle the vocals for the full-length Three Ton Gate release, "Vanishing Century" based on the 3x3 demo tapes. Putesky produced James's vocals in the studio for all the basic tracks at the now defunct Digital Beach Recording Studio in Fort Lauderdale. The album was released in 1997 in limited quantities, and sold out its entire run of pressings. At the same time, Putesky was playing live shows in a whimsical side project called the Linda Blairs created by Jack Off Jill singer Jessicka as an opening act for her band's shows. The Linda Blairs featured several unknown South Florida musicians who performed cover tunes previously recorded by female fronted 80's rock bands and did several live performances dressed in drag. Three Ton Gate and the project with Tyreah soon faltered and was put aside.

In late 1998 Scott joined up with longtime Marilyn Manson collaborators Jack Off Jill, replacing departing member Ho Ho Spade and playing live guitar on their 1999 West Coast tour which lasted for only a handful of gigs. His first recorded work with the band was the 1998 EP Covetous Creature, to which he lent guitar and some production.[12] By early 1999, SMP was no longer a member of Jack Off Jill. Putesky himself was vague, but he related to MTV News that the parting was amicable. He returned once again to Ft. Lauderdale to resume work on his own music, primarily seeking a live band to perform his Three Ton Gate material. In the meantime, he successfully sued Marilyn Manson for what he claimed were unpaid royalties for his contributions to Antichrist Superstar. In the same lawsuit, Putesky was also awarded the rights to 21 unreleased recordings by Marilyn Manson & the Spooky Kids.[13]

In July 2010 Putesky officially joined electro-punk band Kill Miss Pretty after collaborating with them on their single "Judy Garland". Following this the band began working on new material including a cover of the Spooky Kids' song "She's Not My Girlfriend".[14]

Putesky revived Three Ton Gate shortly afterwards to play live under that name in a 2011 series of dates across America starting in New York City on October 15.[15] He also stated that the second remastered Spooky Kids compilation Deform School would be made available at these dates.

In September 2013, Putesky was diagnosed with stage-four colon cancer.[16] He died on October 22, 2017.[17]

Marilyn Manson (and the Spooky Kids)

• The Raw Boned Psalms (1990)
• The Beaver Meat Cleaver Beat (1990)
• Big Black Bus (1990)
• Grist-o-Line (1990)
• Lunchbox (1991)
• After School Special (1991)
• Live as Hell (1992)
• The Family Jams (1992)
• Refrigerator (1993)
• Portrait of an American Family (1994)
• Smells Like Children (1995)
• Antichrist Superstar (1996)
• Lunch Boxes & Choklit Cows (2004)

Three Ton Gate

• Vanishing Century (1997)
• Rumspringa (2002)
• Lose Your Mind (2003)

Jack Off Jill

• Covetous Creature (1998)

Stuck on Evil

• Suntanic (2001)

Daisy Berkowitz

• Millenium Effluvium (2014)

The Daisy Kids

• Mr Conrad Samsung (2015)

Guest appearances

• 2000 Years of Human Error (Godhead, 2001)
• The Chrome Recordings (TCR, 2004)
• Judy Garland (Kill Miss Pretty, 2010)