Silvia Torras

Torras was born in 1936 in Barcelona, Spain.[4][3] She had a twin sister and three other siblings. Her father had spent time in Argentina prior to marriage, and the family moved to Buenos Aires before Torras was a year old.[1][4][5] Torras was raised in Argentina, and that is where she studied as an artist.[4]

Torras married Kenneth Kemble, an artist under whom she trained in Argentina.[5] The two later divorced,[5] and Torras married George Manning, Jr. After her marriage to Manning, she moved with him and their stepchildren to Peru. She and Manning had one child together. Torras died of cancer in Mexico in 1970.[2][3]

Kenneth Kemble, Jorge López Anaya, Silvia Torras, Luis Wells, and Jorge Roiger

In Buenos Aires, Torras studied at the Escuela de Bellas Artes Manuel Belgrano and the Escuela Nacional de Bellas Artes Prilidiano Pueyrredón.[4][3] She continued her training beginning in 1956 with artist Kenneth Kemble,[1] whom she later married.[3][5][6]

Torras became a figure within the Argentine informalism movement of the time.[1][2][7] She tended to produce large pieces (around 3 by 3 metres or 9.8 by 9.8 feet) reflecting an abstract expressionism.[1][2][7][3] Her themes of organic vegetation and nature references, strong brushstrokes and layered paint, and use of colour differentiated her from others in the informalism movement.[1][2] She typically would not title her works, or titled them only with names of colours.[2][7] She produced most of her work between the years of 1960 and 1963.[1][7] In 1963, she gave up painting and moved to Mexico,[1][3] where she briefly taught art in San Miguel De Allende. El Gran Otro wrote that Torras's "works were developed in a short period of time but with overwhelming force."[3]

Many years after her death, Torras's paintings resurfaced and were put on exhibit in Buenos Aires.[2][7][3]

• 
  1961/1963
• 
  Untitled, oil on canvas, 1960/1963
• 
  Untitled, oil on canvas
• 
  Untitled, 1960/1963