Sin City (film)

The Salesman walks onto a penthouse balcony where The Customer looks out over Basin City. He offers her a cigarette and says that she looks like someone who is tired of running and that he will save her. The two share a kiss and he shoots her; she dies in his arms. He says he will never know what she was running from but that he will cash her check in the morning.

On the docks of Sin City, aging police officer John Hartigan tries to stop serial child-killer Roark Junior from raping and killing his fourth known victim, eleven-year-old Nancy Callahan. Junior is the son of Senator Roark, who has bribed the police to cover up his son's crimes. Hartigan's corrupt partner, Bob, tries to convince Hartigan to walk away; Hartigan knocks him out.

Hartigan, experiencing pain from a bad heart, heads into the warehouse where Roark Junior and several henchmen are holding Nancy. Junior shoots Hartigan in the shoulder and tries to escape. Hartigan catches up and shoots off Junior's ear, hand and genitals. Bob, now recovered, shoots Hartigan in the back. As the sirens approach, Bob leaves and Nancy lies down in Hartigan's lap. Hartigan passes out, reasoning his death is a fair trade for the girl's life.

After a one-night stand, Marv awakens to find Goldie has been killed while he slept. He flees the frame-up as the police arrive, vowing to avenge her death. His parole officer, Lucille, warns him to give up on this mission, believing Marv may have imagined it all due to his "condition". Marv interrogates several informants, working up to a corrupt priest, who reveals that the Roark family was behind the murder. Marv kills the priest but is then attacked by a woman who looks like Goldie, which he dismisses as a hallucination.

Marv goes to the Roark family farm and is subdued by the silent stalker who killed Goldie. He awakens in the basement to find Lucille has been captured after looking into his story. She tells Marv that the killer is a cannibal and that Goldie was a prostitute. He learns that the killer's name is Kevin and escapes. Lucille is shot by the leader of a squad of corrupt cops. Marv kills the cops except for their leader, whom he interrogates. He learns that Cardinal Patrick Henry Roark arranged for Goldie's murder.

Marv goes to Old Town, Sin City's prostitute-run red-light district, to learn more about Goldie and is captured by her twin sister, Wendy, the attacker Marv previously dismissed as a hallucination. Once he convinces Wendy that he is not the killer, the two return to the farm where Marv kills Kevin. He confronts Cardinal Roark, who confesses his part in the murders. Kevin was the cardinal's ward; the two men ate the prostitutes to "consume their souls". Marv kills the cardinal but is then shot and captured by his guards.

Marv is taken to a hospital where cops threaten to kill his mother, to get him to confess to killing Roark, Kevin and their victims. He is sentenced to death in the electric chair. Wendy visits him on death row and thanks him for avenging her sister. Marv is then executed.

Shellie is being harassed by her abusive ex-boyfriend Jackie Boy and his cronies. Her boyfriend Dwight McCarthy violently warns him to leave Shellie alone. Jackie Boy and his cronies flee to Old Town. Dwight follows and sees them harass Becky, a young prostitute. Gail, the prostitutes' leader and Dwight's on-and-off lover, also witnesses the scene. When Jackie Boy threatens Becky with a gun, Miho, a martial arts expert, kills Jackie Boy and his friends. They realize Jackie Boy is actually Detective Lieutenant Jack Rafferty of the Basin City Police, considered a "hero cop" by the press. If the cops learn how he died, their truce with the prostitutes would end and the mob would be free to wage war on Old Town.

Dwight takes the bodies to a tar pit, where he is attacked by an ex-IRA mercenary hired by mob boss Wallenquist. He nearly drowns in the tar before Miho saves him. The mercenary flees to the sewer with Jackie Boy's severed head but Dwight and Miho retrieve it and return to Old Town. Meanwhile, mob enforcer Manute kidnaps Gail. Becky, threatened with the death of her mother by the mob, betrays the prostitutes. Manute prepares the mob's invasion of Old Town. Dwight trades Jackie Boy's head for Gail's freedom but the head is stuffed with explosives; Dwight detonates it, destroying the evidence and Gail's captors. The other prostitutes gun down the mercenaries while Becky, injured in the fight, escapes.

Hartigan is recovering in a hospital when Senator Roark informs him that Junior is in a coma and the Roark legacy is in serious jeopardy. Hartigan will be framed for Junior's crimes; if he tells anyone the truth, they will die. A grateful Nancy promises to write letters every week while he is in prison. Hartigan goes to jail, though he refuses to confess. He receives a weekly letter from Nancy, as promised. After eight years, the letters stop and he receives a severed finger instead. Hartigan confesses to all charges, leading to his parole, and searches for an adult Nancy, not knowing he is being followed by a deformed, yellow man. He eventually finds her at Kadie's Bar, where she has become an exotic dancer.

He realizes he was set up to lead the yellow man to Nancy and the two escape in Nancy's car. Hiding in the trunk of Hartigan's car, the deformed man returns, revealing himself as Roark Junior, disfigured by years of surgery to regenerate his body parts. Junior attacks Hartigan and takes Nancy to the Roark farm to finish what he started eight years before. Hartigan follows and fakes a heart attack, giving him a chance to kill Junior. Knowing that Senator Roark will never stop hunting them, Hartigan commits suicide to ensure Nancy's safety. Again, he justifies his life for Nancy's as a fair trade.

An injured Becky departs from a hospital, talking on a cell phone with her mother. In the elevator she encounters The Salesman, dressed as a doctor. He offers her a cigarette, calling her by name, and she abruptly ends the call with her mother.

Principal photography began on March 29, 2004. Several of the scenes were shot before any actor had signed on; as a result, several stand-ins were used before the actual actors were digitally added into the film during post-production. Rodriguez, an aficionado of cinematic technology, has used similar techniques in the past. In Roger Ebert's review of the film, he recalled Rodriguez's speech during production of Spy Kids 2: The Island of Lost Dreams: "This is the future! You don't wait six hours for a scene to be lighted. You want a light over here, you grab a light and put it over here. You want a nuclear submarine, you make one out of thin air and put your characters into it."[8]

The film was noted throughout production for Rodriguez's plan to stay faithful to the source material, unlike most other comic book adaptations. Rodriguez stated that he considered the film to be "less of an adaptation than a translation". As a result, there is no screenwriting in the credits; simply "Based on the graphic novels by Frank Miller". There were several minor changes, such as dialogue trimming, new colorized objects, removal of some nudity, slightly edited violence, and minor deleted scenes. These scenes were later added in the release of the Sin City Collectors DVD, which also split the books into four separate stories.[9]

The soundtrack was composed by Rodriguez, John Debney, and Graeme Revell. The film's three main stories were each scored by an individual composer: Revell scored "The Hard Goodbye", Debney scored "The Big Fat Kill", and Rodriguez scored "That Yellow Bastard". Additionally, Rodriguez co-scored with the other two composers on several tracks.

Another notable piece of music used was the instrumental version of the song "Cells" by the London-based alternative group The Servant. The song was heavily featured in the film's publicity, including the promotional trailers and television spots, and being featured on the film's DVD menus.

"Sensemayá" by Silvestre Revueltas is also used on the end sequence of "That Yellow Bastard". Fluke's track "Absurd" is also used when Hartigan first enters Kadie's.

Three directors received credit for Sin City: Miller, Rodriguez, and Quentin Tarantino, the last for directing the drive-to-the-pits scene in which Dwight talks with a dead Jack Rafferty (Benicio del Toro). Miller and Rodriguez worked as a team directing the rest of the film.

When the Directors Guild of America refused to allow two directors that were not an established team to be credited (especially since Miller had never directed before), Rodriguez first planned to give Miller full credit. Miller would not accept this. Rodriguez, also refusing to take full credit, decided to resign from the Guild so that the joint credit could remain.[10]

The film was released on DVD on August 16, 2005.[11] Buena Vista Home Entertainment released a two-disc Blu-ray version with DTS-HD Master Audio, which includes a theatrical and extended, unrated, recut of 147 minutes, on April 21, 2009.[12]

Sin City opened on April 1, 2005 to generally positive reviews. On review aggregator Rotten Tomatoes, the film holds an approval rating of 77% based on 251 reviews, with an average rating of 7.42/10. The website's critical consensus reads: "Visually groundbreaking and terrifically violent, Sin City brings the dark world of Frank Miller's graphic novel to vivid life."[13] On Metacritic the film has a score of 74 (citing "generally favorable reviews") based on 40 reviews.[14] A 2017 data analysis of Metacritic reviews by Gizmodo UK found Sin City to be the third most critically divisive film of recent years.[15] Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.[16]

Roger Ebert awarded the film 4/4 stars, describing it as "a visualization of the pulp noir imagination, uncompromising and extreme. Yes, and brilliant."[8] Online critical reaction was particularly strong: James Berardinelli placed the film on his list of the "Top Ten" films of 2005.[17] Chauncey Mabe of the Sun-Sentinel wrote: "Really, there will be no reason for anyone to make a comic-book film ever again. Miller and Rodriguez have pushed the form as far as it can possibly go."[18]

Some reviews focused predominantly on the film's more graphic content, criticizing it for a lack of "humanity", the overwhelmingly dominant themes of violence against women, typically of an exploitative or sexualized nature. William Arnold of the Seattle Post-Intelligencer described it as a celebration of "helpless people being tortured" and "a disturbing gorefest".[19]

The New York Times critic Manohla Dargis gave credit for Rodriguez's "scrupulous care and obvious love for its genre influences", but noted that "it's a shame the movie is kind of a bore" because the director's vision seems to prevail on the intensity of reading a graphic novel.[20]

In a more lighthearted piece focusing on the progression of films and the origins of Sin City, fellow Times critic A. O. Scott, identifying Who Framed Roger Rabbit as its chief cinematic predecessor, argued that "Something is missing – something human. Don't let the movies fool you: Roger Rabbit was guilty," with regard to the increasing use of digitisation within films to replace the human elements. He applauds the fact Rodriguez "has rendered a gorgeous world of silvery shadows that updates the expressionist cinematography of postwar noir" but bemoans that several elements of "old film noirs has been digitally broomed away", resulting instead in a film that "offers sensation without feeling, death without grief, sin without guilt, and, ultimately, novelty without surprise".[21]

Sin City is described as a neo-noir film by some authors.[22][23]

Sin City grossed $29.1 million on its opening weekend, defeating fellow opener Beauty Shop by more than twice its opening take. The film saw a sharp decline in its second weekend, dropping over 50%. Ultimately, the film ended its North American run with a gross of $74.1 million against its $40 million negative cost. Overseas, the film grossed $84.6 million, for a worldwide total from theater receipts of $158.7 million.[2]

Mickey Rourke won a Saturn Award, an Online Film Critics Society Award, a Chicago Film Critics Association Award, and an Irish Film & Television Award for his performance. The film was in competition for the Palme d'Or at the 2005 Cannes Film Festival, and Rodriguez won the Technical Grand Prize for the film's visual shaping.[6] Graeme Revell's work in the film was honored with a Best Film Music Award at the BMI Film & TV Awards.[24]

Sin City was nominated at the 2006 MTV Movie Awards in three categories: Best Movie, Best Kiss for Clive Owen and Rosario Dawson, and Sexiest Performance for Jessica Alba, winning the latter.[25] The film also received three nominations at the 2005 Teen Choice Awards:[26] Choice Movie: Action, Choice Movie: Action Actress for Jessica Alba and Choice Movie: Villain for Elijah Wood.