Solomon McCombs

Solomon McCombs (1913 – 1980) was a Native American-Muscogee Creek artist, known for his paintings, murals, and illustrations. He worked as a muralist for the U.S. Treasury Section of Fine Arts in 1942 and as an illustrator and designer for the United States Department of State from 1956 until 1973.[1][2] His paintings and murals often embraced the "Flatstyle" of painting with outlined shapes and natural colors, featuring traditional Muscogee Creek themes and narrative. He lived between Tulsa, Oklahoma and Arlington, Virginia.

Solomon McCombs
Born1913
Eufaula, Oklahoma, U.S.
Died18 November 1980
Tulsa, Oklahoma, U.S.
EducationBacone College
Years active1934–1970
Known forPainting, Murals, Illustrations
Spouse(s)Margarita Sauer McCombs (1961–1980, until his death)

Early life and education

McCombs was born 1913 in Eufaula, Oklahoma to a Baptist minister.[1] McCombs was of Muscogee Creek, Cherokee, and Irish descent and a member of the (Muscogee) Creek tribe.[3][4] He grew up in eastern Oklahoma on a ranch and attended school in the Oak Grove community.[3][5] As a child, McCombs was injured and confined to his bed, it was then he started to take an interest in fine art.[5] By 1934, he was painting in a traditional-style.[6]

William McCombs, Solomon's paternal great uncle was a founding member of Bacone College and his cousin, Acee Blue Eagle was an early leader within the Art Department at the school.[7][8] Solomon McCombs attended Bacone College and Tulsa University's Downtown College, studying painting, Native American customs and traditions, as well as related history of the Muscogee Creek tribe.[1] He studied with Acee Blue Eagle and Mary Stone McLendon at Bacone College.[9]

Career

In 1941, McCombs work was in an exhibition at Museum of Modern Art (MoMA) in New York City.[10] McCombs illustrated a book for author Caroline Dormon in the 1940s.[9]

U.S. Treasury Section of Fine Arts commissioned McCombs to paint the mural at the Marietta, Oklahoma Post Office titled, Chickasaw Family Making Pah Sho Fah (Pashofa) (1942).[11][12][8] This mural depicts four women and two men cooking a meal of pashofa, a important dish to the Chickasaw people and part of their cultural identity.[8] The mural was one of the last commissions by the Section of Fine Arts and was restored twice, in 1960 and again in 2006.[8][11]

Starting in 1956, he was an illustrator for the United States Department of State within the audio-visual services division.[4] With his work with the Department of State, McCombs was able to travel extensively to the Middle East, Africa, and India in order to lecture about Native American art and his work.[1]

In 1961, he was married to artist Margarita Sauer McCombs (1925–1998).[13]

In 1963 McCombs was a founder and president of the American Indian and Eskimo Cultural Foundation of Washington D.C.[1][13]

In 1965, he won the Waite Phillips Trophy for Outstanding Contributions to American Indian Art, presented by the Philbrook Museum of Art (previously known as the Philbrook Art Center).[8]

In 1973, he retired from working for the federal government.[13] Before retiring, McComb's designed on the first logo for the American Indian National Bank of Washington D.C founded in 1973.[14]

In 1978, McCombs was elected Second Chief by the Creek Nation.[15]

Death and legacy

He died on 18 November 1980 due to a stroke that occurred after surgery in the hospital in Tulsa, Oklahoma.[1] He was buried in Tuskegee Cemetery in Eufaula, Oklahoma. After his death there was a two person memorial exhibition was held for Fred Beaver and Solomon McCombs at Gilcrease Museum (Mach 7-April. 19, 1981).[16]

His work is featured in various public art museum collections including Gilcrease Museum,[17] Southern Plains Indian Museum,[18] among others

The Muscogee (Creek) Nation has a building dedicated to McCombs, the Solomon McCombs Building.

References
  1. Joyce, Maureen (November 21, 1980). "Solomon McCombs, Traditional Indian Artist, Dies". Washington Post. Retrieved 2020-04-21.
  2. "Solomon McCombs – U.S. Department of State". U.S. Department of State. Retrieved 2020-04-22.
  3. "Creek Indians Going To Meeting". Metropolitan Library System. Retrieved 2020-04-22. Solomon McCombs is Creek, Cherokee and Irish, consequently a typical eastern Oklahoman
  4. "Newsletter by United States. Department of State". Google Books. 1962. Retrieved 2020-04-21.
  5. "Solomon McCombs Wins Design Contest Judges for The Five Civilized Tribes' Museum Seal". Newspapers.com. The Indian Journal from Eufaula, Oklahoma. August 23, 1956. Retrieved 2020-04-22.
  6. "Indian Art Paintings On Display In City". Newspapers.com. The Indian Journal from Eufaula, Oklahoma. June 22, 1939. Retrieved 2020-04-22.
  7. Neuman, Lisa K. (2014). Indian Play: Indigenous Identities at Bacone College. U of Nebraska Press. p. 327. ISBN 9780803249455.
  8. "Chickasaw Family Making Pah Sho Fah (Pashofa) | National Postal Museum". Smithsonian National Postal Museum. Retrieved 2020-04-22.
  9. "Creek Indian Painter Records Tribal History". Newspapers.com. Press and Sun-Bulletin from Binghamton, New York. January 31, 1942. p. 17. Retrieved 2020-04-22.
  10. "Local Artist's Work Shown at New York". Newspapers.com. The Indian Journal from Eufaula, Oklahoma. March 27, 1941. Retrieved 2020-04-22.
  11. "Post Office Mural - Marietta OK". Living New Deal. Retrieved 2020-04-22.
  12. "Outside the Walls: Indigenous Public Art". NMAI Magazine. Retrieved 2020-04-22.
  13. "Solomon McCombs Papers, 1941-1974". SOVA, Smithsonian. Retrieved 2020-04-22.
  14. "March 13, 1974 - Vice President and Robert Crane Concerning the Crow Indians of Montana" (PDF). Ford Library Museum. March 13, 1974. Retrieved 2020-04-21.
  15. The Indian Historian. American Indian Historical Society. 1978.
  16. "Creek painting". The Library of Congress. Retrieved 2020-04-22.
  17. "Collections - Solomon McCombs". Gilcrease Museum. Retrieved 2020-04-22.
  18. "Rosemary Ellison Gallery". Indian Arts and Crafts Board, U.S. Department of the Interior. Archived from the original on 2016-08-16. Retrieved 2020-04-21.

Further reading
  • Jackson, Jason Baird (2011). "Picturing traditional culture: Heritage as Subject and Motivation in the Work of Three Muscogee (Creek) Painters". American Indian Art Magazine. Vol. 37. pp. 64–73, 76.
  • Morand, Anne, Kevin Smith, Daniel C. Swan, and Sarah Erwin. Treasures of Gilcrease: Selections from the Permanent Collection. Tulsa, OK: Gilcrease Museum, 2003. ISBN 978-0-8061-9955-9.
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