Stella d'Italia

The Stella d'Italia on the first coins of a united Italy

The symbolism that sees a star associated with Italy was first seen in the writings of the ancient Greek poet Stesicoro, from whom it passed on to poets such as Virgil, and this is why it is the oldest national symbol of Italy[2] and originated from the combination of Venus, as an evening star, with the West[7] and therefore with the Italian peninsula, one of which denominations it was Esperia, or "land of Hesperus, the star of the Evening consecrated to Venus".[7][8] This symbolism is already attested in archaic Greek literature: in the 6th century BC, the poet Stesichorus, in the poem Iliupersis (Fall of Troy), in creating the legend of Aeneas, described his return to the land of his ancestors (the Italy) after the defeat of Troy, under the leadership of Venus.[2]

The story of Aeneas' journey to the Italian coast from the maternal star of Venus is then resumed in Roman times by Pliny the Elder, by Marcus Terentius Varro and by Virgil, giving rise to a double tradition: the political tradition of Caesaris Astrum, the star of Julius Caesar which originated from the appearance of a comet star shortly after his death and which was also recalled by Augustus as an auspicious sign and as a prefiguration of the Pax Romana,[9] and the toponymy and literary tradition of Greek origin of Italy called Esperia, the "land on which the evening star sets", that is Venus. The merger of the two traditions associated the star with Italy, the center of the Roman Empire and never considered a province, having a special administrative status, being divided into the Augustan regions.[9]

The first association between the star (the Stella Veneris) and the mural crown (the Corona muralis) of Italia turrita, from which the so-called Italia turrita e stellata, is also from the Roman era and dates back to the time of Augustus.[9]

The stars of the uniforms of the Italian Armed Forces, which have their origin in the Stella d'Italia

After the disappearance due to the fall of the Western Roman Empire and the oblivion of the Middle Ages, the Star of Italy was rediscovered in the Renaissance.[10] Indeed, the symbolic identification of Caesar's star in the precious tricolor star-shaped jewel, studded with green emeralds, white pearls and red rubies, which is preserved in the Castelvecchio Museum in Verona and dates back to the fourteenth century, is therefore still uncertain. medieval era: it would have been built for the condottiere Cangrande I della Scala, lord of Verona in which Dante Alighieri saw the new Caesar capable of unifying Italy. However it is also probable that the star referred to Sirius, under whose beneficial influence Cangrande would be born, with the green, white and red colors associated with the three theological virtues.[11]

In 1603, in the second edition of his treatise Iconologia, Cesare Ripa associated the symbol with the Italia turrita, and creates a modern version of Italy's allegorical personification: woman with a star on top of a towered crown, therefore supplied with the Corona muralis and the Stella Veneris.[10] Ripa's treatise inspired many artists like Canova, Bisson, Maccari, Balla, Sironi, until the 1920s.[12]

The allegorical image of the towered and star-topped Italy became popular during the unification of Italy, spreading through a large iconography of statues, friezes and decorative objects, tourist-guide covers, postcards, prints and magazines' illustrations.[13] During the unification of Italy, evoking Aeneas' journey toward the Italian coasts, patriot Giuseppe Mazzini mentioned again the national star's myth that afterwards was recovered by Cavour and the new Savoyard kings of Italy.[3] The reigning house even tried to get possession of it, suggesting that it was the Stella Sabauda ("Savoys' star"), a family heraldic pattern that is not mentioned in any historical document preceding the unification of Italy.[13]

The Stella d'Italia that metaphorically assists the Italian soldier in the trenches in a postcard of the First World War

After the unification of Italy, the presence of enormous symbolic stars on the honor stage of the official ceremonies in which King Victor Emmanuel II of Italy participated led the Italians more and more to define it, in an affective way, as the "star" that protects the Italy.[2] On the Italian metallic coinage the Stella d'Italia is present on all copper emissions already from 1861 until 1907, as well as on all the coins of King Umberto I of Italy.[14] The Stella d'Italia is also recalled by the coat of arms of the Kingdom of Italy used from 1870 to 1890. In 1871, thanks to the royal decree n. 571 of December 13, 1871 signed by the minister Cesare Ricotti-Magnani, the Stella d'Italia became one of the distinctive signs of the Italian Armed Forces, the so-called "stars".[6]

The Stella d'Italia is also mentioned in the patriotic music piece Tripoli bel suol d'amore, which was written in 1911 just before the start of the Italo-Turkish War, a military campaign forming part of the Italian colonial wars, to propagate the imminent war of the Kingdom of Italy against the Ottoman Empire, which was aimed at the conquest of Libya.[15]

The Stella d'Italia was one of the symbols of the journey by train on the Aquileia-Rome line towards the capital of Italy of the body of the Italian Unknown Soldier.[16] The coffin was placed on a gun carriage and placed on a goods wagon designed for the occasion by Guido Cirilli.[17] The ceremony had its epilogue in Rome with the solemn burial at the Altare della Patria on 4 November 1921 on the occasion of National Unity and Armed Forces Day.[17] A bronze Stella d'Italia was placed on one of the two locomotives that pulled the railway hearse, while a second one was represented on the main building of the Roma Tiburtina railway station, which received the convoy in the final destination and which was known at the time as "Portonaccio station".[16]

The protective or providential meaning of the star was then taken up by Italian Fascism and the Italian resistance movement, which placed it on the flag of the National Liberation Committee, as well as by the republicans and the monarchists on the occasion of the institutional referendum of 2 June 1946, which took place according to World War II ended.[2] In 1947, the Stella d'Italia was included in the centre of the official Emblem of Italy, drawn by the designer Paolo Paschetto.[4] From an allegorical point of view, the Stella d'Italia metaphorically represents the shining destiny of Italy.[3]