Stephen Lambert (media executive)

Born in London, Lambert was educated at Thames Valley Grammar School and the University of East Anglia graduating with a first in Politics and Philosophy. He studied as a post-graduate student at Nuffield College, Oxford where he wrote a book on the history of British broadcasting policy published by the British Film Institute called Channel 4: Television with a Difference? that coincided with the launch of Britain's fourth terrestrial channel in November 1982.[11]

In 1983, he joined the BBC and worked in the Documentaries Department for the next sixteen years. He was a producer and director of documentaries for the BAFTA-winning BBC2 series 40 Minutes and the BBC1 series Inside Story; many set in conflict areas such as Sri Lanka, Croatia, South Africa, Kuwait, Gaza and Northern Ireland. Between 1992 and 1994, he produced and directed a six-part documentary series for BBC2 about the Foreign and Commonwealth Office which was filmed in Northern Iraq, the former Soviet Union, Bosnia, Thailand, Saudi Arabia, Europe, the US and in Whitehall.

In 1994, Lambert became the founding editor of BBC2's main documentary strand of the 1990s, Modern Times. While running Modern Times, he executive produced some of the first BBC1 docu-soaps, including The Clampers and Lakesiders, as well as the fly-on-the-wall series about Sunderland A.F.C., Premier Passions and the five part Royal Television Society award-winning series about the Department of Social Security called The System. Lambert also started a long working relationship with the film-maker Adam Curtis, executive producing his series The Mayfair Set, winner of the 2000 BAFTA award for best factual series.[12]

In 1998, Lambert became RDF Media's first director of programs. He devised and executive produced the acclaimed series Faking It which premiered on Channel 4 in 2000. It won the BAFTA best features program award in 2001 and 2002 and the Rose d'Or in 2003. This was followed by Wife Swap, which attracted audiences of more than six million. It won the BAFTA best features program award in 2003 and the Rose D'Or in 2004. Lambert continued working with Adam Curtis, executive producing his The Century of the Self (2002), The Power of Nightmares (2004) (winner of BAFTA best factual series award 2004), and The Trap (2007).

From 1998 to 2005, RDF Media grew rapidly with Lambert spearheading its editorial development. RDF started producing in the US and opened its RDF USA production office in Los Angeles. In 2004, Wife Swap became RDF's first US network series airing on ABC.[13] RDF received Broadcast's Best Production Company of the Year Award for 2002, 2004 & 2006, the only company to win this award three times. In May 2005, RDF Media floated on the London Stock Exchange's Alternative Investment Market and started to acquire other independent production companies such as IWC Media, The Foundation, The Comedy Unit, Touchpaper Television.[14] Lambert became the group's chief creative officer. He continued to devise new formats such as The Secret Millionaire, which won the Rose d'Or in 2007, Shipwrecked: Battle of the Islands for Channel 4, and The Verdict for BBC2.

In July 2007, Lambert found himself caught up in controversy when the BBC showed a trailer to journalists of a documentary series that RDF was producing called A Year with the Queen. The trailer seemed to show the Queen walking out of a photo-shoot with celebrity photographer Annie Leibovitz, but it later emerged she was walking into the shoot. Lambert took responsibility for a misleadingly edited trailer that was shown previously to international co-producers, but he was not involved in the edit of the BBC trailer shown to the press. When an inquiry into the affair reported in October 2007, Lambert chose to leave RDF and at the same time, Peter Fincham, Controller of BBC One, and his head of publicity, Jane Fletcher, resigned from their jobs.[11]

In 2008, Lambert launched a new independent production company, Studio Lambert, based in London and Los Angeles.[15] In the 2011 Broadcast survey of independent production companies, Studio Lambert ranked #11 by size of turnover.[16]

Lambert's first major formatted show in his new company was Undercover Boss, which started on Britain's Channel 4 in 2009 and has been produced in more than twenty countries. Studio Lambert produced an American version that premiered on CBS in February 2010 immediately after the Super Bowl to a record-breaking audience of nearly 40 million viewers. It went on to become the most popular new show of the 2009-10 television season with an average audience of 17 million viewers and to earn an Emmy Awards nomination for Outstanding Reality Program in 2010, 2011, 2012, 2013, 2014, 2015 and 2016, winning the category in 2012 and 2013.

In March 2013 Studio Lambert launched Gogglebox on Channel 4, a weekly show observing ordinary people watching and reviewing the week's television.[17] It has become the most popular show on the network, winning many awards including a BAFTA and two National Television Awards and local versions are produced in more than thirty countries. Other international formats from Studio Lambert include Four in a Bed which has been a multi-series hit on Channel 4 and TF1, The Great Interior Design Challenge a returning series on BBC2, and Tattoo Fixers for E4.

The company also produces documentary projects such as How to Get a Council House, the experimental real-time documentary series Seven Days for Channel 4 and a feature documentary on the financial crash called The Flaw, which was launched at the Sundance Film Festival in January 2011.[18]

• Studio Lambert website
• Lambert, Stephen (1982) Channel 4: Television with a Difference? ISBN 0-85170-124-8