Steptoe and Son

The show had its roots in a 1962 episode of Galton & Simpson's Comedy Playhouse. Galton and Simpson's association with comedian Tony Hancock, for whom they had written Hancock's Half Hour, had ended and they had agreed to a proposal from the BBC to write a series of 10 comedy shows. The fourth in the series, "The Offer", was born both out of writer's block and budgetary constraints.[5] Earlier shows in the series had cost more than expected, so the writers decided to write a two-hander set in one room. The idea of two brothers was considered but father and son worked best. Ronald Fraser was second choice for Harold.

Galton and Simpson were not aiming to make a pilot for a series, having worked for seven years with Hancock. However, Tom Sloan, the BBC's head of comedy, told them during rehearsals that "The Offer" was a definite series pilot: he saw that the Steptoe idea had potential. Galton and Simpson were reportedly overwhelmed by this reaction, and the first of what became eight series was commissioned, the first four of which were transmitted between 1962 and 1965. The last four series were broadcast between 1970 and 1974, in colour. At the peak of the series' popularity, it received viewing figures of some 28,000,000 viewers per episode. In addition, the early 1970s saw two feature films, two 46-minute Christmas specials. In 2005, the play Steptoe and Son in Murder at Oil Drum Lane, written by Ray Galton and John Antrobus, brought the storyline to a close.

The series employed actors rather than comedians in the principal roles; casting for comedy still tended to favour the former when the series was created in 1962. Galton and Simpson had decided that they wanted to try to write for performers who "didn't count their laughs".

Both of the main actors used voices considerably different from their own. Brambell, despite being Irish, spoke with a received pronunciation English accent, as did Corbett. Brambell was aged 49 when he accepted the role of Albert, only 13 years older than Corbett. For his portrayal, he acquired a second set of "rotten" dentures to accentuate his character's poor attitude to hygiene.

Ron Grainer won a second successive Ivor Novello award for the show's theme tune ' Old Ned ', to which he gave a different treatment, one year later, during a Rag-and-Bone Man scene in The Home-Made Car.[1] The series had no standard set of opening titles but the opening sequences would often feature the Steptoe's horse, Hercules. "Steptoe and Son" is the Steptoes' trading name, but as established in the first episode, the "Son" is not Harold as initially believed, but Albert. The name dates from when he and his mother—Mrs. Steptoe—worked the rounds. The first series has the pair as very rough looking and often dirty and wearing ragged clothes, but they were portrayed as cleaner in later series.

Outside filming of the Steptoes' yard took place at a car-breakers' yard in Norland Gardens, London W11, then changing to Stable Way, Latimer Road, for the later series. Both sites have subsequently been redeveloped with no evidence now remaining of the entrance gates through which the horse and cart were frequently driven.

The pilot episode and the first four series, which aired in 1962–1965, were recorded in the BBC Lime Grove Studios in London. When the show returned in 1970 after a four-year hiatus, the programme was made in the BBC Television Centre studios in west London, as from 1970 the show was recorded in colour.[6][7][8][9]

During its production in the 1960s and 1970s, Steptoe and Son marked itself out as radical compared to most UK sitcoms. This was an age when the predominant sources of laughter in British comedy were farce, coincidence, slapstick and innuendo. However Steptoe and Son brought greater social realism. Its characters were not only working class but demonstrably poor. The earthy language and slang used were in marked contrast to the refined voices heard on most television of the time: e.g., in "Back in Fashion", Harold warns Albert that when the models arrive, "if you feels like a D'Oyly Carte (rhyming slang for 'fart'), you goes outside." Social issues and debates were routinely portrayed, woven into the humour. The programme did not abandon the more traditional sources of comedy but used them in small doses. The characters, and their intense and difficult relationship, displayed deeper qualities of writing and performance than comedy fans were used to.

A number of LPs and EPs featuring TV soundtracks have been released.[15]

To tie in with the original series, two novelisations were written by Gale Pedrick:

• Steptoe and Son. Hodder & Stoughton. 1964.
• Steptoe and Son at the Palace. Hodder & Stoughton. 1966.

In 2002 BBC Books published Steptoe and Son by Galton, Simpson and Ross, which comprehensively covered the television and radio series, films, Royal Variety Shows, commercials and the Sanford & Son spin-off.[16]

In 1972 a film version was released of the show proving highly popular. This first film, also called Steptoe and Son focuses on Harold getting married but still not being able to get away from his father.

Due to popular demand and the commercial success of the first film, another film, Steptoe and Son Ride Again, was released in 1973.

When Steptoe Met Son was a 2002 Channel 4 documentary about the personal lives of Wilfrid Brambell and Harry H. Corbett. It aired on 20 August 2002.

The programme reveals how Brambell and Corbett were highly dissimilar to their on-screen characters. Corbett felt he had a promising career as a serious actor, but was trapped by his role as Harold and forced to keep returning to the series after typecasting limited his choice of work. Brambell, meanwhile, was a homosexual, something that in the 1960s was still frowned upon and, until the Sexual Offences Act 1967, illegal and was thus driven underground. The documentary went on to describe an ill-fated final tour of Australia, during which the already strained relationship between Corbett and Brambell finally broke down for good.[25]

The Curse of Steptoe is a television play which was first broadcast on 19 March 2008 on BBC Four as part of a season of dramas about television personalities. It stars Jason Isaacs as Harry H. Corbett and Phil Davis as Wilfrid Brambell. The drama is based upon the actors' on-and-off-screen relationship during the making of the BBC sitcom Steptoe and Son, and is based on interviews with colleagues, friends and family of the actors, and the Steptoe writers, Ray Galton and Alan Simpson.[26]

The screenplay was written by Brian Fillis, also responsible for the similarly themed 2006 drama Fear of Fanny, which is about television personality Fanny Cradock off-screen. The 66-minute film is directed by Michael Samuels and produced by Ben Bickerton.

Both When Steptoe Met Son and The Curse of Steptoe were considered inaccurate by writers Galton and Simpson[27][28][29] and Corbett's family.[30][31]

Poster advertising the play

In October 2005, Ray Galton and John Antrobus premiered their play, Steptoe and Son in Murder at Oil Drum Lane, at the Theatre Royal, York. It then went on tour across the country. It was set in the present day and related the events leading to Harold killing his father and their eventual meeting 30 years later, Albert then appearing as a ghost. By the end, it is clearly established that this is very much a conclusion to the Steptoe saga.

It was not the first time this idea had been considered. When Wilfrid Brambell left the UK after the third series to pursue an eventually unsuccessful Broadway musical career, Galton and Simpson toyed with the concept of 'killing off' Albert in order to continue the show without having to await Brambell's return. The character would have been replaced with Harold's illegitimate son, Arthur (a part thought to be intended for actor David Hemmings). This idea was detested by Corbett, who thought it ridiculous, although the 2008 drama The Curse of Steptoe depicts Corbett as being delighted with the concept, since assuming the role of father would allow Harold's character some development and growth, which he felt was long overdue.[32]

Jack Lane and Michael Simmonds as the duo

In March 2011 the Engine Shed Theatre Company performed three episodes of the series live on stage at the Capitol Theatre, Horsham. Jack Lane played Albert Steptoe and Michael Simmonds played Harold. The three episodes performed by the company were: Men Of Letters, Robbery With Violence and Seance in a Wet Rag and Bone Yard. Engine Shed went on to adapt and perform the two Christmas Specials later that year.

Many of the original TV episodes of Steptoe and Son have now been officially adapted to the stage by the original writers Ray Galton and Alan Simpson, with David Pibworth and are available for production on www.classiccomedyscripts.co.uk

Performed in 2012 and 2013 by Kneehigh Theatre, Steptoe and Son was adapted from four of the show's original scripts. The production was designed to highlight the Beckettian nature of Albert and Harold's situation, focusing on themes of over-reliance and being trapped within social class. The production toured the UK and received positive reviews from the Financial Times and three stars from The Guardian's Lynn Gardner.[33]

• The first series with all six episodes was released in 2004 followed by the second series in 2005 and the third, fourth and fifth in 2006. Series 6, 7 and 8 were released in 2007 alongside the Christmas specials.
• The two Steptoe films were released in 2006.
• The complete boxed set containing all eight series and two Christmas specials was released in October 2007. In October 2011 the boxset was re released with new packaging.

In Australia, Season 1 was released in 2004, Season 2 and Season 3 in 2006, Season 4 and Season 5 in 2007, Season 6 and Season 7 in 2008 and Season 8 in 2009.