Strictly Personal

The original intention was to record an album for Buddah Records entitled It Comes to You in a Plain Brown Wrapper (Strictly Personal's sleeve design is a relic of this initial concept).[1] A considerable amount of material was recorded for the project during the period of October–November 1967 with Krasnow producing. Buddah, however, declined to release the album,[2] which appeared in revised form the following year. Strictly Personal features re-recorded versions of songs from the 1967 sessions.

Krasnow's heavy use of phasing and reverberation during mixing was done in accordance with the popular psychedelic rock trends of the day. Beefheart subsequently condemned the production. He said the effects were added without his knowledge or approval. These comments became public only after sales of the album failed to reach expectations. It has been claimed by other band members that he initially agreed to the use of these sounds. Regardless, Beefheart did release his later recordings with a much more basic and unprocessed sound.

Buddah released some recordings from the earlier sessions, along with an earlier version of "Kandy Korn", as Mirror Man in 1971. Much other material from the 1967 sessions has since been released: the compilation I May Be Hungry But I Sure Ain't Weird (1992) contained eleven of the original cuts taken from master tapes. This album has long since been out of print, but all eleven tracks can be found spread across The Mirror Man Sessions and the current version of Safe as Milk. Some of these tracks were also used for a vinyl-only release by the Sundazed label in 2008 bearing the original intended title of It Comes to You in a Plain Brown Wrapper but this release does not duplicate the original album's concept or sequence.

Professional ratings

Review scores
Source	Rating
AllMusic	[3]
Rolling Stone	(mixed) [4]

Barret Hansen, in a December 1968 review for Rolling Stone, was unsure of the value of the record; he felt that Beefheart and his band had "the capability of making the ultimate white blues album", but that the "noisy, discom-bobulated freakout shit" and "liquid audio" spoil the potential, so that it was unclear to him if the album was the work of "the world's greatest white bluesman", "a competent musician, capable of occasional titanic moments", or "a hack performer" with genius production.[5]

Stewart Mason, in a retrospective AllMusic review, felt it was a terrific album but underrated due to the reputation of Bob Krasnow's remixing; although he did feel that the "sound effects and phasing do detract from the album at points".[6]

It was voted number 661 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). [7]

All tracks are written by Don Van Vliet.

According to the album credits, all songs were written by Don Van Vliet. Lyricist Herb Bermann has contested this, claiming to have written the lyrics to the songs "Safe As Milk", "Trust Us," "Gimme Dat Harp Boy," and "Kandy Korn"[8][9]

• Don Van Vliet – vocals, harmonica
• Alex St. Clair – guitar
• Jeff Cotton – guitar
• Jerry Handley – bass
• John French – drums

Bibliography

• Barnes, Mike (2000). Captain Beefheart. Omnibus Press. ISBN 1-84449-412-8

• Lyrics, reviews and further details at the Captain Beefheart Radar Station.