Tab Hunter

Dick Clayton introduced Gelien to agent Henry Willson, who specialized in representing beefcake male stars such as Robert Wagner and Rock Hudson. It was Willson who named him "Tab Hunter".[9]

Hunter's first film role was a minor part in a film noir, The Lawless (1950). Hunter was a friend of character actor Paul Guilfoyle, who suggested him to director Stuart Heisler; Heisler was looking for an unknown to play the lead in Island of Desire (1952) opposite Linda Darnell. The film, essentially a two-hander between Hunter and Darnell, was a hit.[10]

Hunter supported George Montgomery in Gun Belt (1953), a Western produced by Edward Small. Small used him again for a war film, The Steel Lady (1953) supporting Rod Cameron, and as the lead in an adventure tale, Return to Treasure Island (1954). He began acting on stage, appearing in a production of Our Town.[11] Hunter was then offered, and accepted, a contract at Warner Bros.

Hunter with Natalie Wood at the 28th Academy Awards in 1956.

One of Hunter's first films for Warner Bros. was The Sea Chase (1955), supporting John Wayne and Lana Turner. It was a big hit, but Hunter's part was relatively small. Rushes were seen by William A. Wellman, who cast Hunter to play the younger brother of Robert Mitchum in Track of the Cat (1954). It was a solid hit and Hunter began to get more notice.

His breakthrough role came when he was cast as the young Marine Danny in 1955's World War II drama Battle Cry, which was the year's third most financially successful film. His character has an affair with an older woman, but ends up marrying the girl next door. It was based on a bestseller by Leon Uris and became Warner Bros.' largest grossing film of that year, cementing Hunter's position as one of Hollywood's top young romantic leads.

In September 1955, the tabloid magazine Confidential reported that Hunter had been arrested for disorderly conduct in 1950. The innuendo-laced article, and a second one focusing on Rory Calhoun's prison record, were the result of a deal Henry Willson had brokered with the scandal rag in exchange for not revealing the sexual orientation of his more prominent client, Rock Hudson, to the public.[12] The report had no negative effect on Hunter's career. A few months later, he was named Most Promising New Personality in a nationwide poll sponsored by the Council of Motion Picture Organizations.[13] In 1956, he received 62,000 valentines. Hunter, James Dean and Natalie Wood were the last actors to be placed under an exclusive studio contract at Warner Bros. Warners decided to promote him to star status, teaming him with Natalie Wood in two films, a Western, The Burning Hills (1956), directed by Heisler, and The Girl He Left Behind (1956), a service comedy. These films also proved to be hits with audiences and Warners planned a third teaming of Hunter and Wood. Hunter rejected the third picture, thus ending Warners' attempt to make Hunter and Wood the William Powell and Myrna Loy of the 1950s. Hunter was Warner Bros.' most popular male star from 1955 until 1959.

Hunter received strong critical acclaim for a television performance he gave in the debut episode of Playhouse 90 ("Forbidden Area", 1956) written by Rod Serling and directed by John Frankenheimer.[14]

Hunter's acting career was at its peak. William Wellman used him again in a war film, Lafayette Escadrille (1958). Columbia Pictures borrowed him for a Western, Gunman's Walk (1958), a film which Hunter considered his favorite role. Hunter starred in the musical film Damn Yankees (1958), in which he played Joe Hardy of Washington, D.C.'s American League baseball club. The film had originally been a Broadway musical, but Hunter was the only one in the film version who had not appeared in the original cast. The show was based on the best-selling 1954 book The Year the Yankees Lost the Pennant by Douglass Wallop. Hunter later said the filming was hellish because director George Abbott was only interested in recreating the stage version word for word. He also starred in They Came to Cordura (1959) (with Gary Cooper and Rita Hayworth) and That Kind of Woman (1959) (with Sophia Loren).

Hunter in the 1950s

Hunter had a 1957 hit record with the song "Young Love," which was No. 1 on the Billboard Hot 100 chart for six weeks (seven weeks on the UK Chart) and became one of the larger hits of the Rock 'n' Roll era.[5] It sold over one million copies, and was awarded a gold disc by the RIAA.[15]

Hunter had another hit single, "Ninety-Nine Ways", which peaked at No. 11 in the United States and No. 5 in the United Kingdom. His success prompted Jack L. Warner to enforce the actor's contract with the Warner Bros. studio by banning Dot Records, the label for which Hunter had recorded the single (and which was owned by rival Paramount Pictures), from releasing a follow-up album he had recorded for them. He established Warner Bros. Records specifically for Hunter.

Hunter's failure to win the role of Tony in the film adaptation of West Side Story (1961) prompted him to agree to star in a weekly television sitcom. The Tab Hunter Show had moderate ratings (due to being scheduled opposite The Ed Sullivan Show) and lasted for only one season (1960–61) of 32 episodes. It was a hit in the United Kingdom, where it ranked as one of the most watched situation comedies of the year. Hunter's costars in the series included Richard Erdman, Jerome Cowan, and Reta Shaw.

Hunter had a starring role as Debbie Reynolds's love interest in The Pleasure of His Company (1961). He played the lead in a swashbuckler shot in Egypt, The Golden Arrow (1962) and was in a war movie for American International Pictures, Operation Bikini (1963).

In 1964, he starred on Broadway opposite Tallulah Bankhead in Tennessee Williams' The Milk Train Doesn't Stop Here Anymore.[16]

Ride the Wild Surf (1964) was a surf film for Columbia, followed by a movie in Britain, Troubled Waters (1964). He stayed in England to make another picture for AIP, War Gods of the Deep (1965). Back in Hollywood he had a supporting role in The Loved One (1965) and Birds Do It (1966). He made a film with Richard Rush, The Fickle Finger of Fate (1967).[17]

For a short time in the late 1960s, after several seasons of starring in summer stock and dinner theater in shows such as Bye Bye Birdie, The Tender Trap, Under the Yum Yum Tree,[18] and West Side Story with some of the New York cast, Hunter settled in the south of France and acted in many Italian films including Vengeance Is My Forgiveness (1968), The Last Chance (1968), and Bridge over the Elbe (1969).[19]

Hunter had the lead role in Sweet Kill (1973), the first movie from director Curtis Hanson. He won a co-starring role in the successful film The Life and Times of Judge Roy Bean (1972) with Paul Newman. He had small roles in Won Ton Ton, the Dog Who Saved Hollywood (1976) and Katie: Portrait of a Centerfold (1978). In 1977 he played George Shumway, the father of Mary Hartman (played by Louise Lasser) on Forever Fernwood, a spinoff of the soap-like sitcom Mary Hartman, Mary Hartman.

Hunter's career was revived in the 1980s,[1] when he starred opposite actor Divine in John Waters' Polyester (1981) and Paul Bartel's Lust in the Dust (1985). He played Mr. Stuart, the substitute teacher in Grease 2 (1982), who sang "Reproduction". Hunter had a major role in the 1988 horror film Cameron's Closet.

Hunter in 2008

Hunter's last film role came in the horse-themed family film Dark Horse (1992). Hunter, a longstanding and avid horse owner,[20] wrote the original story and co-produced the film with his life partner, Allan Glaser.

Hunter's autobiography, Tab Hunter Confidential: The Making of a Movie Star (2005, co-written with Eddie Muller), became a New York Times bestseller,[21] as did the paperback edition in 2007. In his memoir, Hunter officially came out as gay, confirming rumors that had circulated since the height of his fame.[3] The book was nominated for several awards. It entered The New York Times' bestseller list for a third time on June 28, 2015 upon the release of Tab Hunter Confidential, an award-winning documentary based upon the memoir. The documentary was directed by Jeffrey Schwarz and produced by Allan Glaser.[22] As of June 2018, a feature film about Hunter to be produced by Glaser, J. J. Abrams and Zachary Quinto was in development at Paramount Pictures. Pulitzer Prize- and Tony Award-winning writer Doug Wright is attached to create the screenplay.[23]

Hunter has a star for his contributions to the music industry on the Hollywood Walk of Fame at 6320 Hollywood Blvd.[24] In 2007, the Palm Springs Walk of Stars dedicated a Golden Palm Star to him.[25]