The17

Drummond states that he thought of the name immediately.[2] It has origins in his love of Prime numbers, and his idea of the seventeenth year as a stage of life between the "sweet, coy"[6] sixteen and the full adulthood of eighteen. It is also a play on the name of The Sixteen, a professional choir admired by him.[6] While the first performance of The17 was carried out by 17 men in a studio in Leicester, the name no longer dictates the number of choir members for a performance; scores may be performed by hundreds of voices or none.[1]

The choir's ethos derives from Drummond's disillusionment with recorded music. He released a manifesto calling on people to "dispense with all previous forms of music and music-making and start again".[7]

Each performance has no audience and is never recorded.[2] Also, there is no sheet music; instead the choir performs according to instructions written by Drummond or other choir members. These instructions (called "scores," but bearing little relation to musical scores) are open to change over time, and exist in the public domain.[8]

The17's Coast-to-Coast tour "encompasses 20 different scores each performed at one of 20 different locations within the shores of the British Isles. Each performance is twinned with an overseas performance of The17".[9] Performances have been twinned so far between, for example, Liverpool and New York, Beirut and Birmingham, and Derry and Calcutta. There is also a "City-to-City" World Tour of The17 on which a version of SCORE 328 titled SURROUND is performed each time. SURROUND entails 100 members of The17, standing in a circle in a city at up to 50 metre intervals between them. Choir members then call/sing to the choir member next along some specified notes or phrases such as "way-ho!" The circle may be circumnavigated several times.[10] So far the City-to-City World Tour has included locations such as Port-au-Prince, Beijing, Salford and Tromsø (Norway). The17 performed in London on 18 March 2012, recreating with the Syrian community an event which was originally planned to take place in Damascus, Syria. Drummond explained: "it would best for all concerned if the Syrian leg of the tri-nation festival was postponed for a few weeks or maybe months, when things would have undoubtedly settled down."[11]

The choir has a constantly shifting membership (the choir's website states that to join one need only turn up and sing.[12] As of April 2009 there have been 1,508 performers, mostly members of the public with little or no experience in professional music.

In 2006, Drummond was invited to help schoolchildren compose scores in a project sponsored by the Arts Council. Children from several primary and secondary schools in County Durham wrote scores that were eventually compiled in the book Scores 18–76. The children also performed their scores in the Hatton Gallery, Newcastle.[13]

Of approximately 400 existing scores written by Bill Drummond and other members of The17, Score No. 1 is titled IMAGINE. It begins with the words "Imagine waking up tomorrow and all music has disappeared." For many new locations on The17's World Tour, a Penkiln Burn notice is created with the IMAGINE score translated into the local language. Translations in 22 different languages exist so far including various European languages, Chinese, Hebrew, Arabic, Russian and Haitian Creole.[14] For many locations on the World Tour, Drummond finds a place to graffiti the first line of the IMAGINE score translated in the local language. Artists and members of The17, John Hirst and Tracey Moberley, have documented much of this graffiti with their own photographs.[15]

IMAGINE Graffiti in Derby made by Bill Drummond, photographed by John Hirst, 2008

Bill Drummond's 2008 book, titled 17, "draws on the strands of thought that led [him] to instigate The17", from his childhood, his art school years and his work in the music industry. The book then documents The17's first year including the choir's first performances, its reception and development by school children and Drummond's instigation of No Music Day. The book was published by Beautiful Books.

• Scores 18–76 (Penkiln Burn, 2006)
• 17 (Beautiful Books, 2008)ISBN 9781905636266
• Imajine by Claudel Casseus with Introduction by Bill Drummond (Penkiln Burn, 2011)
• 100 (Penkiln Burn, 2012)

• Official site
• Heavenly 17: Bill Drummond Hears Too Much Music (The Quietus)
• Bill Drummond: The Man Who Wants To End Recorded Music (The Word)
• Voices in my head (The Guardian)
• 'I'll never willingly put on a CD again' (The Guardian)
• The relationship between art and music (Time Out)
• Artist John Hirst