The Arrival (Fringe)

At a diner in Brooklyn, New York, a bald man with no eyebrows sits down at a table and orders a raw roast beef sandwich with eleven jalapeño peppers and a glass of room temperature water. When the sandwich arrives, he drowns it in Tabasco sauce and black pepper and wolfs it down in large, quick bites, to the bemusement of the diner staff. During this time he is also watching the construction site across the street through high-tech binoculars and taking notes from right to left in unrecognizable characters. The ground shakes and a gas main explodes at the site, toppling a crane. The bald man—the Observer—calmly pays for his sandwich and wanders to the gaping hole where the construction site was. On a wireless phone, he says "It has arrived."

In their shared hotel room Walter keeps Peter awake by reciting the chemical formula for root beer. The next morning Peter expresses his unhappiness with the arrangement to Olivia (Anna Torv) and tells her he wants to leave. She can't let him do that, telling him that Walter refuses to work without him. The Fringe Team investigates the object that arrived in Brooklyn, a cylinder that is determined to vibrate at a particular frequency. In the course of the investigation, Walter assaults and forcibly sedates Junior Agent Astrid Farnsworth (Jasika Nicole) in order to hide the cylinder. He later meets with the bald man at a diner.

Meanwhile, a violent criminal named John Mosley (Michael Kelly) is also searching for the Beacon. After killing one of Olivia's mentors, Mosley kidnaps and tortures Peter to find out the location. After he recovers the beacon from the grave of Robert Bishop, John Mosley is taken down by Olivia. The beacon escapes into the earth, and The Observer reports that its departure was "on schedule." Peter confronts The Observer about the beacon, only to have a gibberish conversation that implies that the Observer knows what Peter is going to say before he says it, or, as Peter puts it, "he knew me [...] he was inside my head." The Observer then knocks Peter out with an advanced sort of stun gun.

After being hospitalized for his injuries, Peter admits to Olivia that his experience with The Observer has caused him to start to believe in The Pattern. Peter decides that he wants to stay with the Fringe team until he gets some explanations. Walter apologizes to Astrid, who doesn't yet forgive him. Walter admits to Peter that, during an accident many years ago, a mysterious third party saved both their lives. The man was bald and had no eyebrows, who "knew my [Walter's] thoughts before I did." Walter admits that his behaviour regarding the capsule, and his desire to protect it, was motivated by his debt to this bald man, and that the capsule somehow contained instructions from this man. At the end of the episode, Olivia returns home, and sees recently deceased lover John Scott (Mark Valley) in her kitchen. He greets her with "Hello, Liv."

"The Arrival" marked the first episode devoted to the Observer, played by Michael Cerveris.

"The Arrival" was written by co-creator J.J. Abrams and executive producer Jeff Pinkner. Paul A. Edwards directed the episode,[1] his second of the season.[2] Early in the series, actress Jasika Nicole feared her character was going to become liked by the audience only to suddenly die. She explained that "When I was reading the script in the episode where Dr. Bishop stabs her in the neck with the sedative … and all [the script] says is, 'Dr. Bishop grabs Astrid from behind and jams the needle into her neck.' Then it fades to black. My mouth hung open for awhile and I was like, 'Oh my God, I only made it through six episodes."[3]

While Michael Cerveris has appeared as the Observer in the three previous episodes—and has appeared in every episode to date—his previous appearances had been brief background cameos.[4] When initially cast for Fringe, Cerveris assumed he was a mere guest star, and that his character was "one of several nuggets dropped in" by J.J. Abrams in a manner similar to his other science fiction series, Lost. Cerveris soon discovered that his character was "this sort of Where's Waldo thing (as) the linchpin in an overarching story of the series".[5] He continued:

I wasn't told, because I don't think they knew at the time, whether I was a good guy, a bad guy, human, alien, other-dimensional. I just kind of felt my way through it with the first directors and input, obviously, from the writers in the scripts that we had. Even things like wardrobe, they weren't given extremely big instructions, so we kind of worked things out together and just found something we all thought was interesting and iconic and went with that.

— Michael Cerveris, Blastr[6]

Executive producer Jeff Pinkner commented, "Our goal was to take a character who is by definition unknowable and make him someone you can connect to emotionally. He's more specifically connected with the overall character mythology of the show than we ever expected."[5] The decision to remove his eyebrows was made an hour before he first appeared, which caused stress in the make-up department because Cerveris would not shave his eyebrows; he commented about the affair, "I've got a little too much else going on, and who knows if they would ever grow back. I have little enough hair as it is."[6] "The Arrival" was the first episode in which the Observer had dialogue, and the first in which he was treated as a focal character.[7] In addition to Cerveris, actor Michael Kelly made a guest appearance in the episode.[8][9]

In the episode, a character introduced as "the Rogue" has a specialized weapon that fires massive amounts of energy. To simulate the energy gun the Rogue fires at Olivia in the forest, the crew placed pyrotechnic charges near the trees to make it appear large blasts were close to hitting her. In a DVD special feature, one of the crew commented it was "challenging" to choreograph the fight scene between The Observer and Peter, because the former does not fight back as he is only there to observe.[10]

The DVD special features include a deleted scene, where Peter emphatically denies the existence of parallel universes after Walter implies their existence in a quote from Shakespeare's Hamlet.[11]

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