The Bells (Lou Reed album)

Reed said, "I mastered the art of recording known as 'capture the spontaneous moment and leave it at that'. The Bells was done like that, those lyrics were just made up on the spot and they're absolutely incredible. I'm very adept at making up whole stories with rhymes, schemes, jokes."[1]

Professional ratings

Review scores
Source	Rating
AllMusic	[2]
Chicago Tribune	[3]
The Village Voice	B+[4]

In a contemporary review for Rolling Stone, music critic Lester Bangs wrote, "With The Bells, more than in Street Hassle, perhaps even more than in his work with the Velvet Underground, Lou Reed achieves his oft-stated ambition—to become a great writer, in the literary sense."[5] Village Voice critic Robert Christgau said:

"Lou is as sarcastic as ever—the lead cut is called 'Stupid Man,' and in a typically acid rhyme he links 'capricious' and 'death wish.' But due in part to the music's jazzy edge and warmly traditional rock and roll base (special thanks to Marty Fogel on saxophone) he also sounds ... well-rounded, more than on Street Hassle. The jokes seem generous, the bitterness empathetic, the pain out front, the tenderness more than a fleeting mood. And the cuts that don't work—there are at least three or four—seem like thoughtful experiments, or simple failures, rather than throwaways. I haven't found him so likable since The Velvet Underground."[4]

In a less enthusiastic retrospective review, Select magazine wrote that "The Bells saw his music disappearing down the pan ... Even self-parody is barely achieved in these half-assed songs played by a bunch of dullards, with Lou sounding painfully uninspired."[6]

• The Bells at Discogs (list of releases)